SKU: LM.C05390
SKU: LM.C05388
SKU: AP.1-ADV14708
UPC: 805095147087. English.
With this book/audio set you will learn essential jazz rhythms first-hand from world-class professionals ! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the downloadable audio tracks the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the audio accompaniment) with your teacher or a friend.
SKU: FL.FX071389
During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The Twinning is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it !
SKU: SU.29110060
1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).
SKU: AP.50642
ISBN 9781470652517. UPC: 038081574967. English.
String Thang by Mark Wood is based on the twelve-bar blues. The blues has deep roots in American history, developed out of the work songs and chants of African-American slaves. The Great Migration of the first half of the 20th century saw freed slaves and their descendants move to northern and eastern parts of the U.S., taking their music with them. The blues took on different forms; in turn it helped to create rock, jazz, hip-hop, and other popular genres. A twelve-bar blues uses a repeating chord progression which allows musicians to express themselves creatively with each recurrence. If anything defines the blues, it is the use of blue notes---pitches that don't usually belong in a given key---and elements of improvisation.
SKU: M7.VOGG-675
ISBN 9783802406751. English.
The ideal way of getting into playing the violin!This violin method provides the beginning as well as the advanced violinist with the main step-by-step information on playing the violin. Many photos show the correct way of holding the violin and bow.Musical notation and music theory are explained in an easy-to-understand manner.The well-chosen musical pieces teayh the basics of playing the violin from the very first notes to well-known pieces. Fingering diagrams and scales help the student to quickly feel at home on the violin.The encluded CD contains all songs wirh accompaniment.Practicing with a jazz trio is a lot of fun and will pep up your playing.
SKU: BA.BA11525
ISBN 9790260108868. 31 x 24.3 cm inches.
Pavel Haas was one of Leoš Janácek’s most gifted students. His String Quartet No. 2 “From the Monkey Mountains†is considered to be one of the first high points of his oeuvre.In this work, Haas combined elements of Janácek’s compositional technique with jazz, particularly in the fourth movement’s instrumentation for string quartet and percussion ad libitum. This version was premiered in Brno in 1926; later, the work was revised for string quartet only. For this edition Ondrej Pivoda has reconstructed the original version, bringing to light passages that were never published until now.This is the first critical edition of the work. It is based on all relevant sources, taking sketches of the final version of the score and contemporary performance material into account. It includes an extensive Foreword (Cz/Eng/Ger) as well as a Critical Commentary (Eng).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: LM.JMS04
ISBN 9782911567049.
A bout de souffle - Accalmie - Aigue-Marine - A San Francisco sans Francis - A night in Venezia - Balade du 10 Mars - Ballade - Bizarre, vous avez Dit ? - Bluesine - Centre de gravite - Chi va piano - Chromatisme - Coming yesterday - Cortancyl - Demaplastic - Difficult blues - Et si c'etait vrai - Fausses notes - Grain de valse - Grapes - Histoire de Blues - Hommage a Frederic Chopin - In an out - Incoercible - Isocele - Jazz frit - July shower - La couronne de flore - Life is so sweet - Lombardy - L'oreille hardie - Medium - Middle Jazz - Moins de 36 - Monostome - Navigation - No delay - Neutralisme - N.Y.1 - Ouin Ouin - Petites phrases - Quand les chlamydes - Ramage - Ridikiool - Ritournelle N1 - Ritournelle n. 2 - Round About twelve - Satar - Sacrebleu - Sapristi - Slightly bluesy - Soliloc - Special Club - Suspect rhythm - The date - The newest old waltz - Triangle - Une nuit au violon - Valse a 3 temps - Vice-versa - Viennoiserie - Voyage en Anatolie - Zag zig - 14 Septembre - 64 mesures.
