Format : Study Score / Miniature
SKU: HL.49006953
ISBN 9790001074445.
SKU: HL.49019672
ISBN 9790001190497. 9.25x12.0x0.286 inches. English - German.
'Hamlet-Echos' comes from the full-length opera 'Hamlet' in which Christian Jost interprets Shakespeare's tragedy as 'story of a surreal journey inward'. By having Hamlet sing in a female voice, Jost emphasizes the universal validity of this statement. The intentional bilingualism stands for Hamlet's inner dialogue in which the viola part joins commentating.
SKU: HL.49006855
ISBN 9783795726270. German.
Gefragt wie lange ich mich mit dem vollendeten Hamlet beschaftigt habe, musste ich - um der Wahrheit die Ehre zu geben - antworten: rund 40 Jahre. Die vergingen, vom ersten Blitzstrahl an, der mich vei einer szenischen Auffuhrung so um 1940 herum durchfuhr mit der Erkenntnis, dieses nachst Romeo un Julia wohl pulularsten Shakespearesche Stuck muss ich komponieren - diese vier Jahrzehnte vergingen mit meiner Fassung des Textbuchs, der Niederschrift erster Skizzen, nachfolgender Komposition der einzelnen Szenen, der Reinschrift von Klavierauszug und Partitur, nach einem langen Inkubationsprozess also, der fur meine sonstigen Arbeitsweise ganz ungewohnlich ist. (H. Reutter).
SKU: CA.1245403
ISBN 9790007298326. German. Text: Sommer, Michael.
SKU: CA.1245405
ISBN 9790007298333. German. Text: Sommer, Michael.
SKU: SU.80119501
Guitar Composed: 1995 Published by: Soundspells Productions Hamlet, Prince of Denmark (1995) is a tone poem for solo guitar inspired by Shakespeare's drama. It was written for Roberto Limon.
SKU: CA.1245400
ISBN 9790007292935. German. Text: Sommer, Michael.
SKU: HL.48025210
UPC: 196288133384. 9.0x12.0x0.055 inches.
With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-productsâ€: And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, Confessio for solo bass clarinet, and the suite Gertrude Fragments for mezzo-soprano and guitar. The five miniatures, with their suitably intimate, dark instrumentation, throw light on various aspects of Hamlet's mother, who is both a guilty and a tragic, helpless figure.
SKU: HL.48025211
UPC: 196288133391. 9.0x12.0x0.067 inches.
With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-productsâ€: And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, the suite Gertrude Fragments for mezzo-soprano and guitar, and Confessio for solo bass clarinet. Confessio describes an appearance by Hamlet's uncle Claudius: In the castle chapel he deliversa short monologue – rather a reflection than a prayer or confession. Claudius reveals to himself the deep fear of the consequences of his murderous deed - and a vague, though hardly justifiable, hope for mercy.
SKU: TM.07473SC
SKU: BT.F-21028
SKU: TM.01677SET
17 numbers in Five Acts. Nos. in score corrected to match parts. Overture, Melodrame, Fanfare, Act II Entr'acte, Fanfare, Act III Entr'acte, Act IV Entr'acte (Elegie), Scene D'Ophelie, Deuxieme Scene D'Ophelie, Fin de la Deuxieme Scene D'Ophelie, Act V Entr'acte, Chant du Fossojeur, Marche Funebre, Marche Finale, 4 more.
SKU: BT.ALHE03616
French.
'Spectre infernal, image vénerée...'
SKU: HL.14079054
SKU: TM.07622SET
No score.
SKU: SU.00220123
The complete Violin I & II parts [CD-ROM] for the 42 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 4: Tchaikovsky and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: GLINKA Ruslan and Ludmilla, A Life for the Czar Overtures; TCHAIKOVSKY 6 Symphonies, Manfred Symphony, 3 Piano Concertos, Violin Concerto, Rococo Variations, 3 Complete Ballets (Nutcracker, Sleeping Beauty, Swan Lake), 7 Suites (Mozartiana, Nutcracker, Swan Lake). 1812 Overture, Capriccio Italienne, Francesca da Rimini, Hamlet, March Slav, Mazeppa Overture, Romeo and Juliet, Serenade for Strings, The Tempest, Voyevoda, more (37 works); MUSSORGSKY Pictures at an Exhibition, Night on Bald Mountain, Khovantchina Overture Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: HL.49026158
ISBN 9790001137317. UPC: 840126902518. 9.0x12.0x0.095 inches.
Ursprunglich fur den International Cello Congress 2005, 1000 Cellists Concert, komponiert, kann das einsatzige Stuck auch von Amateuren gespielt werden. Diesem Anspruch der leichteren Spielbarkeit und seiner eigenen Tonsprache gerecht zu werden gelingt dem Komponisten in uberzeugender Weise. In bescheidenem Rahmen werden auch einige ungewohnliche Spieltechniken gefordert, die dem Nichtprofi Fahigkeiten vermitteln, die abseits von der allgemein ublichen Literatur fur sein Niveau liegen.
SKU: BT.F-21026
SKU: HL.49006849
ISBN 9790001073530. 9.0x12.0x0.08 inches.
SKU: BR.PB-5559-07
Tchaikovsky's Hamburg Symphony in the Urtext
ISBN 9790004213698. 6.5 x 9 inches.
Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.Tchaikovsky's Hamburg Symphony in the Urtext.
SKU: TM.05452SC
Transposed: cl 1+2, bsn 1+2. Tbn 1+2 orig in bass clef, tpt orig in Bb, Hn orig in F, cl orig in A. Act I Tableau 2, No. 9.