Interlude Al Oud

Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri’s Lyric Interlude: ‘A Study in Pastoral Style’. When in 2008 the composer received the commission for a piece with English Horn from Cecilia Benner patron of the Chamber Music Society of Detroit he immediately thought of the duo between this instrument and the Oboe that Berlioz in the Symphonie fantastique placed at the beginning of the ‘Scène aux champs’ making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 inits original version for English Horn Violin and Cello the Lyric Interlude for English Horn and Piano (Op.110b) nonetheless proclaims another tradition: that of British pastoralism illustrated by the music of Ralph Vaughan Williams (1872-1958) the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint the undulating lament of the beginning rhythmically supple evokes the waving wheat as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion briefly interrupted by a scherzo in 6/8 again pours out making the work evolve towards a slow ecstatic atmosphere close to the last of the English composer’s Three Preludes on Welsh Hymn Tunes. Far from bucolic postcard clichés and servile imitation this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English Horn (or Flute Clarinet or Viola) Violin and Cello Op.110a (AL 30 751)

Morning has broken combines 10 well-known traditional hymns in a work which can be performed as a whole in sections or as single separateAnthems.The theme morning has broken runs throughout with interludes betweenEach individual anthem including narration. The work is aChronological order from creation to christ the cross theResurrection and heaven.Morning has broken combines 10 well-known traditional hymns in a work which can be performed as a whole in sections or as single separateanthems.The theme morning has broken runs throughout with interludes betweeneach individual anthem including narration. The work is achronological order from creation to Christ the cross theresurrection and heaven.Contents:1. Morning Has Broken-Opening Interlude2. Praise To The Lord The Almighty Interlude3. This Is My Fathers World (Hmc569) Interlude4. In Thee Is Gladness (Hmc182) Interlude5. Fairest Lord Jesus Interlude6. How Firm A Foundation Interlude7. When I Survey The Wondrous Cross Interlude8. Christ The Lord Is Risen Today9. When The Saints Go Marching In10. Morning Has Broken-FinaleFollowing Individual Instrumentations Available On Rental Only:1. Morning Has Broken (Hmb139a): Organ Hp Picc 2fl 2ob E.Hn 2bb Clr B. Cl 2bsn 4hn 3bbtpt 3tbn Tuba Strings Perc Timp.Interlude: Organ Perc Hp Picc Fl Ob E.Hn Clr B. Clr Bsn 2hn 2tbn Tuba Strings.2. Praise To The Lord The Almighty (Hmb139b): 3bbtpt 4hn 3tbn Tuba Vln I A-B Vln Ii A-B Viola A-B Cello A-B Bass Hp Perc Timp Picc 2fl 2ob E.Hn 2cl B. Cl 2bsn.Interlude: Organ Picc Fl Ob E.Hn Cl B. Cl Bsn 2hn Perc Timp Strings.3. This Is My Fathers World (Hmb139c): Strings 2fl Ob 2hn 3tpt 3tbn Tuba Perc Hp.Interlude: Organ Picc Fl Ob E.Hn B.Cl Bsn Strings Perc Hp.4. In Thee Is Gladness (Hmb139d)- Organ Strings 2hn Fl Ob 2bb Cl B. Cl Hp.Interlude- Organ Fl Ob E. Hn Cl B. Cl 2hn Strings.5. Fairest Lord Jesus (Hmb139e)- Organ Hp 3tbn Tuba 4hn Fl Ob Cl B. Cl Bsn Strings.Interlude- Hp Picc Fl Ob E.Hn 2cl B. Cl Bsn 2hn 2tpt 2tbn Tuba Perc Timp Strings.6. How Firm A Foundation (Hmb139f)- Organ Picc 2fl 2ob E.Hn 2bb Cl B. Cl 2bsn 4hn 3bbtpt 3tbn Tuba Perc Timp Strings.Interlude- Organ Hp Picc Fl Ob E.Hn 2cl B. Cl Bsn 2hn 3tpt 3tbn Tuba Perc Timp Strings.7. When I Survey The Wondrous Cross (Hmb139g)- Organ Hp Picc Ob E.Hn 2cl B.Cl Bsn 2hn 3tpt 3tbn Tuba Perc Timp Strings.Interlude- Picc Fl Ob E.Hn 2cl B.Cl Bsn 2hn 3tpt 3tbn Perc Timp Strings.8. Christ The Lord Is Risen Today (Hmb139h)- Organ Hp Picc 2fl Ob E.Hn 2cl B.Cl Bsn 2hn 3tpt 3tbn Tuba Perc Timp Strings.9. When The Saints Go Marching In (Hmb139i)- Strings 3tpt 3tbn Tuba Pno Perc Trap.10. Morning Has Broken- Finale (No Number Assigned)- Organ Hp Picc 2fl 2ob E.Hn 2bbcl B.Cl 2bsn 4hn 3bbtpt 3tbn Tuba StringsPerc Timp.Organ Plays From Vocal Score.Above Inst

Par BRAKSTAD JOHN. 'Interlude for Band' is an arrangement based on the theme from 'Affinity and Fellowship'. 'Affinity and Fellowship' was commissioned by Nord-Odal Concert Band, and published by Warner/Chappell Music Norway (Noteservice). 'Interlude for Band' is a piece with elements of ensemble, including an important solo part. Independent of the chosen tempo, let the music flow forward, but give time for the triplets to sound. / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres

Piano Songbook-From impressionistic interludes to jazz-infused concert pieces Sketches in Ivory has it all! Both album and book are replete with spectacular moments of piano artistry. This collection will delight all who play and hearthese arrangements of early American hymn tunes. The composer understands his craft and his stunning variations on these treasured tunes are an inspirational addition to the sacred keyboard repertoire. Includes: AppalachianPraise; Long Time Ago; There is a Fountain; When Stephen Full of Power and Grace; Lord I Want to Be a Christian; Interlude; Come All Christians Be Committed; Deep River; All Hail the Power of Jesus' Name; When I Can Read MyTitle Clear; Going Home Available separately: Piano Book Listening CD.

Greek Interlude for flute and piano was composed in July this year. The music which was written with young players in mind is based on ancient Byzantine modes and Greek folk music originating from different Greek islands. The piece may be thought of as a musical voyage starting in Bulgaria travelling to Greek islands and then returning through Bulgaria. Commissioned by the Little Missenden festival 1979.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Interlude for Band a été donné en création mondiale en 1987 par l?Orchestre d?Harmonie des Jeunes de Suisse sous la direction de Félix Hauswirth. Cette composition est basée sur un motif mélodique de trois notes et développe une succession de motifs et figures rythmiques. Les bois se distinguent particulièrement par la virtuosité avec laquelle ils exposent les lignes mélodiques.