Guitar Tunes Made Easy

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Par CHRISTIANSEN COREY. This book contains a number of easy blues solos written for the beginning blues guitarist. Many of the solos are to be played in the first position with a few in the third and higher positions. All of the solos in this collection are presented in standard notation and tab. Students should read the standard notation as much as their reading skills will allow as that is where the rhythmic notation is contained, but the tab will allow any student to play the solos in higher positions where many beginners find reading challenging. Many of the solos have techniques written such as slides, 1/4 step bends (a very slight bend), and grace notes. These are simple techniques to execute and can be mimicked by listening to the play-along recording if the student does not read these techniques in standard notation. A professional band has recorded each tune on the accompanying play-along CD. This will help students hear the groove of the tune and how each piece should be phrased. Historically, the blues is an aural tradition and many of the most prolific blues artists learned by ear. The CD will provide invaluable help for playing these tunes authentically. Check out the Free PDF Download that contains a third of the book! / Niveau : Débutant / Blues - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

With Online Audio-An exciting collection of 29 traditional tunes from Ireland arranged for easy flatpicking Guitar. All tunes are written clearly in standard notation as well as Guitar tablature. An accompanying audio download contains all thetunes played at a manageable speed with Guitar accompaniment.The collection contains airs well known songs polkas slip jigs slides double jigs hornpipes and reels all of which are specially arranged by the authorwith the beginning/intermediate guitarist in mind. On the audio download the tunes are played 2 or 3 times so you can really get into the feel of the tune when playing along. The speed of the tunes is quite slow but not soslow as to take away from the essential feel of the music.Irish music is rightly popular all over the world. The haunting beauty of the slow airs and infectious foot-tapping rhythms of jigs and reels are here to bediscovered in this selection of great traditional music.

Large Print/Big Note Edition. Par BAY WILLIAM. Une collection de parfait lié complet 96-page, grande impression/big note de plus de 90 fiddle favorite tunes. Comprend le fiddle américain tunes, moulinets celtiques, favoris de l'Evangile, airs de jazz et plus encore. Accords de guitare sont inclus. / Niveau : Débutant / All Styles - FiddleTune / Recueil / Violon

Une complet remarque imprimer/big 96-page, grand lié aux parfait collection de plus de 90 tous les temps favori tinwhistle tunes. Comprend les chansons folkloriques, chanties de la mer, Gospels, spirituals, hymnes, fils patriotiques et plus encore. Doigtés graphique et la guitare cordes sont inclus. / Tin Whistle / 96 pages / niveau : Débutant / Partition - Format: 11 X 8,5

Une collection de parfait lié complet 96-page, grande impression/big note de tous les temps, violon favorite tunes. Comprend les chansons folkloriques, chanties de la mer, Gospels, spirituals, hymnes, fils patriotiques et plus encore. Accords de guitare sont inclus. / Violon / 43 pages / Partition

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

The Complete Idiot's Guide songbooks are designed to get novice guitarists playing immediately, and playing the songs that inspired them to pick up a guitar in the first place. Each song in The Complete Idiot's Guide books is preceded by a lesson that focuses on the most important technical and musical features. Fingerings, patterns, and techniques are discussed and broken down to help make learning smooth and simple. Most guitar songs are relatively easy to play, and the arrangements in these books are simplified just enough to show those core, natural guitar parts without being overcomplicated, just the way a friend might show another how to play a song one-on-one. Learning is made even simpler with each song written in standard music notation plus TAB and guitar chord diagrams. Learning hit rock songs was never so easy! Pick up The Complete Idiot's Guide to Rock Guitar Songs and learn all 30 tunes from acclaimed artists like Cream, AC ,DC, Guns N' Roses, Jimi Hendrix, Green Day and many more. After Midnight; All Along The Watchtower; American Idiot; Back In Black; Bad Company; Bad To The Bone; Boulevard Of Broken Dreams; Casey Jones; China Grove; Dirty Deeds Done Dirt Cheap; Dr. Feelgood; Europa (Earth's Cry Heaven's Smile); For What It's Worth; Gimme Some Lovin'; The House Of The Rising Sun; How You Remind Me; In-A-Gadda-Da-Vida; Jump; Layla; Long Train Runnin'; Mama Told Me Not To Come; Panama; Peter Gunn; The Reason; Sunshine Of Your Love; Sweet Child O' Mine; Truckin'; Welcome To The Jungle; When I Come Around; Wild Night.

Big Note/Large Print Edition-A comprehensive 96-page large print/big note perfect-bound book of over ninety all time favorite flute tunes. Includes folk songs sea chanties gospel songs spirituals hymns patriotic songs and more. Fingering chart andguitar chords included.