Format : Sheet music + CD
SKU: BT.DHP-1074379-400
ISBN 9789043128308. 9x12 inches. English-German-French-Dutch.
Italo Pop Hits: twelve of the greatest Italian evergreens in one book. The CD contains demo versions and authentic-sounding accompaniments to enable you to play along with all the songs; that real “Italian summer feeling†is guaranteed at home, in your music lessons or in front of an audience! Italo Pop: twaalf van de beste Italiaanse evergreens in één boek. De cd bevat zowel demoversies als origineel klinkende begeleidingen.Italo Pop: das sind zwölf der größten italienischen Evergreens in einem Buch. Die CD enthält Demoversionen und sehr authentisch klingende Begleitungen zum Mitspielen aller Lieder, sodass beim Spielen zu Hause, im Unterricht oder vor Publikum garantiert das echte Italo-Pop-Hit-Sommer-Feeling“ entsteht! Italo Pop: dodici tra i più famosi evergreen italiani racchiusi in un unico libro. Il CD incluso contiene sia una verisone demo che una col solo accompagnamento per permettervi di suonare tutte le canzoni come solisti.
SKU: BT.DHP-1074378-400
ISBN 9789043128292. 9x12 inches. English-German-French-Dutch.
Italo Pop Hits: twelve of the greatest Italian evergreens in one book. The CD contains demo versions and authentic-sounding accompaniments to enable you to play along with all the songs; that real â??Italian summer feelingâ? is guaranteed at home, in your music lessons or in front of an audience! Italo Pop: twaalf van de beste Italiaanse evergreens in één boek. De cd bevat zowel demoversies als origineel klinkende begeleidingen.Italo Pop: das sind zwölf der gröÃ?ten italienischen Evergreens in einem Buch. Die CD enthält Demoversionen und sehr authentisch klingende Begleitungen zum Mitspielen aller Lieder, sodass beim Spielen zu Hause, im Unterricht oder vor Publikum garantiert das echte Italo-Pop-Hit-Sommer-Feelingâ?? entsteht! Italo Pop: dodici tra i più famosi evergreen italiani racchiusi in un unico libro. Il CD incluso contiene sia una verisone demo che una col solo accompagnamento per permettervi di suonare tutte le canzoni come solisti.
SKU: BT.DHP-1074375-400
ISBN 9789043128261. 9x12 inches. English-German-French-Dutch.
SKU: BT.DHP-1074374-400
ISBN 9789043128254. 9x12 inches. English-German-French-Dutch.
SKU: BT.DHP-1074377-400
ISBN 9789043128285. 9x12 inches. English-German-French-Dutch.
SKU: BT.DHP-1074376-400
ISBN 9789043128278. 9x12 inches. English-German-French-Dutch.
SKU: UT.CH-64
ISBN 9790215305649. 9 x 12 inches.
Mauro Bortolotti: Lâ??impervia, pervia viaMauro Cardi: ImpromptuFabrizio Casti: Lâ??Anima VisionariaAgostino Di Scipio: EktoposFausto Razzi: InvenzioneItalo Vescovo: Come la quiete notturnaPerché un libro sulla musica contemporanea?Spesso capita di sentire allievi che, come ?brano contemporaneo?, suonano La Catedral di Barrios, qualche Estudio Sencillo di Brouwer o un Preludio di Villa-Lobos. Il valore di questi brani è indiscutibile, ma è altrettanto certo che essi appartengono, pur con le dovute differenze, a un linguaggio tradizionale. È convinzione del curatore che non possa più bastare il semplice dato anagrafico («In fondo Barrios è nato nel ?900...» è la tipica motivazione di quegli allievi) per definire contemporaneo un brano: è necessario possedere strumenti adatti a orientarsi nei linguaggi che gli autori elaborano ogni giorno.Il rapporto di diffidente estraneità instaurato da Andrés Segovia con la nuova musica può oggi evolversi in qualcosa di diverso: a distanza di 50 anni i chitarristi sono in grado di porsi in un atteggiamento di maggior ricettività e, non più costretti a procurarsi una ?visibilità? nel mondo musicale, possono rivolgersi più serenamente alla musica dei loro contemporanei.â??Musica Incertaâ?? cerca di rendere possibile questo mutamento di prospettiva: Arturo Tallini si è rivolto a Enrico Fubini, al musicologo Filippo Poletti e a sei compositori italiani, progettando il presente volume che è così costituito:? uno scritto di Enrico Fubini sul rapporto fra linguaggio e storici della musica;? un ponderoso scritto di Filippo Poletti che sviscera in profondità tutti gli aspetti grafici della simbologia usata negli ultimi decenni, non solo fornendo spiegazioni sull?esecuzione, ma aiutandoci a scorgere il significato del rapporto fra segno e oggetto musicale, partendo dall?impostazione del filosofo e linguista nordamericano Charles Pierce;? sei brani scritti per questa occasione da Mauro Bortolotti, Mauro Cardi, Fabrizio Casti, Agostino Di Scipio, Fausto Razzi e Italo Vescovo, tra i più rappresentativi compositori italiani dei nostri anni.Ogni brano è corredato da note dell?autore, note del curatore, indicazioni tecniche e diteggiature che aiutano l?esecutore nello studio.
SKU: UT.HS-329R
ISBN 9790215327962. 9 x 12 inches.
Performance Material on Hire[Solo: Bs - Picc.2.2.2.2 - 2.2.2.0 - Str]In the second half of the 19th century, in Italy, melodrama was still the most practised musical genre, but space for instrumental production began to grow, especially thanks to the Quartet societies which tried to reduce the gap remaining compared to other European countries, offering it to the public with an energy which was certainly praiseworthy. However, they were not the only institutions where instrumental music was cultivated. In this context it must be remembered that music conservatories also played an important role, especially through the music recitals given by the best students. In one of these, which was held at the Milan Conservatory on 9 July 1884, the concert piece Andante e Polacca for bassoon and orchestra by Simplicio Gualco (1861-1942) was performed, a piece which aroused a great deal of interest as stated in the ‘Gazzetta Musicale di Milano’ of 20 July of that year. After the recital, the piece ended up in the Conservatory archives and was never played again. It was rediscovered recently, thanks to the research work on the composer by the musicologists Italo Vescovo and Flavio Menardi Noguera, both connected to the composer’s hometown.
SKU: CU.EC11709
ISBN 9790215903104.
SKU: CU.EC11710
ISBN 9790215903111.
SKU: UT.DM-23
ISBN 9790215304376. 9 x 12 inches.
Giuseppe Manzino's teaching activity, carried out with great commitment and passion alongside that of composer, spans a rather long period of time and constitutes an important constant in his life as a musician. This publication, albeit in a few pages, intends to help focus on one aspect of this intense and articulated activity: that of Composition teacher at the Liceo Musicale <The themes and thematic ideas present in this collection were created by Manzino ad hoc for his composition students and freely arranged by me into three distinct sections according to their destination. A diagram by Manzino for the composition of the 'short piece for piano' is included in the appendix.(Italo Vescovo).
SKU: UT.HS-298
ISBN 9790215326941. 9 x 12 inches.
The four Valtz (plus a fifth in the Appendix, which constitutes the first draft of n. 3) for violin, published here for the first time in their manuscript form, although brief, are important musically since they add to the rich and varied catalogue of works for solo violin by Paganini. The pieces can be found within the manuscript of the Ghiribizzi for guitar M.S. 43. Their musical structure is simple, as is found in this genre of compositions and is mostly divided into a bipartite form (8+8 bars) with ritornelli. These are short but very pleasant pieces, in which it is not difficult to find the spirit of the great Genoese composer of small compositions.
SKU: CU.EC10752
SKU: UT.XXS-83A
ISBN 9790215320307. 9 x 12 inches.
Performance Material on Hire[2.1.1.2 - 2.0.0.0 - Str].
SKU: FG.55011-613-9
ISBN 9790550116139.
The music of Finnish composer Kai Nieminen (b. 1953) does not conform to any isms. He remarks: I feel like I am a painter in music, who having seen or experienced something attempts to give that something a shape in music. The flute concerto Palomar was written for Patrick Gallois and premiered 2001 in Milan, Italy. The idea for his Flute Concerto came to Nieminen at the Villa Lante in Rome when he was kept awake by persistent birdsong in the heat of the night. The title alludes to the last novel, Palomar, by Italo Calvino. Though Nieminen finds inspiration in literature, the visual arts and nature, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire his listeners' imagination and to make them savour musical visions with a mind as open as that of Calvino's Mr Palomar examining the little wonders of the world around him. The orchestral score is available for sale (ISMN 9790550096370) and the performance material for hire from Fennica Gehrman.
SKU: UT.CH-278
ISBN 9790215325258. 9 x 12 inches.
SKU: UT.XXS-101
ISBN 9790215323360. 9 x 12 inches.
Quattro schizzi Op. 9; Toccata Op. 10; Studio Op. 11; Fantasia Op. 16
SKU: HL.50498263
SKU: CU.EC10746
SKU: BT.DHP-1114972-140
9x12 inches.
The Ecstasy of Gold is the famous theme from the movie The Good, The Bad and The Ugly that leads up to and is heard during the movieâ??s climax, the showdown! The complete soundtrack to The Good, the Bad and the Ugly was released in 1966 and sold millions of copies. Since 1983, heavy-metal band Metallica have been opening concerts with Morriconeâ??s dramatic and exciting song, The Ecstasy of Gold. Lorenzo Bocci has created an equally exciting arrangement for concert band.The Ecstasy of Gold is het beroemde lied uit de muziek van de film The Good, The Bad and The Ugly en leidt naar het hoogtepunt van de film. Ennio Morricone componeerde de soundtrack voor deze spaghettiwestern van Sergio Leone. Ookde eerste twee delen van de filmtrilogie, A Fistfull of Dollars en For a Few Dollars More, voorzag hij van filmmuziek. De hardrockband Metallica opent sinds 1983 haar rockconcerten met dit dramatische en pakkende lied. Lorenzo Boccimaakte er een versie voor blaasorkest van. Spannend en meeslepend..!The Ecstasy of Gold ist das berühmte Lied aus der Filmmusik zu The Good, The Bad and The Ugly (Zwei glorreiche Halunken), welches den Showdown und zugleich Höhepunkt des Films einleitet. Komponiert wurde der Soundtrack zu Sergio Leones klassischem Italo-Wester von Ennio Morricone, der auch schon die beiden ersten Filme der Trilogie - Für eine Handvoll Dollar und Für ein paar Doller mehr - vertont hatte. Die Metal-Band Metallica eröffnet seit 1983 ihre Konzerte stets mit diesem dramatischen und packenden Lied, das Lorenzo Bocci für Blasorchester arrangierte.La légendaire mélodie The Ecstasy of Gold vient auréoler le point culminant du film Le Bon, la brute et le truand. Ce film clôture la célèbre Trilogie de lâ??homme sans nom dont les précédents films sont Pour une poignée de dollars, Et pour quelques dollars de plus. la demande du réalisateur Sergio Leone, Ennio Morricone composa la bande originale des trois films. Depuis 1983, le groupe Metallica ouvre ses concerts avec ce thème dont Lorenzo Bocci a réalisé un époustouflant arrangement pour orchestre dâ??harmonie.Film del 1966 diretto da Sergio Leone, Il Buono, Il Brutto, Il Cattivo è uno tra i più celebri western della storia del cinema. Lâ??Estasi dellâ??Oro (The Ecstasy of Gold) è una canzone composta da Ennio Morricone per il film, ricordata in particolare per essere il sottofondo musicale della scena in cui Tuco cerca freneticamente il cimitero con la tomba dove si trovano 200.000 dollari in oro.
SKU: SU.28100070
Inspired by Italo Calvino's novel, can be accompanied by a film made by Bill MorrisonChamber orchestra [2,1 2 2,1 2; 4221; timp, 2perc, hp; stgs] Duration: 17' Composed: 2013 Published by: Distributed Composer Performance materials available on rental only:.
SKU: HL.44012426
The Ecstasy of Gold is the famous theme from the movie The Good, The Bad and The Ugly that leads up to and is heard during the movie's climax, the showdown! The complete soundtrack to The Good, the Bad and the Ugly was released in 1966 and sold millions of copies. Since 1983, heavy-metal band Metallica have been opening concerts with Morricone's dramatic and exciting song, The Ecstasy of Gold. Lorenzo Bocci has created an equally exciting arrangement for concert band.The Ecstasy of Gold is het beroemde lied uit de muziek van de film The Good, The Bad and The Ugly en leidt naar het hoogtepunt van de film. Ennio Morricone componeerde de soundtrack voor deze spaghettiwestern van Sergio Leone. Ookde eerste twee delen van de filmtrilogie, A Fistfull of Dollars en For a Few Dollars More, voorzag hij van filmmuziek. De hardrockband Metallica opent sinds 1983 haar rockconcerten met dit dramatische en pakkende lied. Lorenzo Boccimaakte er een versie voor blaasorkest van. Spannend en meeslepend..!The Ecstasy of Gold ist das beruhmte Lied aus der Filmmusik zu The Good, The Bad and The Ugly (Zwei glorreiche Halunken), welches den Showdown und zugleich Hohepunkt des Films einleitet. Komponiert wurde der Soundtrack zu Sergio Leones klassischem Italo-Wester von Ennio Morricone, der auch schon die beiden ersten Filme der Trilogie - Fur eine Handvoll Dollar und Fur ein paar Doller mehr - vertont hatte. Die Metal-Band Metallica eroffnet seit 1983 ihre Konzerte stets mit diesem dramatischen und packenden Lied, das Lorenzo Bocci fur Blasorchester arrangierte.La legendaire melodie The Ecstasy of Gold vient aureoler le point culminant du film Le Bon, la brute et le truand. Ce film cloture la celebre Trilogie de l'homme sans nom dont les precedents films sont Pour une poignee de dollars, Et pour quelques dollars de plus. A la demande du realisateur Sergio Leone, Ennio Morricone composa la bande originale des trois films. Depuis 1983, le groupe Metallica ouvre ses concerts avec ce theme dont Lorenzo Bocci a realise un epoustouflant arrangement pour orchestre d'harmonie.Film del 1966 diretto da Sergio Leone, Il Buono, Il Brutto, Il Cattivo e uno tra i piu celebri western della storia del cinema. L'Estasi dell'Oro (The Ecstasy of Gold) e una canzone composta da Ennio Morricone per il film, ricordata in particolare per essere il sottofondo musicale della scena in cui Tuco cerca freneticamente il cimitero con la tomba dove si trovano 200.000 dollari in oro.
