Jazz Pizzicato

Par ANDERSON LEROY. Leroy Anderson\'s Jazz Pizzicato is a quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form known as the cakewalk, this bright and cheerful tune will have the audience whistling and tapping their toes long after the final note of your concert! This exclusive Southern band edition by Mark Rogers reintroduces Anderson\'s enchanting work to new generations of audiences. / Date parution : 2022-09-20/ Répertoire / Concert Band

Composed in March 2009 these four graded pieces are typical of the lively jazzy and accessible music from Tony Osborne. Played pizzicato throughout they offer new and exciting repertoire for the intermediate bassist and would be suitable for any concert or occasion. Each piece has its own strong personality and character and the independent piano accompaniments provide music full of fun and energy. Ideal for Grade 5-8 bassists and for the progressing bassist who enjoyed the jazzy challenges and music in Junior Jazz Book 1.

One of Recital Music's best sellers! Three great pizzicato pieces which are useful as both educational or concert repertoire. Jazz Sonatine is a small three movement suite dedicated to three American jazz-greats - Paul Chambers Charles Mingus Scott LaFaro. Di-Ba-Dum is rhythmically exciting and inventive contrasting jazz idioms with easy contemporary styles and is dedicated to Richard Davis. Pizzicato Waltz combines classical and jazz styles with some treble clef work and was written for David Heyes and Bass-Fest.

Text: English / deutsch Completely revised and enlarged edition! Jazz Bass Compendium is one of the most comprehensive method books. 208 pages filled with information and aspects on jazz bass playing. The right hand: position, effect on sound and timing, exercises, three finger technique, drops The left hand: position, shifting positions, intonation, pizzicato technique, vibrato Coordinating both hands Bass lines: rhythm, pulse, timing, walking bass, two-beat feel, arpeggios, diatonic passing notes, leading notes, chromatic lines, scales and tetrachords, pentatonic scales, bass lines over II V progressions, harmonic clichés, pedal point, rhythmic embellishments, bass lines on standard chord progressions, straight 8ths bass lines, Latin bass lines The elements of sound Various improvisation concepts Arpeggios Studies and etudes on the chord changes to Sunny, Footprints, I Hear A Rhapsody, Solar, Confirmation Upper structure voicings Phrasing and articulation Scales and scales studies, chord-scales, breaking up scales Practice concepts, different learning fields 4 bass duets and one solo, including Georgia On My Mind, Blues 4U and More Bass Hit Sigi Busch is one of the most respected European jazz bassists/educators. He heads the jazz departement at the Hochschule der Künste in Berlin, Germany.

6 solos in a variety of popular jazz idioms with catchy titles such as Syncopated Swing Chill-Out Jazz Rock and Boogie Shuffle. Aimed at the young bassist (of any age) there is much here to enjoy for both musicians and this has been Recital Music's best seller for over a decade. Pizzicato or arco styles can be used and this has been popular with students and teachers from the outset.

Twenty-five great melodies as originally composed for piano solo. Titles: Belle of the Ball * The Bluebells of Scotland * Blue Tango * Bugler's Holiday * China Doll * Fiddle-Faddle * The First Day of Spring * Forgotten Dreams * The Girl in Satin * Jazz Legato * Jazz Pizzicato * The Penny-Whistle Song * The Phantom Regiment * Plink, Plank, Plunk! * Promenade * Sandpaper Ballet * Saraband * Serenata * Sleigh Ride * Song of the Bells * Summer Skies * The Syncopated Clock * Trumpeter's Lullaby * The Typewriter * The Waltzing Cat

Presenting a collection of 15 all-time Anderson favorites arranged for string quartet or string orchestra. Complete works, not excerpts, these unique arrangements can be used by school or professional groups as concert pieces or as encores. Contents are: Belle of the Ball * Blue Tango * Fiddle-Faddle * Forgotten Dreams * Horse and Buggy * Jazz Legato * Jazz Pizzicato * Plink Plank Plunk * Sandpaper Ballet * Serenata * Sleigh Ride * The Syncopated Clock * Trumpeter's Lullaby * The Typewriter * The Waltzing Cat.

Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment for group music making! The first two pieces ‘Nice ‘N’ Easy’ and ‘October Rain’ have open strings pizzicato. ‘Waltz in Jazz-Min Time’ uses open strings pizzicato and arco whilst ‘Caribbean Dance’ uses open strings and first finger pizzicato and arco. Complete parts comprising: Violin Viola cello and Glockenspiel.

Learn to use strings in your compositions and arrangements! From romantic chord pads to powerful grooves to gut-wrenching passionate melodies strings do it all.This book presents time-tested techniques and contemporary developments in writing and arranging for strings. You'll learn strategies for authentic writing in many different styles and find ideas to take your personal sound forward. Discover voicings that work best for each project and explore the intricacies of bowing. Hear articulation approaches from pads to chopping in the online audio examples. See how other composers have used strings to heighten the impact of their music in the written examples. Make yourwork stand out with the drama and depth that well informed string writing can bring.You will learn:? The tunings range and timbres for the violin viola cello and bass including standard instruments and common variations including acoustic electric and synthesized string instruments and sections.? Bowing techniques and possibilities.? Characteristic articulations and sounds such as vibrato pizzicato sul tasto trills tremolos and harmonics.? Timbral and rhythm effects such as chop technique ponticello/feedback portamento and falls.? String-section arranging techniques such as melody/countermelody fills pads and comping.? Stylistic nuances of genres such as American roots Celtic jazz rock klezmer eastern European Gypsy jazz and swing.? Mic recording and live sound techniques for capturing the best string sounds for both acoustic and electric instruments.

Ten International Violin Encores is an exciting collection of original encores by Aaron Minsky exploring musical traditions from across the globe. First published to worldwide acclaim as Ten International Cello Encores these compelling pieces are now available to violinists in this adaptation. Suitable for intermediate to advanced players these vibrant and dynamic pieces are perfectly suited to concert performance as encores small sets or as a suite and will be welcomed by all students and recitalists looking for fresh new music for solo violin.Unique entertaining pieces with an international flavourEncores inspiredby destinations around the world including Africa Asia Mexico and moreA variety of contemporary styles including jazz heavy metal and LatinTechnical challenges such as guitar-style strumming left-hand pizzicato ricochet bowing and percussive effectsUseful fingering and bowing suggestions

Graded pieces in attractive contrasting styles. Includes traditional melodies tunes from the classical repertoire and original jazzier numbers. Content - Alastair Arbuthnot Has No Hat (Nelson)- C String March (Nelson)- Chicken-Feed (Nelson)- Christ Church Bells (arr. Nelson)- Cossack Lullaby (arr. Nelson)- Dance to Your Daddy (arr. Nelson)- Drink to me Only (arr. Nelson)- Flag Dance (Nelson)- Hungarian Folk Song (arr. Nelson)- If All the World Were Paper (arr. Nelson)- Landler (Schubert)- Li\'l Liza Jane (arr. Nelson)- Mad as a Hatter (Nelson)- Minuet and Trio(Haydn)- Octopiece (Nelson)- On the Ice (Nelson)- Over the Moon (Nelson)- Pizzicato Pie (Nelson)- Polka (Wohlfart)- Promenade (Nelson)- Rigadoon (Purcell)- Square Dance (Nelson)- The First Waltz (Nelson)- The Tadpole\'s Tale (Nelson)- Trot Along (Nelson)- Tweedledum and Tweedledee (Nelson)- Whirlpool Waltz (Nelson)

A collection of the world's most famous carols arranged for piano students. Most are fairly easy and modern with popular harmonic settings to appeal to young students and audiences alike. Harmonic textures vary from one piecewith a single-line countermelody in the left hand to simple block arpeggiated or waltz-style chord accompaniments. A few pieces use slightly more elaborate 'boogie' accompaniments with grace notes or jazz-inspired harmonies.Melody lines occasionally move into the left hand for added interest. All of the carols include lyrics. One song Santa and Me is written with a separate vocal line and piano part.