Inspiré par ascendance hongroise du compositeur, et qui rappelle de Brahms 'Danses hongroises', cette oeuvre majeure est très réalisable pour l'école intermédiaire avancé ou orchestre à cordes de haute école. Le solo de violon est plus difficile que les parties d'orchestre et offre une opportunité pour votre violoniste le plus remarquable de montrer son / sa compétence et le talent dans un travail en solo passionnant, avec de nombreuses techniques qui sont l'âme des passages mélodiques violon expressifs avec beaucoup de vibrato , gammes chromatiques et mineures, arpèges, triolets slurred et unslurred, trilles, appoggiatures, doubles cordes et diverses articulations de la proue. Le reste de l'orchestre a de belles contrechants et pièces jointes intéressants. Ecrit en ré mineur en 4/4 temps, il est assez simple, mais l'élément de jeu expressif est plus vital de créer les effets dramatiques que d'essayer d'exécuter à une vitesse vertigineuse. / Orchestre A Cordes
SKU: HL.50510909
ISBN 9790080141717. UPC: 073999680881. Bach (23 x 30,2 cm) inches. Lajos Papp.
The five pieces that make up this publication each convey a different character. They can all be played in first position, and they help to improve both performance skills and bowing technique. As the title suggests, the basis of these variations is fundamentally rooted in the style of Hungarian folk music. Owing to the creativity of the composer, these wonderful little pieces embody all of the essential qualities from the world of Hungarian folk music.
SKU: BT.EMBZ20084
English-Hungarian.
Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a classical piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from Imitation and Inversion, Ostinato, and Free Variations, concerning compositional technique, to mood pieces and pieces with programmatic ideas such as Notturno, Boating, From the Diary of a Fly, or the famous Six Dances in Bulgarian Rhythm. Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók CompleteEdition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos.
SKU: BT.EMBZ20085
SKU: HL.48011509
UPC: 073999475968. 9.25x12.25x0.35 inches.
Includes 3.5'' ISM diskette. Text in English, French, German and Hungarian.
SKU: HL.50511394
ISBN 9790080137307. UPC: 073999068436. 9.0x12.0x0.159 inches. Hungarian, English, German. Ferenc Liszt; Imre Mezo.
Liszt composed three piano works on Paganini's bell theme. The best known of these works is La Campanella (1851). The Clochette fantasia, that is the Grande Fantaisie de bravoure sur la Clochette de Paganini (1831-1834) as well as the early version of the F sharp minor study, the Campanella (1838) in A flat minor are much less played. Liszt composed a fourth piano work on the campanelle theme. Similar to the preceding it is a series of variations. The second theme is also taken from Paganini: it is the theme of a variation series known with the title The Carnival in Venice.
SKU: BT.EMBZ13730
English-German-Hungarian.
Liszt composed three piano works on Paganini's bell theme. The best known of these works is La Campanella (1851). The Clochette fantasia, that is the Grande Fantaisie de bravoure sur la Clochette de Paganini (1831-1834) as well as the early version of the F sharp minor study, the Campanella (1838) in A flat minor are much less played. Liszt composed a fourth piano work on the campanelle theme. Similar to the preceding it is a series of variations. The second theme is also taken from Paganini: it is the theme of a variation series known with the title The Carnival in Venice.Der hier vorgelegten Edition liegt das Autograph Liszts zugrunde, das im Goethe- und Schiller-Archiv, Weimar unter der Signatur Ms I 44 aufbewahrt wird. Das Werk hat keine Inschrift. Unter dem letzten Takt (498) steht das autographe Datum Lisbonne / 2 Février ohne Jahreszahl. Sie soll aller Wahrscheinlichkeit nach 1845 sein, da sich Liszt nur ein einziges Mal, nämlich in diesem Jahr Portugal aufhielt.
