SKU: CF.FE95
ISBN 9780825879050. UPC: 798408079055. 9.5 x 13 inches.
David Cope, composer-cyborg, has become a unique force in contemporary music, seeking to wed his musical DNA with computer algorhythms to produce new and fascinating sonic imagery. In Indices, however, we see an earlier Cope (1973), and a full-on performance piece for one performer. The oboist is instructed to use a prepared piano onstage, while performing Cope's intricate set-piece on both instruments. For advanced performers. Duration: 8'.
SKU: GI.G-J383
ISBN 9781622775408.
Through engaging children using Music Play 2, adults may build relationships with newborn and young children, additional family members, and other adults as they joyfully make music together, affirm and nurture newborn and young children’s innate capacities for expressive musicking and movement, and honor and extend young children’s expressed musical curiosities, ideas, and audeas (musical thoughts and ideas), helping them realize that their musical identities are worth sharing, developing, and preserving. Music Play 2 materials function in companion with Music Play (GIA, 1998) and Edwin Gordon’s Music Learning Theory for Newborn and Young Children (GIA, 2013). Music Play 2 (494 pages) is bundled into two parts, Part A and Part B. The following are the features of each part:  Part A (264 pages) Part B (229 pages) Tribute to Edwin Gordon Guiding Newborn and Young Children’s Innate Music Capacities Guiding Young Children Through Types and Stages of Preparatory Audiation: The Materials Using Music Play 2 Inclusion: All Children and Their Families (Salvador) 45 Extended Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Each plan features More Audeas for Music Play, such as tonal pattern and/or rhythm pattern examples for each type of preparatory audiation, supplemental harmonic and rhythm accompaniments to add to the music selection, and More Ideas for Music Play, such as examples of ways to connect Music Play 2 activities to PK–2 2014 Music Standards, and one inclusion strategy in a Domain of Learning. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Complete listing of all PK–2 2014 Music Standards, along with which extended music engagement plans feature each standard. Indices: Comprehensive Index Headings, Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part A Music Selections Alphabetized by Type and Title Music Play 2: Part A Music Selections Alphabetized by Title 71 Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Apply More Audeas and More Ideas you discover using Part A to music selections and engagement plans in Part B. Part B features tonalites and meters unique to music selections in Part B, and “Hello†and/or “Goodbye†music selections. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Editor and Contributor List (83 total) An 11-page, comprehensive bibliography and resource list to support researchers and practitioners and promote their audiation-based social-music and movement play with others, especially during early childhood. Indices: Comprehensive Index Headings: Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part B Music Selections Alphabetized by Type and Title Music Play 2: Part B Music Selections Alphabetized by Title Download Music Play 2 Extended Indexes (free)  Music Play 2 is a welcomed contribution for all who are concerned with appropriately guiding children’s musical understandings—parents, teachers, and caregivers. The book is extremely well organized with an excellent balance of theory and practice. The theoretical underpinnings of Music Play 2 are presented in a “user friendly†manner, the lessons are easy to follow and adapt for individual children’s needs and level of development, the numerous songs and chants represent a wide variety of tonalities and meters, and an extensive section on inclusion and inclusive practices has been added. Music Play 2 will be the resource I use for my early childhood music classes! —Joanne Rutkowski, Ph.D., Professor Emeritus, Music Education   The Pennsylvania State University This book had me interested from the table of contents onward. The lessons are detailed and ready to use in the classroom. I love that there are tonal and rhythmic patterns to go with each song or chant. This is truly a resource that will delight children and teachers as it is easy to use, appropriate for young children, and pedagogically sound. When I finished, I was ready to jump back into teaching early childhood music. Fantastic! —Alice M. Hammel, Ph.D.   James Madison University Music Play 2 is devoted to the wonder of young children’s musical development. The authors have adeptly woven theory and practice, offering a treasure trove of fresh, accessible lesson plans developed by leading researchers and practitioners in the field of early childhood music. An excellent, indispensable resource with original and high-quality music content, Music Play 2 is essential for all providers of music for young children, and sure to be used time and time again. —Suzanne L. Burton, Ph.D., Professor of Music Education   University of Delaware.
SKU: PE.EP11114B
ISBN 9790014123192.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
About Peters Contemporary Library
Mark AndreMilton BabbittDaniel BjarnasonEarle BrownJohn CageHenry CowellJames DillonJonathan DoveBrian FerneyhoughRoxanna PanufnikRebecca SaundersErkki-Sven TuurCharles Wuorinen These are just a few of the composers whose most adventurous scores are now available to purchase through the Peters Contemporary Library. A new global initiative of the Edition Peters Group, the Peters Contemporary Library is a project designed to put these bold 20th- and 21st-century works, once available only for rental, into the collections of libraries, performers, scholars, and conductors alike. Kicked off in 2016, the Peters Contemporary Library already contains many cutting-edge works and is constantly expanding. We are proud to offer these bold new scores for sale, for the first time ever, to modern musicians and students of music all around the world.
SKU: ST.B789
ISBN 9780852497890.
This volume covers the lives of George Herbert, the seventeenth century religious poet and parson; Edward Plumptre, the nineteenth century educationalist and theologian who became Dean of Wells Cathedral; Robert Bridges, medical man, precentor in a village church, Poet Laureate and eccentric; and Fred Pratt Green, who took up hymnwriting seriously at an age when many retire, and whose twentieth century hymns are now sung across the world. Hymnwriters 3 has . . . . a classical and appropriate cover, featuring an organ and bench with portraits of hymnologists. Also the near-magazine format, featuring side-bars, boxed sections, photos and drawings and a number of different typefaces, make it a really top-class production. This also has impressive indices: Index of Persons, Index of Place Names, General Index and, lastly, Index of Tunes. Anybody interested in the hymnology/poetry of all the people covered in this finely produced book should add it to their library. (Librarians' Christian Fellowship Newsletter).
SKU: HL.51482603
ISBN 9790201826035. UPC: 884088180485. 6.75x9.75 inches.
This complete edition of Beethoven's correspondence has been edited by Sieghard Brandenburg on commission from the Beethoven House in Bonn. It forms a milestone in the study of Beethoven, being the first complete edition in German to be compiled and fully annotated in accordance with modern scholarly-critical criteria. The edition includes all of Beethoven's known letters (1,789 items of primary correspondence), all obtainable letters written to him (370 items of secondary correspondence) and numerous documents written on Beethoven's behalf by third parties (163 items of tertiary correspondence). It provides the text in a diplomatic transcription critically corroborated against the original sources, including deleted passages, addresses and drafts. The texts are presented in chronological order in six volumes and are made readily accessible by a seventh volume containing indices of names, places, works, senders, recipients, and text incipits as well as a list of sources and concordances to other editions of Beethoven's letters.
SKU: HL.49047368
ISBN 9783795718848. UPC: 196288207658.
This complete edition, which is the first outside Russia, of the almost fourteen-year correspondence between P. I. Tchaikovsky and the music-loving patron (and wealthy widow of a Baltic railway entrepreneur) N. F. von Meck represents for German-speaking readers and music historians an indispensable primary source on the life and work of the greatest Russian composer as well as on his environment, while, at the same time, reflecting the political, cultural and social situation of the Russian Empire from the perspective of two privileged, educated and regime-loving subjects. The life of the large families Tchaikovsky-Davydov and von Meck, the unpleasant consequences of the composer's unhappy marriage, faith and religion, literature, philosophy, the reception of earlier and contemporary Russian and European music, fine arts, foreign travel, political, economic and social conditions - even farming (in Brailov and Kamenka/Verbovka, the Ukrainian estates of the von Meck and Davydov families) and many more are the topics of this correspondence between two related and yet so different personalities who, as agreed, never met in personal conversation and yet “talked” to each other in lively, often confessional speech. The texts of the letters in the present edition (whose planning dates back to the 1950s), with the added contrasting excerpts from letters of Tchaikovsky to other persons, such as his trusted brothers Anatoly and Modest, have been revised according to the new Russian Complete Edition by Polina Vajdman (Celjabinsk 2007 ff.). Various introductions, accompanying texts and overviews as well as comprehensive indices (one of them systematically by subjects), together with numerous explanations and notes at the bottom of the pages, make it easier for the reader to find his/her way through the all in all more than 1,200 documents. The three volumes are also available for subscription.
SKU: BR.CHB-5377
ISBN 9790004413784. 7.5 x 10.5 inches. German.
The Complete Chorales are an Urtext edition of all four-part chorales by Johann Sebastian Bach and the new standard in editing for this genre. Musicologist Thomas Daniel, a well-known specialist for the topic of Bach chorales, divided the chorales in two parts of about equal length: Chorales from cantatas, motets, and passions that were confirmedly written by Bach are found in the first part, while the second part includes chorales from later sources and printings, e.g. the four-volume edition published by Breitkopf in 1784 to 1787. Thereby, the authentic chorales are clearly separated from the chorales of partly dubious authorship for the first time. Drawing on new sources, e.g. from the archive of the Berliner Sing-Akademie, some settings can even be attributed to Carl Philipp Emanuel Bach - contrary to his claim in the preface of the Breitkopf edition that all songs were created by my dear late father.The volume includes an informative preface and a separate introduction on the edition for both parts while giving editorial remarks for each chorale for the first time, directly below the score. Additionally, it provides helpful indices that allow searches for text incipits, BWV numbers, melody composers, and lyricists.Get an insight into our material with the reading sample.In the Download section, you can also find a concordance to the previous edition.This is a treasure trove of fine music, beautifully presented and intelligently edited. [...] It will become my reference for Bach chorales. (Jeremy Summerly, Choir & Organ)All four-part chorales by Bach in an Urtext edition for the first time. Authentic chorales clearly separated from those of dubious attribution. New insights on the authorship of Carl Philipp Emanuel Bach.
SKU: HL.51482606
ISBN 9790201826066. UPC: 884088180515. 6.75x9.75 inches.
SKU: GI.G-9546
ISBN 9781622772735. English.
By Larry Blocher, Eugene Migliaro Corporon, Ray Cramer, Tim Lautzenheiser, Edward S. Lisk, and Richard Miles. Compiled and edited by Richard Miles. With the publication of Volume 11 of the landmark Teaching Music through Performance in Band series, this 1,144-page volume builds on a twenty-year tradition of providing essential and innovative information for wind band conductors. Like its predecessors, this volume includes Teacher Resource Guides for 100 significant works published for Grades 2 through 6, including works by Steven Bryant, Michael Daugherty, Julie Giroux, John Mackey, Dana Wilson, Philip Sparke, Jack Stamp, and many others. Each Teacher Resource Guide includes information about the composer, the work, historical perspectives, technical considerations, stylistic considerations, the musical elements of the work, a form and structure analysis, suggested listening, and additional references—information designed to enhance the musicianship of any performance. Indexes to all 1,100 works covered in this series round out this important volume. With the publication of Volume 11, the Teaching Music series continues to be a significant and indispensable resource for the wind band profession. Click here to view the Table of Contents. For searchable indices, visit TeachingMusic.org.
SKU: CA.1822120
ISBN 9790007249052.
An indispensable collection for professional and non-professional church musicians! After the successful first volume of chorale preludes on the seasonal hymns from Advent to Whitsun, published on the anniversary of the new lectionary of the Evangelical Church in Germany, Volume 2 now follows with preludes on the hymns from Trinity to the end of the church year. With this two-volume edition, editor Ingo Bredenbach has created an indispensable collection with chorale preludes for the two seasonal hymns for all Sundays and the most important feast days. The volumes provide organists with a complete, innovative and varied selection of chorale preludes. Over a third of the c. 160 chorale preludes have been newly composed, and the others have been chosen partly from little-known collections from the 18th to the 20th century. Many hymns were considered for which there have been no chorale preludes to date, or none which are suitable. With all the arrangements, there is an option for shortening the piece to provide a suitable intonation. The difficulty level of the pieces is structured so that non-professional organists can learn the works within a week, whilst professional church musicians can play from this new collection with less time needed. Thanks to the variety of styles included, the collection can also be used in organ teaching. Both the volumes contain indices, including one to enable the use of the preludes with other hymns in the Evangelisches Gesangbuch.
SKU: ST.B790
ISBN 9780852497906.
SKU: CA.2415100
Text language: German.
This extensively annotated edition contains early journalistic texts from specialist periodicals (music, theater, literature) and fashionable journals which deal with Mozart or his works as the central theme. With consistent editorial principles, linking commentaries, and extensive indices, the first volume in this series makes the public image of Mozart from the last years of his life to 1800 accessible to scholars. The publication is aimed at specialists (in music, theatre and literature studies), as well as at practising musicians and Mozart enthusiasts. The complete project will extend to 1828.
SKU: BA.BVK02301
ISBN 9783761823019. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm.
Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European cultureAs one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt. The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.The edition of the complete lettersThis scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.(The 12 volumes as well as the CD-ROM can only be purchased complete).- German text onlyThe EditorsHelmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
SKU: BA.BVK02300
ISBN 9783761823002. 23.7 x 16.5 cm inches. Text language: German. Preface: Seidel, Wilhelm / Loos, Helmut.
Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European cultureAs one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt. The correspondence begins in 1816 and ends in 1847 with the composer's death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.The edition of the complete lettersThis scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector's item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.(The 12 volumes as well as the CD-ROM can only be purchased complete).- German text onlyThe EditorsHelmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
SKU: BA.BVK02303
ISBN 9783761823033. 23.5 x 16 cm inches. Preface: Helmut Loos.
SKU: BR.BV-400
ISBN 9783765104008. 7 x 11 inches. German.
The indispensable reference book on the complete works of Johann Sebastian BachThe first catalog of all Bach's works, the Bach-Werke-Verzeichnis (BWV), appeared in 1950 under the authorship of Wolfgang Schmieder. A revised edition of this internationally recognized reference work was published 40 years later, followed by a so-called small version with further updates in 1998.Now created in collaboration with the Bach-Archiv Leipzig is a completely redesigned edition of the BWV, taking account of the 21st century's altered knowledge and usage structures. The aim has been to develop a comprehensive and contemporary reference work for Bach's compositions that would appeal to interested lay readers as well as to specialists familiar with Bach research.Founded by Wolfgang Schmieder. The Bach-Werke-Verzeichniscontains the new research results since BWV2 (1990) and BWV2a (1998) is based on the previous well-established count of the works, though also systematically includes all works' versionspursues a new conceptual approach designed to interlink optimally with relevant online databases (e.g., Bach digital, RISM) and other reference sourcesorganizes the accompanying data (surveys of works and sources, work collections, dubious and erroneous attributions, diverse indices) in a new, user-friendly system.
SKU: BA.BVK02306
ISBN 9783761823064. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm.
SKU: HL.49046464
UPC: 840126930801.
This complete edition, which is the first outside Russia, of the almost fourteen-year correspondence between P. I. Tchaikovsky and the music-loving patron (and wealthy widow of a Baltic railway entrepreneur) N. F. von Meck represents for German-speaking readers and music historians an indispensable primary source on the life and work of the greatest Russian composer as well as on his environment, while, at the same time, reflecting the political, cultural and social situation of the Russian Empire from the perspective of two privileged, educated and regime-loving subjects. The life of the large families Tchaikovsky-Davydov and von Meck, the unpleasant consequences of the composer's unhappy marriage, faith and religion, literature, philosophy, the reception of earlier and contemporary Russian and European music, fine arts, foreigntravel, political, economic and social conditions - even farming (in Brailov and Kamenka/Verbovka, the Ukrainian estates of the von Meck and Davydov families) and many more are the topics of this correspondence between two related and yet so different personalities who, as agreed, never met in personal conversation and yet talked to each other in lively, often confessional speech. The texts of the letters in the present edition (whose planning dates back to the 1950s), with the added contrasting excerpts from letters of Tchaikovsky to other persons, such as his trusted brothers Anatoly and Modest, have been revised according to the new Russian Complete Edition by Polina Vajdman (Celjabinsk 2007 ff.). Various introductions, accompanying texts and overviews as well ascomprehensive indices (one of them systematically by subjects), together with numerous explanations and notes at the bottom of the pages, make it easier for the reader to find his/her way through the more than 1,200 documents (281 of which are in Volume I). Volume II of the edition, which is also available for subscription, is scheduled for publication in autumn 2021 and Volume III one year later.
SKU: GI.G-10349
ISBN 9781622775354.
By Larry Blocher, Eugene Migliaro Corporon, Ray Cramer, Tim Lautzenheiser, Edward S. Lisk, Richard Miles, and Andrew Trachsel. Compiled and edited by Andrew Trachsel. Volume 12 of the landmark Teaching Music through Performance in Band series continues the tradition of excellence—a resource that has become essential for every wind band conductor looking for the best repertoire or to gain insights from leaders of the profession. Like its predecessors, this mammoth volume includes Teacher Resource Guides for 100 significant works published for Grades 2 through 6, including works by Frank Ticheli, John Mackey, Julie Giroux, Ola Gjeilo, Michael Daugherty, Zhou Tian, and many more. Each Teacher Resource Guide includes information about the composer, the work, historical perspectives, technical considerations, stylistic considerations, the musical elements of the work, a form and structure analysis, suggested listening, and additional references—information designed to enhance the musicianship of any performance. Indexes to all 1,200 works covered in this series round out this important volume. And in addition, Part I includes an amazing array of topics: “It’s What We Do ‘In Between’ that Matters†by Larry Blocher, “Contemplations†by Eugene Migliaro Corporon, “Building a Legacy in the Pursuit of Excellence†by Ray Cramer, “Building a Culture of Excellence with Student Leadership†by Tim Lautzenheiser, “Do You Hear What I Hear?†by Edward S. Lisk, “The Influence of Master Teachers†by Richard Miles, and “The Servant Conductor†by Andrew Trachsel. Carrying on the tradition of this wonderful series—and the first volume compiled and edited by Andrew Trachsel—Volume 12 prevails as the indispensable resource for the wind band profession. Click here to view the Table of Contents. For searchable indices, visit TeachingMusic.org.
SKU: HL.51482605
ISBN 9790201826059. UPC: 884088180508. 7.0x10.0x1.4 inches.
SKU: CA.2407300
German.
In his handbook Bach vocal. Ein Handbuch, the renowned Bach scholar Christoph Wolff has compiled the basic information on all of Johann Sebastian Bach's vocal works in a compact, clear form. Alongside titles, date of composition, librettists, and scoring, for each individual movement the scoring, text incipit, and meter are given. Different versions have been evaluated, as well as the relationships of the works to each other (the parody models).All groups of works and genres are presented in a systematic classification: as well as the church cantatas, oratorios, Passions, motets, and the Latin church music, the catalog also includes the secular cantatas and related works which are interrelated with the sacred works in many ways. Introductory chapters for each genre place it in its music-historical and biographical context.The available relevant new editions for each work and each version are listed. In addition, the many indices included make this handbook an indispensable reference work. Bach vocal is published in hardback and as an e-book.The author Prof. Dr. Dr. h.c. Christoph Wolff is one of the leading Bach scholars of his generation. He is Professor emeritus of Harvard University and was Director of the Leipzig Bach-Archiv from 2001 to 2013.
SKU: BA.BVK02304
ISBN 9783761823040. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm.
SKU: BA.BVK09502
ISBN 9783761895023. 18.8 x 14 cm inches. Text Language: German, English. Preface: Christoph Wolff.
The CD-ROM of RISM series A/I: Individual Prints before 1800 makes available the world's largest source collection of printed musical works for the first time in electronic form. The CD-ROM offers scholars, musicians, librarians and music antiquarians - in short, all people and institutions that work with musicalsources - significant assistance for researching historical musical prints.For the CD-ROM, the contents of the nine main volumes have been converted into a database and expanded with new entries from the supplementary volumes. Composer names, library sigla and catalogues of works have been matched with the standard versions used in series A/II: Music Manuscripts after 1600, brought up-to-date and linked with the corresponding authority files. The contents of these authority files, with many cross-references, precise citations and library adresses, often with a link to their website, are now available to users. In addition, keywords relating to genre and, where possible, instrumentation, have been included. In total, the database contains over 100,000 entries.The advantage of the CD-ROM lies in its ability to search all titles using terms in a full text search and separate indices. The search functions are far superior to what is traditionally available in a book index. Answers can be found to questions such asWhich operas were published in London between 1711-1759?andWhich single prints by Joseph Haydn were published by Artaria?- All entries are displayed in full text and are oriented in structure to thetitles in the printed volumes.- Transferring text to a separate document is possible.- Display on a standard browserSystem requirements: Intel Pentium 4 2 GHz or AMD Athlon XP 1800+processor or faster; 512 MB-1 GB RAM (depending on the operating system); CD-ROM or DVD-ROM drive; Windows 2000 with Service Pack 4, Windows XP with Service Pack 1 or later, Windows Vista or Windows 7 operating system; Firefox 3.0 or Internet Explorer 6.0 or higherInstallation:Installation will begin automatically or can be activated by clicking on the file SETUP.EXE on the CD/DVD-ROM drive.