SKU: BT.EMBZ14502
English-German-Hungarian.
This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846 it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st HungarianRhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Dieser Band enthält Liszts früheste im ungarischen Stil komponierte Werke. Die gesamte Reihe der Magyar dallok / Ungarische National-Melodien besteht aus 11 Stücken und wurde hier zum ersten Mal in einer wissenschaftlichen Ausgabe veröffentlicht. Der Komponist begann sie in Folge seiner ersten Wiederkehr zu Pest 1839 zu schreiben. Die Musik dieser Stücke wurde teilweise von Liszt Anfang der 1850er Jahre in seinen verdientermaßen populären 15 Ungarischen Rhapsodien wiederverwendet. Der Pester Karneval wurde inspiriert von Liszts zweiter Ungarn-Tournee 1846: er wurde später neubearbeitet als 9. Ungarische Rhapsodie. Der vorliegende Band enthält ebenfalls die bisher unbekannte ersteFassung der 1. Ungarischen Rhapsodie, ferner zwei große Fragmente aus den 1840er Jahren sowie etliche Albumblätter.
SKU: BT.WA-4143-401
English.
Liszt's beautiful Rhapsody has been delightfully arranged in this version for piano.
SKU: HL.50610016
Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece No. 13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later No. 7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. CONTENTS: 1. Rhapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 5 No. 12 Héroide élégiaque 2.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 6 No. 13 3.Rapsodien hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 7 No. 14 4.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 8 No. 15 5.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 9 No. 16 6.Rapsodies hongroises R 105b, SW/SH 242/12-17, NG2 A60b - Cahier 10 No. 17 7.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 18 8.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 19 9.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 20 10.Rapsodies hongroises R 105c, SW/SH 242/18-21, NG2 A60c - No. 21 11. Mosonyis Grabgeleit - Original version R 110, SW/SH 194, NG2 A249, 3rd conclusion or conclusion of the 2nd version of Historische ungarische Bilndnisse no. 7 (R 112/7, SW 205/7), SH 205a/7ii, (NG2 A335/7) 12.Dem Andenken Petofis. Mélodie R 111, SW/SH 195, NG2 A279 13.Appendix - Rákóczi-Marsch. Leichtere Version (Fragment) R-, SW-, SH 692d, NG2 A59 (simplified version) 14.Appendix - Rapsodies hongroises R-, SW-, SH 242a, NG2 A59 (simplified version) No. 13 Album leaf 15.Appendix - Ungarische Königslied R 215, SW/SH 544, NG2 A328 - Memorial leaf 16.Appendix - Album leaf R-, SW/SH-, NG2-.
SKU: BT.EMBZ1971
'The significance of the Rhapsody composed in 1904 in Gerlicepuszta and Pozsony is well shown by the fact that Bartók subsequently reserved the designation 'Opus 1' of his last, mature opus numbering for this piece. By choosing this genre Bartók was clearly following in Liszt's footsteps. But he did not merely follow the Hungarian Rhapsodies with their parading of folkloristic art songs in a virtuoso instrumental fantasy. The formal coherence of Bartók's work allows us to infer the influence of the large-scale Liszt compositions he then knew, such as the B minor Sonata. Unlike Liszt, Bartók builds his Rhapsody not on familiar melodies but on themes of his own invention, yet hisstyle is still that of nineteenth-century folkiness, and draws on the art-music tradition based on the verbunkos and the csárdás.' (HCD 32524 Bartók New Series Vol. 24, István G. Németh).
SKU: HL.50511390
ISBN 9790080019719. UPC: 073999576511. 9.0x12.0x0.095 inches.
'The significance of the Rhapsody composed in 1904 in Gerlicepuszta and Pozsony is well shown by the fact that Bartok subsequently reserved the designation 'Opus 1' of his last, mature opus numbering for this piece. By choosing this genre Bartok was clearly following in Liszt's footsteps. But he did not merely follow the Hungarian Rhapsodies with their parading of folkloristic art songs in a virtuoso instrumental fantasy. The formal coherence of Bartok's work allows us to infer the influence of the large-scale Liszt compositions he then knew, such as the B minor Sonata. Unlike Liszt, Bartok builds his Rhapsody not on familiar melodies but on themes of his own invention, yet hisstyle is still that of nineteenth-century folkiness, and draws on the art-music tradition based on the verbunkos and the csardas.' (HCD 32524 Bartok New Series Vol. 24, Istvan G. Nemeth).
SKU: SU.00220107
The complete Violin I & II parts [CD-ROM] for the 74 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 3: Brahms, Schumann and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BRAHMS 4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Haydn, German Requiem, more (36 works); LALO Symphonie Espagnole; LISZT Faust and Dante Symphonies, Les Préludes, 3 Piano Concertos, Hungarian Rhapsodies, Mephisto Waltzes 15 works); OFFENBACH Orpheus in the Underworld Overture; SARASATE Carmen Fantasy; SCHUMANN 4 Symphonies, 2 Concertos, 3 Overtures; CHABRIER España; CHOPIN 2 Piano Concertos; FRANCK Symphony in D Minor, Symphonic Variations, Psyche; SUPPÉ Poet and Peasant Overture, Light Cavalry Overture. Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.00220099
The complete Flute and Piccolo parts [CD-ROM] for the 74 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 3: Brahms, Schumann and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BRAHMS 4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Haydn, German Requiem, more (36 works); LALO Symphonie Espagnole; LISZT Faust and Dante Symphonies, Les Préludes, 3 Piano Concertos, Hungarian Rhapsodies, Mephisto Waltzes 15 works); OFFENBACH Orpheus in the Underworld Overture; SARASATE Carmen Fantasy; SCHUMANN 4 Symphonies, 2 Concertos, 3 Overtures; CHABRIER España; CHOPIN 2 Piano Concertos; FRANCK Symphony in D Minor, Symphonic Variations, Psyche; SUPPÉ Poet and Peasant Overture, Light Cavalry Overture. Visit for more information
SKU: SU.00220100
The complete Oboe and English Horn parts [CD-ROM] for the 74 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 3: Brahms, Schumann and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BRAHMS 4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Haydn, German Requiem, more (36 works); LALO Symphonie Espagnole; LISZT Faust and Dante Symphonies, Les Préludes, 3 Piano Concertos, Hungarian Rhapsodies, Mephisto Waltzes 15 works); OFFENBACH Orpheus in the Underworld Overture; SARASATE Carmen Fantasy; SCHUMANN 4 Symphonies, 2 Concertos, 3 Overtures; CHABRIER España; CHOPIN 2 Piano Concertos; FRANCK Symphony in D Minor, Symphonic Variations, Psyche; SUPPÉ Poet and Peasant Overture, Light Cavalry Overture. Visit for more information
SKU: SU.00220113
The complete Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts [CD-ROM] for the 74 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 3: Brahms, Schumann and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BRAHMS 4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Haydn, German Requiem, more (36 works); LALO Symphonie Espagnole; LISZT Faust and Dante Symphonies, Les Préludes, 3 Piano Concertos, Hungarian Rhapsodies, Mephisto Waltzes 15 works); OFFENBACH Orpheus in the Underworld Overture; SARASATE Carmen Fantasy; SCHUMANN 4 Symphonies, 2 Concertos, 3 Overtures; CHABRIER España; CHOPIN 2 Piano Concertos; FRANCK Symphony in D Minor, Symphonic Variations, Psyche; SUPPÉ Poet and Peasant Overture, Light Cavalry Overture. Visit for more information
SKU: SU.00220101
The complete Clarinet (including Eb and Bass Clarinet) parts [CD-ROM] for the 74 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 3: Brahms, Schumann and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BRAHMS 4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Haydn, German Requiem, more (36 works); LALO Symphonie Espagnole; LISZT Faust and Dante Symphonies, Les Préludes, 3 Piano Concertos, Hungarian Rhapsodies, Mephisto Waltzes 15 works); OFFENBACH Orpheus in the Underworld Overture; SARASATE Carmen Fantasy; SCHUMANN 4 Symphonies, 2 Concertos, 3 Overtures; CHABRIER España; CHOPIN 2 Piano Concertos; FRANCK Symphony in D Minor, Symphonic Variations, Psyche; SUPPÉ Poet and Peasant Overture, Light Cavalry Overture. Visit for more information
SKU: SU.00220110
The complete Double Bass parts [CD-ROM] for the 74 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 3: Brahms, Schumann and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BRAHMS 4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Haydn, German Requiem, more (36 works); LALO Symphonie Espagnole; LISZT Faust and Dante Symphonies, Les Préludes, 3 Piano Concertos, Hungarian Rhapsodies, Mephisto Waltzes 15 works); OFFENBACH Orpheus in the Underworld Overture; SARASATE Carmen Fantasy; SCHUMANN 4 Symphonies, 2 Concertos, 3 Overtures; CHABRIER España; CHOPIN 2 Piano Concertos; FRANCK Symphony in D Minor, Symphonic Variations, Psyche; SUPPÉ Poet and Peasant Overture, Light Cavalry Overture. Visit for more information
SKU: BT.EMBZ14502A
This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846 it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st HungarianRhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.
SKU: BT.EMBZ14505A
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.EMBZ14505
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.DHP-1012662-060
ISBN 9789043133715.
In composing Puszta, Jan Van der Roost wrote folk dances related to Slavonic folk music. Its character and sounds are comparable to the Hungarian and Slavonic dances by Brahms and Dvorak and to the Hungarian Rhapsodies by Liszt. All the melodies, however, are newly composed, not adapted from existing dances. Voor zijn werk Puszta schreef Jan Van der Roost volksdansen in de geest van de Slavische volksmuziek. Het karakter en de klank zijn vergelijkbaar met de Hongaarse en Slavische dansen van Brahms en Dvorák, en met de Hongaarserapsodieën van Liszt. De melodieën zijn echter nieuw gecomponeerd en dus geen arrangementen van bestaande dansen.Puszta von Jan Van der Roost, ist mit der slawischen Volksmusik verwandt. Klang und Charakter erinnern an die ungarischen und slawischen Tänze von Brahms und Dvorák, sowie die ungarischen Rhapsodien von Liszt. Die Melodien sind jedoch keine Bearbeitungen bestehender Tänze, sondern wurden neu komponiert. C’est en associant les caractéristiques de la musique traditionnelle slave son talent de compositeur que Jan Van der Roost a créé une suite de quatre danses originales tziganes pour Orchestre d'Harmonie. L’orchestration, fine et légère, est d’une grande richesse sonore. Myriam Mees a arrangé deux des quatre tableaux pour Orchestre d'Accordéons. Puszta est une œuvre dansante et expressive, empreinte d’une vivacité de caractère que l’on retrouve dans les Danses hongroises de Brahms, les Rhapsodies et Danses slaves de Dvorák ou encore les Rhapsodies hongroises de Liszt.
