8 Inventionen Op. 45

15 dreischichtige Inventionen. Par LINJAMA JOUKO. 15 Dreischichtige Inventionen/ Répertoire / Orgue

Remplace Référence HN360 / [Sinfonien BWV 787-801 (Dreistimmige Inventionen)] / Classique / Editeur : Ernst-Günter Heinemann / Doigt

Vorwort 4 Faksimiles Claves signatae Explication unterschiedlicher Zeichen Applicatio, BWV 994 Praeambulum 1 BWV 924 Wer nur den lieben Gott läßt walten, BWV 691 Praeludium 2 BWV 926 Jesu, meine Freude, BWV 753 Allemande 1 BWV 836 Allemande 2 BWV 837 Praeambulum BWV 927 Praeambulum BWV 930 Praeludium BWV 928 Menuet 1 BWV 841 Menuet 2 BWV 842 Menuet 3 BWV 843 Praeludien aus 'Das Wohltemperierte Klavier I' (veränderte Fassungen): BWV 846a-851, 853-857 Pièce pour Clavecin, composée par J.C. Richter- Praeludium ex c BWV 924a Praeludium ex d BWV 925 Praeludium ex eBWV 932 Praeludium BWV 931 Baß-Skizze in g-moll BWV fehlt Fuga à3 BWV 953 Praeambulum 1-15 (Zweistimmige Inventionen) BWV 772-786 Suite A-dur von G.Ph. Telemann, BWV 824 Partita di Signore Steltzeln(mit Menuet-Trio BWB 929) Fantasia 1-15 (Dreistimmige Sinfonien) BWV787-801

Der Geburtstag der Infantin. Par SCHREKER FRANZ. Der Geburtstag Der Infantin/ Répertoire / Piano 4 Mains

Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general