How Long, O Lord

La série guitare Play-long vous aidera à jouer vos chansons préférées facilement et rapidement ! Juste suivre l'onglet, écouter le CD d'entendre comment la guitare devrait sonore et ensuite jouer le long en utilisant les pistes de soutien distincts. La mélodie et les paroles sont également inclus dans le livre dans le cas où vous souhaitez à chanter, ou tout simplement vous aider à suivre. L'audio CD est jouable sur et le lecteur de CD et également amélioré afin que les utilisateurs PC et Mac peuvent ajuster l'enregistrement à un rythme sans changer de brai ! / Guitare

Lord How Long Wilt Thou Forget Me? was beautifully composed by Felix Mendelssohn the German composer Pianist and Organist.Felix Mendelssohn was recognised early on as a musical prodigy but his parents where sceptical about capitalising from Mendelssohn's talent. This fantastic arrangement contains all of the movements From Lord How Long Wilt Thou Forget Me? expertly arranged for Soprano SATB and Organ.

Lord How Long Wilt Thou Forget Me? was beautifully composed by Felix Mendelssohn the German composer Pianist and Organist.Felix Mendelssohn was recognised early on as a musical prodigy but his parents where sceptical about capitalising from Mendelssohn's talent. This fantastic arrangement contains the first movement From Lord How Long Wilt Thou Forget Me? expertly arranged for Soprano SATB and Organ.

A Wedding Bouquet was the idea of Lord Berners who wanted Frederick Ashton to make a ballet pantomime out of one of Gertrude Stein's plays and who both wrote the music and designed the 'decor' and costumes. The name ofthe play was 'They must be Wedded to Their Wife' but this was thought too long for advertising and was changed to A Wedding Bouquet. Lord Berners went to visit Gertrude Stein in Bilignin and she liked the idea and he foundin her house a carpet which gave him the pattern for the backcloth for the ballet.The ballet was first spoken of as a choral ballet and the opera chorus did sing or chant the words at the early performances but it was entirelyunlike any other choral ballet before or since. The words explained the action introduced the characters made utterly irrelevant comments worked themselves into a frenzied rhythmical accompaniment or injected on occasional aptphrase that devastated dancers and audience alike. Not all of the words have ever been really intelligible but gradually the audience got to know certain phrases by heart and the ballet has a devoted public although inevitably ithas always been a rather special one and to this day there are people who detest the whole affair don't 'understand' it and think it an absurd waste of time and talent.

Yes My Lord! is another great original spiritual from Jay Althouse. Teach the refrain first and you'll find your singers can't wait to learn the rest of the piece. In just a rehearsal or two they'll sound great and you'll be singing it all year long. Yes My Lord! is a real gem.

The Lord Is My Light (HWV 255) Chandos Anthem No.10From 1717 to 1718 Handel was resident composer at Cannons a country estate to the north of London. During this time he wrote the so-called Chandos Anthems a set of eleven “Anglican cantatas” with instrumental accompaniment.“The Lord is my light” (HWV 255) with its eleven movements is not only the longest composition in the set it also has the largest proportion of newly composed material.This anthem published with the Urtext of the Halle Handel Edition is especially noteworthy for its varied and self-sufficient orchestralaccompaniment which lends a fitting backdrop to the festive chorus and equally festive solo numbers.Both the full score and the vocal score contain a German translation alongside the original English.Scoring: Soloists (STT) chorus (SATTB) 2 recorders oboe strings continuo- Full score & parts (BA4268) and vocal score (BA4268-90) available for sale- Urtext at the forefront of musical scholarship- First separate edition for performance purposes- Based on the Urtext from the Halle Handel Edition- Straightforward and easy-to-play Piano reduction

Harris's Bring us O Lord God and its sister work Faire is the Heaven are two of the most rewarding anthems for double choir in the Anglican canon. THis piece was composed in 1959 not long before Harris's retirement from a distinguished career as a teacher and director of music.A renowned choir trainer the idiomatic part writing and textural mastery that Harris achieves in the work are testament to his tireless efforts at the musical helm of institutions such as New College and Christ Church Cathedral Oxford and St George's Chapel Windsor.

Medium Voice in G with Piano-Cesar Franck's Panis Angelicus - O Lord Most Holy has long been popular amongst vocalists. This arrangement is for Medium Voice the range being small - from the G above middle C to the E above it - and the piece is in G Major.

Paperback-Gabriel Jackson's The Passion Of Our Lord Jesus Christ for SATB Choir (with divisions) with Soprano and Tenor solos and 10 players. Commissioned by Merton College Oxford this hour-long work for soloists choir and 10 players is divided into seven movements beginning with Palm Sunday. Jackson's setting takes material from each of the four Gospel narratives interspersed with Latin hymns and English texts by poets associated with Merton College over the centuries including Edmund Blunden and T. S. Eliot. This vocal score includes a Piano reduction for rehearsal purposes. Instrumentation: picc/alto fl b. cl sopr sax(B flat) / alto sax (E flat) hn perc (1 player) (bd vib tub wind chimes (metal) tam-tam brake dr water gong sus cym vibraslap 3 temple bl (high mediuam low) mark tree) hp vln vla vc db.

Phillip Keveren Series. Phillip Keveren presents 12 piano solo medleys, seamlessly blending beloved Christmas carols with popular worship songs. Titles include: Angels We Have Heard on High/Lord, I Lift Your Name on High - The Holly and the Ivy/You Are My King (Amazing Love) - O Holy Night/Holy Spirit - Of the Father's Love Begotten/How Deep the Father's Love for Us - Once in Royal David's City/10,000 Reasons (Bless the Lord) - What Child Is This?/Mary, Did You Know? - and more.

The New Real Book 2 - Eb Version. The long-awaited sequel to The New Real Book Volume 1, this spiral-bound songbook for Eb instruments includes (where applicable) separate Bass parts; Keyboard parts; harmony parts; sample Bass parts and Drum figures, with accurate melody and chord changes throughout. The New Real Book Volume 2 features 216 songs, including 80 jazz classics, 65 Contemporary Jazz and Jazz-Fusion favourites, 14 Brazilian pieces and 57 Standards.