Jazz Classics - Alto Sax

Big Band Play-Along Volume 4-Easy-to-read authentic big band parts for ten terrific jazz tunes with a professionally recorded play-along CD that lets instrumentalists perform as part of a big band.

This Guest Spot collection contains some of the finest jazz standards available all set for for Alto Saxophone in melody line arrangements by Jack Long. Step into the spotlight and play along with these ten fabulousjazz classics using the superb backing tracks on the specially recorded CD. Tracks include favourites such as Fly Me To The Moon Opus One Take The 'A' Train and Straight No Chaser.

Swing Classics presents 15 complete arrangements for the young ensemble. This edition features the full set of Alto Sax 2 parts. The set of pieces includes April In Paris In The Mood and Satin Doll.

Young Jazz Classics-Playing jazz should be fun and this carefully constructed arrangement for young players will certainly help make this happen. Alto and Trumpet take the melody at the top then the rest of the band joins in for a lively romp!

Douze grands standards de jazz spécialement adaptés pour le saxophone alto avec jeu-le long des accompagnements sur le CD. / Saxophone / 24 pages / Partition + Cd

Ten classic jazz tunes including transcribed solos and chord symbols in melody line arrangements. This pack includes demonstration performances and specially recorded backing tracks featuring a live jazz trio. Ideal forlearning and practising jazz improvisation. Includes transcriptions of famous recorded solos and chord symbols for your own improvised solos.The CD:Hear full performance versions of each tune including demonstrationsolos on Tracks 2-11. The alto saxophone part is then omitted from Tracks 12-21 so you can play along with the recorded accompaniments.

The arranging genius of Gordon Goodwin is readily apparent in this unique version of Miles Davis' classic. At times a jazz waltz at times straight ahead swinging in 4 the ensemble lines flow effortlessly from style to style.Solo space is available for any combination of alto tenor trumpet or trombone. A marvelous showcase on an important jazz standard. (Alto 1 doubles on flute)

Here is a beautiful arrangement of Charles Mingus' signature ballad featuring altos and trumpets playing the melody off the top then later joined by the entire ensemble. Sample written solos are provided for the short solo orsoli spots for trumpet and trombone. A jazz classic!

The definitive recording of this jazz classic is by Bill Evans with other notable recordings by Cannonball Adderley and Joe Henderson. Paul Murtha's arrangement for young groups features a Latin style on the head then switches toswing on the bridge. Includes very effective writing for all sections of the band as well as solo space for alto sax.

This jazz classic adapts perfectly for young players. The tempo is moderate and the swing figures are easy to play. The blues form makes it easy for inexperienced improvisers and sample solos are included for alto tenor trumpet and piano.

Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic Pam Wedgwood's series has it all. Really Easy Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.For Recorder with Piano accompaniment this book contains some delightful repertoire pieces for the elementary recorder player. The solo Recorder part is also included on a separate insert.

Easy Jazzy arrangements of famous themes making the world of Opera both fun and appealing with some ingenious flourishes of Jazz and Pop.12 of the finest melodies from the world of Opera have been given a unique twist with elements of Jazz and Pop music added to create opportunities for improvisation. The perfect choice for lovers of the classical/pop crossover the backing tracks have been performed by real musicians to ensure that your own performances really sparkle! Each piece includes a lively description of the Opera itself as well as written example improvisations. Once you've mastered the written versions the chord symbols have also been provided so that youcan create your own jazzy interpretations.Paino accompaniments are also included as PDF files on the enhanced CD.

These methods provide complete courses for players off all ages guiding students from their first note to 'classics' together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start students can enjoy authentic jazz sounds playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice onear-training and chord patterns. With supplementary suggestions for listening and reading and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes The Jazz Methods are ideally suited to both students working alone and those learning with a teacher. John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials. (Jamey Aebersold) ...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library. (Lee Konitz international jazz saxophone soloist) Following on from the best-selling Jazz Method for Saxophone Developing Jazz Technique for Saxophone will help intermediate players take their jazz skills to a new level. The 22 pieces are written in a variety of jazz styles including reggae jazz waltz bossa nova calypso New Orleans South African salsa samba blues and swing. Special emphasis is given to helping students improvise over chord sequences such as the II-V-I progression. Idiomatic effects such as vibrato subtone glissandi and ?bending? notes are dealt with and there is a special chapter on overtones. Several new scales are introduced including the whole tone and diminished scales and a special section on patterns contains many ideas for