Format : Score and Parts
SKU: PR.110418500
ISBN 9781491137277. UPC: 680160690039.
DUNHUANG FANTASIA is a fascinating 12-minute drama inspired by art from grottoes in the ancient town of Dunhuang in western China. These frescoes preserve images of music and dance scenes, including the postures and attitudes of performers, and of the musical instruments used. Zhou Long’s music begins with a mysterious introduction driven by drum-like textures, followed by a series of episodes, enhanced by captions of the artwork inspiring each section and evocations of the ancient musical instruments.Commissioned and with fingering by Zou Xiang, Dunhuang Fantasia was composed in the fall of 2017. The music was inspired by the art of the Mogaoku grottoes in the ancient town of Dunhuang in western China. The frescoes of the Dunhuang grottos preserve a number of music and dance performance scenes, including images of the postures and attitudes of performers, and of a number of musical instrument types are used.The most popular form of music indigenous to this region is the huar, a folk-song type current among a number of nationalities. The huar is actually a kind of mountain song. Along with huar, Dunhuang pipa qupu (Dunhuang pipa notation) is also an inspiration for elements in this music.The music begins in adagio as a mysterious introduction. The drum-like rhythm patterns beating in the lowest region of the piano, with a muted-string sonority, creates an expanded space to enhance the echoes from the grottos. This is soon followed by the first main section, Cup of Happiness, featuring the huar and Dunhuang pipa melodies along with the dance rhythm. In the next section, Water Drum, the music becomes medium tempo. In the section Dialogue in Presto, the music becomes more active and contrapuntal. The section Tune: Changsha Girl is in a faster tempo as a dance scene. The Coda starts with dense rhythms, and tension is gradually intensified to reach a climax, culminating in a return of the opening section.
SKU: CA.1039414
ISBN M-007-25222-9. Key: C minor. German/English. Text: Christoph Kuffner.
In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and part available separately - see item CA.1039400.
SKU: CA.1039412
ISBN M-007-25220-5. Key: C minor. German/English. Text: Christoph Kuffner.
SKU: CA.1039413
ISBN M-007-25221-2. Key: C minor. German/English. Text: Christoph Kuffner.
SKU: CA.1039419
ISBN M-007-25223-6. Key: C minor. German/English. Text: Christoph Kuffner.
In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score and parts available separately - see item CA.1039400.
SKU: CA.1039448
ISBN M-007-25224-3. Key: C minor. German/English. Text: Christoph Kuffner.
SKU: CA.1039411
ISBN M-007-25219-9. Key: C minor. German/English. Text: Christoph Kuffner.
SKU: CA.1039403
ISBN M-007-18768-2. Key: C minor. German/English. Text: Christoph Kuffner.
In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century. Score available separately - see item CA.1039400.
SKU: HL.49017992
ISBN 9790001168977. UPC: 884088601867. 8.25x11.75x0.123 inches.
The brief Fantasia gregoriana, op.65, is based on the Gregorian Easter Hallelujah. Like a mosaic, the individual heterogenic episodes, lyrical, dance-like, hymnal and dramatic in turn, are combined through the permanent presence of the theme into a unified whole.The Gregorian Hallelujah is present as a type of mode in every bar of the work. The subdued introduction, characterised by the tritonically transposed structure of the original material, is followed by a sharply accentuated presentation of the theme in the bass. Over the partially engarlanded resolved variants, a first bitonal climax is reached (F minor and D major simultaneously). The dramatic development is repeated, interspersed with arioso interruptions, until the main idea is brought to culmination in brilliant instrumentation. The final chord consists of all notes of the theme.
SKU: CA.1039409
ISBN M-007-25218-2. Key: C minor. German/English. Text: Christoph Kuffner.
SKU: CA.1039400
ISBN M-007-18767-5. Key: C minor. German/English. Text: Christoph Kuffner.
In a mixture of cantata and concert piece, Beethoven set a hymn to art in his Choral Fantasy. The work, about 20 minutes in length, is often seen as a precursor to the Ode to Joy in the 9th Symphony. After a piano introduction, a dialog between piano and orchestra develops in the space of just 400 measures, before the soloists and chorus enter for the last 200 measures. (If necessary, the solo parts can be sung by members of the chorus or a semi-chorus.) In the main section, headed Finale (beginning with the double basses and celli), the theme from Beethoven's early song Gegenliebe (WoO 118, also used in the Ode to Joy) is presented, varied and finally used in the March in F major. The main source of the Choral Fantasia for the edition is the first edition of the parts, published in 1811 and corrected by Beethoven; alongside this an English edition of the parts published by Clementi (1810) has been consulted for comparison. The edition contains an English singing version in a translation by Natalia Macfarren from the 19th century.
SKU: BA.BA04506-01
ISBN 9790006449248. 33.9 x 26.3 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA10954
ISBN 9790006574780. 31 x 24.3 cm inches. Key: C minor. Preface: Nagasawa, Masumi / Signer, Emanuel.
