SKU: HL.48181051
UPC: 888680975555. 9x12 inches.
For oboe or saxophone.
SKU: PR.510078200
UPC: 680160619108.
In the continuing Supplement to EMB's Series I and Series II of the New Liszt Edition, Volume 12 presents earlier and/or alternate versions of works previously covered in the preceding Series. Perhaps no other event had the profound effect upon the young Liszt as his exposureto the artistry of Paganini, a master who brought his own instrument to new heights and new demands. Soon after, Liszt composed his own set of Bravourstudien, studies intended for superhuman pianists, later know as the Grandes Etudes de Paganini. This Supplement volume presents an excellent overview, multiple manuscript copies, and critical editions of earlier published versions (in the clothbound version). For advanced pianists.
SKU: BT.EMBZ14567
English-German-Hungarian.
The main part of Supplement Volume 12 features the predecessor of the Grandes Études de Paganini, a series of six études written after Paganini between 1838 and 1840, and referred to by Liszt as transcendent performance (Études d'exécution transcendante d'apres Paganini). The series was inspired not only by the virtuoso violinist and composer's Caprices and Violin Concerto in B minor but also by Schumann's Paganini Études, which Liszt presumably encountered thanks to Clara Wieck at the beginning of 1838. The volume also includes the first and second solo piano versions of Die Zelle in Nonnenwerth (1840 and 1841), which Liszt composed a number of times in several versions,as well as two Wagner transcriptions and the first versions of adaptations of two works by Russian composers. A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously with the Complete Edition volume in cloth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume. The GRANDES ETUDES D´APRES PAGANINI are a series of six études for the piano written by Liszt. The pieces are based on the compositions of Niccolò Paganini for violin. Other pieces based on various other composers are also included in the volume. Adetailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthis paperback for practical purposes, its cloth-bound Complete Edition volume is also published with the critical notes. Die GRANDES ETUDES D´APRES PAGANINI umfassen sechs Etüden von Liszt, die auf Kompositionen von Niccolò Paganini für Violine zurückgehen. Darüber hinaus enthält die Ausgabe eine Reihe anderer Etüden von Liszt, die auf verschiedene Komponistenzurückgehen. Eine detaillierte Beschreibung auf Ungarisch, Englisch und Deutsch, die kritische Forschungsergebnisse aufgreift, eine Vielzahl an Manuskript-Facsimiles und kritischen Anmerkungen machen diese Taschenbuchausgabe der bekannten New LisztEdition auch für den täglichen Gebrauch besonders wertvoll. Die gebundene Ausgabe enthält ebenfalls die kritischen Anmerkungen.
SKU: BT.EMBZ14567A
The main part of Supplement Volume 12 features the predecessor of the Grandes Études de Paganini, a series of six études written after Paganini between 1838 and 1840, and referred to by Liszt as transcendent performance (Études d'exécution transcendante d'apres Paganini). The series was inspired not only by the virtuoso violinist and composer's Caprices and Violin Concerto in B minor but also by Schumann's Paganini Études, which Liszt presumably encountered thanks to Clara Wieck at the beginning of 1838. The volume also includes the first and second solo piano versions of Die Zelle in Nonnenwerth (1840 and 1841), which Liszt composed a number of times in several versions,as well as two Wagner transcriptions and the first versions of adaptations of two works by Russian composers. A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously with the Complete Edition volume in cloth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume. The GRANDES ETUDES D´APRES PAGANINI are a series of six études for the piano written by Liszt. The pieces are based on the compositions of Niccolò Paganini for violin. Other pieces based on various other composers are also included in the volume. Adetailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthis paperback for practical purposes, its cloth-bound Complete Edition volume is also published with the critical notes. Die GRANDES ETUDES D´APRES PAGANINI umfassen sechs Etüden von Liszt, die auf Kompositionen von Niccolò Paganini für Violine zurückgehen. Darüber hinaus enthält die Ausgabe eine Reihe anderer Etüden von Liszt, die auf verschiedene Komponistenzurückgehen. Eine detaillierte Beschreibung auf Ungarisch, Englisch und Deutsch, die kritische Forschungsergebnisse aufgreift, eine Vielzahl an Manuskript-Facsimiles und kritischen Anmerkungen machen diese gebundene Ausgabe der bekannten New LisztEdition besonders wertvoll. Das Pendant im Taschenbuchformat enthält ebenfalls die kritischen Anmerkungen.
SKU: BT.EMBZ5411
English-German.
The history of Liszt's intensely virtuosic and unwaveringly popular Transcendental Etudes dates back to his 12 Etudes composed around 1826. Liszt later reworked 11 pieces of this not-so-technically-difficult series into virtuoso concert etudes, and replaced one of the etudes with a new piece. This version was published in 1837 under the name Grandes études. However, Liszt reworked these 12 big etudes again: the final version of the series - in which, with two exceptions, the pieces were titled - was published in 1851 under the series title Études d exécution transcendante. Transcendental Etudes was the very first volume of the New Liszt Complete Critical Edition, and it wasfirst published in 1970 based on the previous editions of the work. This edition includes footnotes highlighting common performance difficulties as well as English and German forewords, facsimiles, and critical notes in English.
SKU: BT.EMBZ5411A
The history of Liszt's intensely virtuosic and unwaveringly popular Transcendental Etudes dates back to his 12 Etudes which was composed around 1826. Liszt later reworked 11 pieces of this not-so-technically-difficult series into virtuoso concert etudes, and replaced one of the etudes with a new piece. This version was published in 1837 under the name Grandes études. However, Liszt reworked these 12 ''big'' etudes again: the final version of the series - in which, with two exceptions, the pieces were titled - was published in 1851 under the series title Études d'exécution transcendante. Transcendental Etudes was the very first volume of the New Liszt Complete Critical Edition, andit was first published in 1970 based on the previous editions of the work. This edition includes footnotes highlighting common performance difficulties as well as English and German forewords, facsimiles, and critical notes in English.
