Jazz Style Of Clifford Brown

Adapted as a mambo Michael Mossman pulls out all the stops on this unique and exciting setting of Clifford Brown's jazz standard. The brass section screams out the melody while the saxes fill in blazing counterlines and a soli oftheir own. Solos are flexible and the rhythm section is called upon to propel the entire chart in an energized and vibrant style.

Notably recorded by Clifford Brown and composed by legendary jazz pianist Duke Jordan Mark Taylor's arrangement features a medium swing style and a brief duet for tenor and trumpet at the top. Then the saxes take over and do most of the heavy lifting. Solo space is provided for tenor and trumpet with ample solid hits for the full ensemble.

Par CHRISTIANSEN COREY. Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Instruments en Clé de Fa

Par CHRISTIANSEN COREY. Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Saxophone Alto

Par CHRISTIANSEN COREY. Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Instruments en Sib

Media Type : Book/CD Set Level : Intermediate Musical Genre : Jazz Series : Essential Jazz Lines Number of pages : 48 Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along CD. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.

In this Musicians Institute Private Lessons edition Dave Pozzi explores the exciting Jazz styles of Charlie Parker Clifford Brown Sonny Rollins Bud Powell and other greats to provide a comprehensive introduction tojazz improvisation. This is a enjoyable and informative step-by-step guide for all musicians. CD includes demonstration 99 tracks.

Ce pack de livre/CD explore les styles de Charlie Parker, Clifford Brown, Sonny Rollins, Bud Powell et d'autres pour un guide complet de l'improvisation jazz. Les sujets comprennent : échelle de choix, l'analyse de la corde, phrasé, mémorisation, transposition de solos, mélodies, progressions harmoniques et bien plus encore. Le CD comprend 99 pistes de jeu-le long et de démonstration / Guitare / Partition Cd

Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites, David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by, brimming with the swing and swagger of the Barbershop style. Arranged for a quartet of Alto, Tenor, Baritone and Bass voices, each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing. The close-harmony style not only presents a uniquely satisfying and playful challenge to the singers, but will also delight and amuse audiences everywhere, no matter what the occasion! / Voix Masculines