25 Great Blues Guitar Solos

From Magic Sam and the 'Three Kings' to Eric Clapton and the Vaughan brothers take an inside look at the genesis of Blues Guitar. This book and CD compendium provides solo transcriptions in standard notation and tablature lessons on how to play them guitarist biographies equipment photos history and much more.The accompanying CD contains full-band demonstrations of every Guitar solo in the book. For PC and Mac users the CD is enhanced with Amazing Slow Downer software so you can adjust the recording to any tempo without changing pitch!Note: only solos are notated not complete songs.

Par SOKOLOW FRED. Ces mélodies ont été inspirés par les guitaristes de blues acoustique de grande ' première génération ': avoir Ledbetter, Mance Lipscomb, Gary Davis, Jesse Fuller, Blind Blake et autres. Tunes d'auteur Fred Sokolow transmettent certains les mêmes sentiments que ces artistes de blues au début et sont amusants à jouer. Plusieurs des airs sont en remplaçante ajustements apportés. Fred décrit son inspiration pour chaque morceau dans le livre et il effectue également sur le CD joint. Dans la notation et tablature with chords suggérés de back-up. / Niveau : Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures

Grammy winning guitarist and acclaimed author Mark Hanson teaches you how to play great fingerpicking blues guitar instrumentals on this DVD. Included are Mark's fun arrangements of Every Night When the Sun Goes Down Stick With Me Baby and his extended bluesy guitar solo of the classic Amazing Grace. Also included are Mark's sprightly ragtime composition 'Riff Raff' and a thorough explanation of developing fingerstyle solo techniques through multi-voiced back-up shuffle patterns. As an added bonus Mark is shown performing his highly regarded arrangement of Water Is Wide. Contains complete music notation and tablature for all the fivetunes. Individual lesson segments and multiple camera angles and close-ups all to help your learning!

This book was a delight and a challenge to put together. Stefan Grossman wanted to highlight the playing of six blues players that have greatly influenced him: Big Bill Broonzy Lonnie Johnson Rev. Gary Davis Blind Blake Scrapper Blackwell and Tampa Red. Each has recorded wonderful instrumental solos that have been transcribed from the first note played to the last. These are complete transcriptions. Hopefully they will bring insight into theplaying ideas and techniques of these legendary players. Titles and artists included are: Big Bill Broonzy - Slow Blues St. Louis Blues; Scrapper Blackwell - A Blues D Blues; Blind Blake - Guitar Chimes BlindArthur’s Breakdown; Rev. Gary Davis - Bill Bailey Walkin’ Dog Blues; Lonnie Johnson - Blues for the West End Blues in G Woke Up With the Blues in My Fingers;  Tampa Red Things ’Bout Coming MyWay. How to use this book: 1) Listen over and over to the recordings available via download for this collection. 2) Get a program that can control audio files. Use this with the transcriptions and therecordings. 3) Be patient!! Practice and practice!! These are blues masterpieces and can take weeks or month or years to get under your fingers. But what fun it will be once you can play one of these instrumental.

The late Lenny Breau was admired throughout the world for his complex fingerstyle jazz stylings. The first part contains Breau's Guitar workshop dealing with Building the Blues; Three Against Two and Harmonicsat Work. Section 2 presents three great Lenny Breau solos (Five O'Clock Bells; Little Blues and Freight Train). Written in notation and tablature. Contains Breau's 'master class' on fingerstylejazz Guitar. 3 songs from book are not included on the audio files. Includes access to online audio.

Perfect for the student of Jazz. --Michael Brecker ?I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!? Fred Hamilton, professor of jazz guitar, University of North Texas ?These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.? Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

A bumper selection of riffs turns licks solos and phrasing that will give your Guitar playing that authentic Blues edge. Presented in easy-to-follow notation and Tab Wayne Riker divides the Blues into different styles and locations detailing the characteristic differences between the sounds of Chicago Texas and the Mississippi Delta.Learn the styles of the great Blues players with chapters that examine the playing of Johnny Winter Jimi Hendrix George Benson Kenny Burrell T-Bone Walker Robert Johnson Eric Clapton Buddy Guy...the list goes on!Highly comprehensive clear and inspiring this book and CD will get you wailing like the Blues greats with arange and vocabulary that will keep your playing fresh and exciting.

Par GRIFFIN STEVE. Un des meilleurs record vendre des livres sur le jeu de guitare lead blues. Jeu guitare blues-rock dépend principalement de deux choses: 1) ce que vous pouvez entendre dans votre esprit et 2) obtenir vos doigts aux sons appropriés sur votre instrument. Ce livre a été écrit en mettant l'accent sur la deuxième idée. Il y a quatre patrons de doigt de blues-rock utilisés dans ce livre, utilisant toutes les six chaînes de la guitare avec chaque motif. Ces quatre patrons se connectent entre eux permettant au joueur de plomb à utiliser la touche toute et la gamme de la guitare pour exprimer ses idées musicales. Les graphiques sont utilisés pour vous montrer comment placer ces quatre patrons à l'endroit approprié sur le cou pour improviser dans n'importe quelle touche. Solos de Great rock peuvent être joués dans chacun de ces patrons ou dans n'importe quelle combinaison des patrons. Ecrit sous forme de diagramme et de la tablature boîte (notation également incluse), ce texte fin prend le guitariste début en solide, funk rock plomb solo de jouer. Le long de jouer les CD inclus. / Niveau : Débutant / Rock and Blues - Methods / Tablatures / Guitare Tablatures Electrique

Chris Buono's method is the ultimate guide to playing great leads. Designed for blues and rock guitarists with a desire to broaden their musical vocabulary this book will show you the concepts and important to creating jazz guitar solos. Here you will find eight full-length solos in a variety of jazz styles ranging from classic standards to Gypsy jazz to latin modal and smooth jazz. Far more than just a technique manual or theory book this is a guide to the concepts of the components of jazz solos and includes analysis of chord progressions and the material techniques and structural characteristics used to improvise over them. An intermediate level is required toundertake the material in this book.

This book presents a series of accompaniments and Guitar solos in the slow blues style. You will discover major and minor chords and rhythms including 12/8 to be played with a pick or your fingers evoking the great standards of this style as well as the blues 'rootsâ??. There are then beautiful solos for you to play built on a slow time starting from the main harmonic progressions typical of this style which open the door to controlled virtuosity and feeling. Accompagnamenti

These tunes were inspired by the great 'first generation' acoustic blues guitarists: Huddie Ledbetter Mance Lipscomb Gary Davis Jesse Fuller Blind Blake and others.Author Fred Sokolow's tunes convey some ofthe same feelings as these early blues artists and are fun to play. Several of the tunes are in alternate tunings. Sokolow describes his inspiration for each piece in the book and also performs it on the audio. Innotation and tablature with suggested back-up chords. Includes access to online audio.