High in B flat

The Guitar Playing of Lonnie Johnson, Bo Carter, Rev. Gary Davis, Buddy Moss, Josh White and Tommy McC. This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Moss's recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound 'rough and tumble' but once you explore the intricacies of his playing you will discover a powerful blues guitarist. REV. GARY DAVIS: Cincinnati Flow - Piece without Words - Children of Zion - Twelve Gates to The City BO CARTER: Let's Get Drunk Again - Nobody's Business - Honey - What You Want Your Daddy to Do BUDDY MOSS: Oh Lordy Mama - Sleepless Night - Someday Baby (I'll Have Mine)JOSH WHITE Crying Blues - Bad Depression Blues - High Brown Cheater - My Soul Is Gonna Live With God - Pure Religion Hallilu LONNIE JOHNSON: Away Down In the Alley Blues - Stomping 'Em Along Slow - Blue Ghost Blues There Is No Justice - Helena Blues - Sittin' On A Log - Corn Bread Blues TOMMY McCLENNAN: Blues as I Can Be - I'm Goin', Don't You Know - Love With a Feeling - New Highway No.51 - Drop Down Mama HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!! / Niveau : Intermédiaire / Date parution : 2019-05-27/ Recueil / Guitare Flatpicking et Fingerpicking

High Voice in E-flat Major-Arranged for high voice in E flat. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voice withpiano accompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and its publication.

Medium High Voice in D-flat Major-Arranged for medium high voice in D flat. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voicewith piano accompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and itspublication.

High Voice (E-Flat) and Piano-Albert Hay Malotte's Lord's Prayer scored for High Voice and Piano.

For High Voice and Piano. With words based on a poem by Arthur Symons. In G Flat Major.