Intermediate Music for Three, Volume 1, Part 3 - Cello/Bassoon

Comme le volume des quatuors facile, celui-ci contient aussi des séquences de danse composées de plusieurs mouvements. Outre ces mouvements de danse populaire (deux danses renaissance, trois valses), cette publication fournit également aux utilisateurs plus vastes pièces de caractère à un niveau intermédiaire. Dans les mouvements comme, par exemple, Soirée carillons, Hobgoblin, la bergère et le coucou et Mars, le contenu original fourni par les éditeurs ainsi que la musique aide les joueurs à trouver le caractère approprié de la performance musicale, et donc de mettre la musique plus proche à la fois les joueurs et le public. les volumes de cette nouvelle série contiennent des duos, trios et quatuors, de leur degré de difficulté allant de facile à travers intermédiaire à avancé. Chaque pièce est une transcription ou un arrangement, puisque dans l'édition des volumes notre principale préoccupation était d'fournir une collection de compositions intéressantes et utiles, aussi librement variables que possible en ce qui concerne l'instrumentation, pour les élèves des écoles de musique et aussi pour les adultes qui font de la musique pour leur propre plaisir. L'étendue et la hauteur des pièces permettent les travaux devant être réalisés sur n'importe quel requis ou possible combinaison des instruments donnés. / Ensemble Mixte

The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons. All the pieces are recorded on the CD included with each book, both in full and playback versions (piano accompaniment). In addition to the enclosed part for trumpet in Bb, separate parts for trumpet in C accompanying each book are available for download at www.schott-music.com. Volume 1 (ED 22555) contains very easy to easy pieces with a range up to written c?, with d? appearing as a short top note in just a few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners. Volume 2 contains easy to intermediate pieces with a range no higher than f?. Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts. Volume 3 is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g?, though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes. / Niveau : Facile / Recueil / Trompette et Piano

The latest volume of the popular series extends the repertoire of beginner and intermediate cello students with excellent transcriptions of works by music historys three great Bs. Árpád Pejtsik, the editor of the series, has transcribed for three cellos the Trio Sonata in G Major for Flute, Violin and Continuo by Bach, a witty bagatelle by Beethoven and two works originally written for the piano (Sarabande, Gavotte) by Brahms in his youth. While at least intermediate instrumental skills are required due to the use of higher positions when playing the top parts, the bottom parts can be performed by beginner cellists. Interpretation is helped by the fingering and bowing being provided by the editor. / 3 Violoncelles

Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Ensemble Mixte

Accompanying CD to the Bastien Piano Literature Book volume three for the Intermediate Grades compiled and edited by Jane Smisor Bastien.

23 Pieces From 6 Centuries. The Easy Concert Pieces series for alto saxophone and piano provide easy to intermediate pieces from the Renaissance to the modern era for music lessons, concert performances or private music-making. The volumes with accompanying CD add to the not very extensive repertoire of performance pieces for saxophone. They were carefully selected according to technical and musical requirements and are arranged in three volumes according to their level of difficulty. All pieces are included on the accompanying CD as demo and play-along versions (piano accompaniment). The piano part contained in the volume is very easy so that it can even be played by a pupil, e.g. at a music school concert. Volume 1 (ED 22553) contains easy pieces which mainly range from d' to c''', occasionally even to d'''. The keys range from C to D major or the respective minor keys. This volume contains works by Charpentier, Vivaldi, Handel, Bach, Haydn, Mozart, Beethoven, Smetana, Pütz, Moser, and others. Volume 2 (ED 22554) contains intermediate pieces ranging from c' to e''', with unusual metres and demisemiquavers appearing occasionally. Including works by Wolkenstein, Peuerl, Schein, Purcell, Telemann, Handel, Mozart, Beethoven, Gounod, Humperdinck, Elgar, and others. Volume 3 (ED 22942) - in preparation: Will contain pieces at even higher levels of difficulty and add further works to the repertoire. / Niveau : Facile / Recueil / Saxophone Alto et Piano

This volume covers all the material required for three Bass Guitar grades and includes useful advice and tips about preparing for London College of Music Bass Guitar examinations. Whether or not you intend to take a bass guitar exam the handbooks will help you develop your playing, increase your knowledge of specialist bass guitar techniques and provide a sound theoretical basis to enable you to achieve your full potential as a bassist. / Niveau : Moyen / Exams / Etude / Guitare Basse

10 wonderful Bock arrangements brought down to an easier level for the intermediate player. Includes: Angels We Have Heard on High • Away in a Manger Medley • He Is Born the Divine Christ Child • Joy to the World• Mary Did You Know? • O Come O Come Emmanuel • Silent Night! Holy Night! • We Three Kings • We Wish You a Merry Christmas • What Child Is This?

From the preface: The aim of the publication of these four-handed piano compositions is to fill a void within the sphere of sight-reading(and almost sight-reading) at the beginner and intermediate level. These three volumes together contain 36 Nordic folk songs from Denmark Norway Sweden Finland and theFaroe Islands. The selection is based first and foremost on their being well suited to the instrumental expressivepossibilities of the piano and being good representatives of the rich and atmospheric Nordic musical heritage.When one practises sight-reading on one’s own it is tempting to stop as onegoes along because the desire to playthe correct notes is often given priority at the expense of the rhythm and expression.Music without an organic pulse will leave the player with an unsatisfactory feeling of stress and failure and thestream of thought will not form part of a natural flow. Good sight-reading training is therefore ensemble playing where the teacher supports the pulse and rhythm.In many other publications of four-handed duets the secundo part is written in two bass clefs and the primo part in twotreble clefs. Reading this untrained combination of clefs along with the stressful fact that the music has never beenseen nor heard before can confuse the pupil.In volumes 1 and 2 the secundo part which is intended for the pupil is therefore notated in a treble clef and bassclef as piano music for two hands is usually notated. In volume 3 the degree of difficulty is more varied but in mostof the pieces improvisation is an interposed element in the primo part being therefore a good challenge for the pupil.In the improvisatory sections a chord or a scale is notated. These can form the tonal starting point but here too thepupil is encouraged to experiment with for example the shift between major and minor thirds and between the high andlow sixth and seventh

Par COUPERIN FRANCOIS / GILBERT. Harpsichord work - Volume 4, LP. 24 by Francois Couperin is the fourth in a series of 4 volumes of suites for Harpsichord. Published in 1930, three years before Couperin 's death, when he was very ill, this volume initially presented some small mistakes and some white pages. It features seven Ordres, from the 20th to the 27th, with a total of 43 pieces. For upper-intermediate players, this volume was edited by Kenneth Gilbert. François Couperin was a very famous French composer who played the Harpsichord, the Organ. Coming from a famous family of musicians, he was nicknamed ; Couperin le Grand ('Couperin the Great')./ Répertoire / Clavecin

3 Fantaisies et Fugues / 5 Toccatas et Fugues-Part of the Organ collection by J. S. Bach this 3rd Volume The Little Organ Book – Three Fantasies and Fugues five Toccatas and Fugues is an edition of the Orgelbüchlein composed from 1708 to 1717. First published in 1900 this volume is translated in English and French and features the annotation of Marcel Dupré a French organist to help the performer get the most out of the music. This third book contains the eight following pieces: - Fantasia and Fugue – C minor - Fantasia and Fugue – G minor - Fantasia and Fugue – A minor - Toccata Adagio and Fugue– C major - Toccata and Fugue – D minor - Toccata and Fugue – D minor - Toccata and Fugue – E major - Toccata and Fugue – F major The preface of these Three Fantasies and Fugues five Toccatas and Fugues is well written with explanations of the comments and descriptions of the techniques to use for a good interpretation of this work. This volume can be used by intermediate players and above.

Mauricio Kagel Kompositionswettbewerb 2016. It has always been a challenge to write educational piano pieces that can stand on their own and be appreciated as musical works of art in addition to their pedagogical purpose. The aim is to combine didactic intentions and a certain level of technical difficulty, without the limitations causing a compromise in aesthetic appeal. The authors of this book succeeded, all of them are prizewinners of the Mauricio Kagel Composition Competition. First prize was awarded to Matius Shan-Boone for his work Six Views from my Window. Second prize went to Peter Yarde Martin for The Five Elements and Daniel Serrano Garcia won third prize for Sonetos. Honourable mentions went to the composers Davide Coppola and Emre Sihan Kaleli. Players, teachers and students now have a third volume of new piano music to complement K2010 and K2013. • Piano Pieces using a contemporary language for young adults that can be practically integrated into piano teaching. • Ideal for introducing contemporary music at an intermediate level • Three Prize winning pieces of the Mauricio Kagel Composition Competition/ Recueil / Piano

A Graded Anthology for Piano. This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. Suitable for intermediate and advanced pianists, volume 3 is an indispensable addition to lessons and concerts.