Gypsy Jazz - Violon - Violin Play-along Volume 80

Learn to improvise in the Gypsy Jazz style. Suitable even for violinists who have never improvised before this method covers specific key aspects of the Gypsy jazz Violin style as made famous by French jazz violinist StephaneGrappelli who played with Gypsy jazz Guitar player Django Reinhardt. The techniques in this book are presented sequentially and the underlying music theory is introduced on a 'need to know' basis.Getting IntoGypsy Jazz Violin includes charts of classic swing tunes such as Avalon The Sheik of Araby and After You've Gone and includes online audio featuring authentic accompaniment tracks and modelViolin performances. Because the Gypsy jazz Violin style maintains common elements of traditional classical Violin techniques such as vibrato and shifting the book is a perfect vehicle for the classical violinist to learn toimprovise without having to change their general approach to the instrument.? Any intermediate or advanced violinist can learn to improvise in the Gypsy jazz Violin style.? Perfectly suited toclassically trained violinists because the Gypsy jazz Violin style is closely related to traditional classical Violin techniques.? Includes charts of classic swing tunes such as Avalon The Sheik of Araby

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

This method by Tim Kliphuis is the first book to teach Gypsy Jazz Violin in the style of Stephane Grappelli. Have you ever listened to Stephane Grappellis' solos thinking 'Iwish I could do that but it is way over my head'? Here is the answer. Simple theory licks and stylistic lessons point you towards your first authentic Gypsy Jazz improvisations which you can try out with the swingingGuitar-Bass play-along downloadable audio rhythm section. Then prepare to tackle six classic Stephane Grappelli solos annotated and analyzed for your understanding. To grasp the finesses of sound and timing there aremany sample licks and solos by Tim Kliphuis on the online audio as well. It is assumed the student reads music and has a basic command of the instrument. First method everfor learning Gypsy Jazz Violin in the style of Stephane Grappelli. Theory and stylistic lessons lead up to improvisation in authentic Gypsy Jazz style. Six classic Grappelli solos fully analyzed for study and understanding. Playalong rhythm section as well as Violin licks and samplesolos. Audio available for download online.  

This method by Tim Kliphuis is the first book to teach Gypsy Jazz Violin in the style of Stephane Grappelli. Have you ever listened to Stephane Grappellis' solos thinking 'I wish I could do that, but it is way over my head'? Here is the answer. Simple theory, licks and stylistic lessons point you towards your first authentic Gypsy Jazz improvisations, which you can try out with the swinging Guitar-Bass play-along downloadable audio rhythm section. Then, prepare to tackle six classic Stephane Grappelli solos, annotated and analyzed for your understanding. To grasp the finesses of sound and timing, there are many sample licks and solos by Tim Kliphuis on the online audio as well. It is assumed the student reads music and has a basic command of the instrument. First method ever for learning Gypsy Jazz Violin in the style of Stephane Grappelli. Theory and stylistic lessons lead up to improvisation in authentic Gypsy Jazz style. Six classic Grappelli solos fully analyzed for study and understanding. Playalong rhythm section as well as Violin licks and sample solos. Audio available for download online.

An Introduction to Jazz Harmony Technique and Improvisation-Jazz is one of the biggest challenges a violinist can face with the idea of improvisation likely to strike fear into even the best classical players. This book de-mystifies the whole process taking you step by step through everything you need to know about playing jazz violin. Chris Haigh?s style has been described as humorous entertaining and addictive. This book is anything but dull! Key areas covered include analyzing a chord sequence; bowing; chord symbols; how to construct your own solo and how the various different branches of jazz including gypsy jazz bebop modal and fusion are explored. This book is packed with ?bite-sized? musical portions all explained and placed in context. As well as a treasure chest full of licks and riffs to use in your improvisations there are sample tunes with examples of solos. The accompanying CD has 65 tracks to listen to and play along with.

Do you want to sound more like the French maestro Stephan Grappelli? Here is the answer. I've selected around 250 classic Grappelli licks for you to learn. Using Simple chord theory and tips for timing and style. You can start these songs instantly. The CD contains samples, solos and backing tracks to practice your new-found skills on.
1. introduction
2. ABOUT THE AUTHOR
3. Acknowledgments
4. HOW TO USE THIS BOOK
5. GETTING STARTED
6. BOWING
7. Syncopation
8. Ghost notes
9. Basic Chord Theory
10. Universal Licks
11. Using Your Licks
12. Transposing
13. Positioning
14. Timing
15. Lick in G - Playalong solo on the chords of It Had to Be You
16. Licks in C - Playalong solo on the chords of Shine (C)
17. Tip #1: Playing Minor on Major Chords
18. Licks in A Minor - Playalong solo on the chords of Minor Swing (Am)
19. Licks in D - Playalong solo on the chords of Coquette (D)
20. Tip #2: Chromatic Notes
21. Licks in F - Playalong solo on the chords of Honeysuckle Rose (F)
22. Licks in D minor - Playalong solo on the chords of I've Found a New Baby (Dm)
23. Tip #3: Playing Minor on the Dominant
24. Licks in Bb
/ Partitions jazz&blues / Cordes / Violon / MEL BAY

Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.