Format : Vocal Score
with My Jesus I Love Thee-You will find this choral setting of a modern worship song palatable and an asset for a variety of services. The pairing with a familiar hymn makes this a perfect choice for blended worship use. Available separately: SATB BonusTrax CD. Score and Parts for Orchestra available digitally (1110/1321/1/8842). Duration: ca. 4:05.
SKU: LO.10-5650L
ISBN 9780787776220.
This Tracey Craig McKibben anthem is a perfect selection for Lent, or any service of introspection and commitment. A beautiful original melody, coupled with a flowing piano accompaniment, provides a fresh but worshipful musical frame for these cherished words of our faith. Highly accessible vocal writing makes this suitable for both SATB and SA(T)B ensembles!
SKU: AU.9781506492438
ISBN 9781506492438. 7x10.25 inches.
Originally written by Evelyn Larter as a vocal solo in the collection In the Fair Morning, here is an uplifting Easter anthem rescored for SATB choir and piano. In a bright 6/8 meter, the melody is lyrical with rhythmic interest and the newly composed harmony enhances the joyful mood. With an easy-medium difficulty, this is a great addition to the Easter Vigil or Easter morning worship.
SKU: OU.9780193404854
ISBN 9780193404854. 12 x 8 inches.
For SATB unaccompanied This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against metred music to emphasise a reflective manner of worship.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: HL.277282
UPC: 840126915006. 6.75x10.5 inches.
Program note:Looking Up is a piece for large chorus and orchestra, and is in three sections, played without pause. In the 16th century, a variety of psalters in meter were printed in England, with the idea of making psalm-singing something that could happen easily at home, with the rhyming meter being an aid to memorization. These translations are wonderful exercises in brevity and sometimes clumsy rhymemaking, and were usually prefaced by a lengthy explanation as to their merits; the title of one of the first such volumes in English is: The Psalter of Dauid newely translated into Englysh metre in such sort that it maye the more decently, and wyth more delyte of the mynde, be reade and songe of al men. I thought it would be appropriate to set one of these introductions, and the first section of Looking Up sets the preface to Thomas Ravenscroft's psalter (1621), in which he writes: “The singing of Psalmes (assay the Doctors) comforteth the sorrowfull, pacifieth the angry, strengtheneth the weake, humbleth the proud, gladdeth the humble, stirres up the slow, reconcileth enemies, lifteth up the heart to heavenly things, and uniteth the Creature to his Creator.”It begins meditatively, but eventually grows agitated and fervent, with a vision of the “quire of Angels and Saints” “redoubling anddescanting” - an ecstatic and terrifying vision of the skies opening up. Ravenscroft then encourages the use of instrumental musicfor worship, at which point, a long, acrobatic orchestral interlude with jagged edges antagonizes the choir, who sing a kind of private, anxious meditation on two pitches.One of the most delicious biblical texts is an Apocryphal prayer known as the Benedicite or the Prayer of the Three Children (the same who were rescued by an angel after King Nebuchadnezzar tried to have them burnt in an oven for not bowing to his image). The text is repetitive, obsessive, and a gift to composers - each line is an invocation of an element of the natural world, followed by the phrase, “blesse ye the Lord, praise him & magnify him for ever.” In Looking Up, the setting begins with three solo voices, and then grows to include the whole choir, itemizing the whole of creation. The idea that these boys are spared from the furnace and then five minutes later are saying, “O ye the fire and warming heate, blesse ye the Lord...” has always felt very loaded to me, and the orchestra plays with this conflict between joyful praise and a more terrible (in the 16th-century sense) awefor the divine.The text for the third, and shortest, section is taken from Christopher Smart's (1722-1771) A Song to David, purportedly written during his confinement in a mental asylum. This ode to King David points out how David, as the author of some of the Psalms, observes the whole world from the “clustering spheres” to the “nosegay in the vale.&rdquo.
SKU: HL.357348
UPC: 840126943306. 6.75x10.5x0.029 inches. Isaiah 55:12, Luke 19:40.
Swinging with joy, this cheerful original is filled with confidence, boldly sharing a song of praise and devotion. An infectious theme sounds in unison before giving over to urban gospel-styled harmonies that sweep the listener along in celebration. Special vocal effects accompany a soloist in the middle section, building energy to a rollicking recap of the theme. A powerful finale to your service or concert, you won't want to miss this easy-to-learn affirmation of faith!
SKU: SU.94010360
SATB chorus & Piano Duration: 5' Composed: 2009 Published by: Subito Music Publishing The arrangement Balm in Gilead was written for use in the divine worship service of the Baltimore White Marsh Seventh-day Adventist Church. It is written in a level of moderate difficulty for an average church choir. There are a few contrapuntal devices used for imitative purposes. The piano part also is employed as a true collaborator and not only merely as an accompaniment. Minimum order quantity: 8 copies. To order quantities fewer than 8, please write to sales@subitomusic.com.
SKU: SU.28180020
Meditative chant has a calming, focusing power in our fast-paced world. The 25 chants of WELLSPRING: Centering Chant for Uncertain Times bring refreshment, mindfulness, and centering. You may listen to the chants by going to the website kathywonsoneddy.com and clicking on CHANT. WELLSPRING booklets for sale through store@subitomusic.com make it possible for choirs, congregations, small groups, and individuals to sing these Taize-style chants in worship or in personal spiritual practice. The contemplative chants in WELLSPRING call us from the clamor and confusion of our time into our quieted heart, discovering the deep river of peace and grace already flowing there.Voices & Piano Composed: 2020 Published by: Kathy Wonson Eddy.
SKU: SU.94010340
Tehillim to Yahweh is a very short paraphrase of part of Psalm 150, and in English is translated to Psalms to the Lord. It is meant to be of an easy level for an average church choir and is intended to be used as an introit in the divine worship service. There is a declamatory opening followed by a short passage of canonical entrances; the end of the work employs a small use of chromaticism. SATB Chorus, a cappella Duration: 1 ' Composed: 2013 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8.
SKU: HL.49045586
ISBN 9790001166270. UPC: 841886032705. 7.5x10.75 inches. Latin.
As a singing teacher, choir director and not least as a passionate professional choir singer, Irina Rebhuna is perfectly familiar with the possibilities of the human voice. And so it is hardly surprising that the Latvian musician born in 1988 has devoted herself especially to the composition of vocal music. Her sacred choral work Libera me, Domine for mixed a cappella choir (SSAATTBB) won the special prize for the 'best composition for 4-6 voices' at the International Composition Competition 'Musica Sacra Nova' 2016. This church music gem, in which the eponymous Gregorian chorale is intonated by one of the (two) bass baritone sections at the beginning - over a musical tapestry woven by the remaining voices - and taken up again by all tenors at the end, is ideal for ambitious amateur choirs. The idea behind this work, says the composer, is 'the human reflection on the uncertain - on death, on Judgment Day or on what is inexplicable to us. Such as humility, excitement, fear,and atonement. The chant ends without ending, there is no solution. Life goes on because we ask the following question again and again: What will happen next?'.
SKU: CA.2719712
ISBN 9790007200954. Language: Latin.
Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700.
SKU: CA.2719749
ISBN 9790007164874. Language: Latin.