SKU: HL.48184551
UPC: 888680836085. 9.0x12.0x0.092 inches.
Andre Jolivet: 5 Interludes (Organ).
SKU: OU.9780193412545
ISBN 9780193412545. 12 x 8 inches.
for counter-tenor, clarinet in A, and 16-part SATB choir The piece sets extracts from the philosopher Ludwig Wittgenstein's Tractatus Logico-Philosophicus, and is made up of six choral movements, including a substantial solo role for countertenor. Between these movements come five interludes for solo clarinet. Wittgenstein himself played the instrument, so here is a different projection of aspects of the philosopher. The countertenor's part may be sung in English or German.
SKU: OU.9780193378469
ISBN 9780193378469. 12 x 8 inches.
For counter-tenor, clarinet in A, and 16-part SATB choir. The piece sets extracts from the philosopher Ludwig Wittgenstein's Tractatus Logico-Philosophicus, and is made up of six choral movements, including a substantial solo role for countertenor. Between these movements come five interludes for solo clarinet. Wittgenstein himself played the instrument, so here is a different projection of aspects of the philosopher. The countertenor's part may be sung in English or German.
SKU: CF.PCB140
ISBN 9780825845666. UPC: 798408045661. 9 X 12 inches.
This notable new work for strings, by contemporary American master Norman Dello Joio, is a wonderful addition to the string quartet repertoire. The interludes, which vary greatly in tempo and texture, are based on a folk tune of Russian origin, which is introduced in the first interlude. Lyrical Interludes is a challenging work, but not so difficult that it cannot be attempted by college groups and any serious amateur chamber music players.
SKU: FG.55011-685-6
Mikko Heinio's Mot natten (Towards night), three nocturnes and two interludes for cello and guitar was composed in 2018. This suite found its inspiration and name in Finnish poet Bo Carpelan's (1926-2011) posthumous poetry collection Mot natten (2013), though the movements are not tied to specific poems. The first nocturne, Obscuro ('twilight'), dominated by pizzicatos, is followed by a more dynamic interlude, Spasimo ('spasm'). The fragile second nocturne, Sospiro ('sigh'), is coloured by delicate micro-interval chords plucked on the guitar between the left hand and the nut. The interlude Passi ('steps') leads with taps on the sound box straight into the third nocturne, Battito ('beat'), the way having been paved by the heartbeat of strong guitar pizzicatos. The duration is c. 11'30''. The product includes one full score and separate parts for guitar and violoncello.
SKU: HL.48186484
UPC: 888680828844. 9x12 inches.
“English Horn (or flute or clarinet or alto), Violin & Cello Rarely has a musical work been better characterized by its subtitle than Nicolas Bacri's Lyric Interlude: 'A Study in Pastoral Style'. When, in 2008, the composer received the commission for a piece with English horn from Cecilia Benner, patron of the Chamber Music Society of Detroit, he immediately thought of the duo between this instrument and the oboe that Berlioz, in the Symphonie fantastique, placed at the beginning of the 'Scène aux champs', making suddenly appear a nocturnal country landscape where two shepherds carry on a dialogue on their pipes. First performed in March 2009 at one of the Scarab Club Concerts in Detroit, the Lyric Interlude for English horn, violin and cello (Op.110a) nonetheless proclaims another tradition: that of British pastoralism, illustrated by the music of Ralph Vaughan Williams (1872-1958), the 50th anniversary of his death having just been celebrated. This score pays him homage of rare sensitivity: set off by refined counterpoint, the undulating lament of the beginning, rhythmically supple, evokes the waving wheat, as does Vaughan Williams in the opening undulation of his Symphony No.3. The lyrical effusion, briefly interrupted by a scherzo in 6/8, again pours out, making the work evolve towards a slow, ecstatic atmosphere, close to the last of the English composer's Three Preludes on Welsh Hymn Tunes. Far from bucolic, postcard clichés and servile imitation, this Lyric Interlude opens the doors to a realm where pure beauty reigns. The composer also wrote another version of this work for English horn (or flute, clarinet, or viola) and piano, Op.110b (AL 30 750)&rdquo.
SKU: HH.HH005-FSC
ISBN 9790708024101.
Sparingly scored, these miniatures are full of surprise and delight. The work consists of nine short sections played continuously. In Mixture 1 Incantation, linear counterpoint for high woodwind and low strings is interspersed by distinctive brass figures and percussion motives. A brief Solo for double bass leads into Interlude 1 where harmonic writing is broken by short woodwind fragments before Duet where a simple rhythmic cell is developed by the brass instruments. Mixture 2 Exultation alternate block chords with active rhythmic activity. The Trio for flute, clarinet and percussion is followed by Interlude 2 where woodwind and string counterpoint is interrupted by static chords. After a short Quartet for trumpet and strings, Mixture 3 Apotheosis combines the techniques of the earlier movements. An original and rewarding work.
SKU: HH.HH005-MIN
ISBN 9790708024095.
SKU: HH.HH005-IPT
ISBN 9790708024705.
SKU: HL.48181261
UPC: 888680787110. 9.25x12.25x0.083 inches.
“Being an unusual composer of his day, Ibert did not attach himself to any of the predominant genres of music of the time. Described as elicit, the composer's Deux Interludes for Flute, Violin and Harpsichord is pleasantly unusual in instrumentation, creating a worthy addition to the classical music repertoire. Ibert stands out as a composer who tackled all styles with equal success, his Deux Interludes for Flute, Violin and Harpsichord being no exception. With clear, separate parts, this edition is a must buy for aspiring musicians seeking to expand their repertoire.â€.
SKU: CF.CY4012F
ISBN 9781491149423. UPC: 680160906925. 9 x 12 inches.
Two Lyric Interludes was written by Henry Brant, America's foremost composer of acoustic spatial music. They were first performed by the Columbia Broadcasting co. Symphony on December 13, 1941, conducted by Howard Barlow. Requiem is a solemn, slow interlude, while Idyll has more of a dreamy quality.
SKU: ML.013313060-S
As a young man, Andrew Pearce had fond memories of playing cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'The Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.Andrew Pearce heeft goede herinneringen aan zijn jeugd bij de lokale Brass Band waar hij zijn eerste positieve muzikale ervaringen had. Na zijn compositie 'The Maestro' voor Philip Cobb besloot hij een meer warm en gedragen stuk voor hem te schrijven wat een homage is geworden aan het orkest van Het Leger des Heils waar hij vroeger in speelde. Interlude is perfect voor een bedreven solocornet, melodieus, reflecterend en elegisch met veel expressie.
SKU: FJ.FJH2313
ISBN 9781619282308. UPC: 241444393116. English.
These imaginative and artistic solos give students experience with musical techniques and artistry that prepare them for more advanced literature. Being programmatic in nature, these compositions engage the senses, emotions, and imagination. Titles include: Circling; Through the Heather; Enchanted Rhapsody; In the Valley of the Giants; Seaside Interlude; and The Voyage of Saint Brendan.
SKU: HL.14040592
French.
Parts. 4 English Horns, 4 Trumpets, 3 Trombones, Tuba and Timbale.
SKU: HL.14036824
8.25x11.75x0.062 inches.
This work was written in America in 1925. It shows a masterly understanding of the piano's resources, particularly in the pedalled notes and sonorities of the first Interlude.
SKU: HL.48186632
Jean-Maurice Mourat: Interlude (Guitar solo).