Jazz und Swing 2 Vol. 2

Suite à la méthode Best-seller de Jazz pour les flûte, les ' Elaboration Jazz Technique pour les flûte ' aidera le joueur intermédiaire et prendre leurs compétences jazz à un nouveau niveau. Les 22 morceaux sont écrits dans une variété de styles, y compris les blues, swing, Nouvelle-Orléans, ragtime, Valse jazz, bossa nova, samba, salsa, calypso, reggae et Afrique du Sud. Un accent particulier est donné à aider l'étudiant à improviser sur des séquences de corde, tels que la progression II-V-I. Des effets idiomatiques comme le vibrato, subtone, glissandi et ' flexion ' notes sont traitées. Plusieurs nouvelles échelles sont introduits, y compris le ton ensemble et échelles a diminué, et une section dédiée aux patrons contient de nombreuses idées pour pratiquer dans toutes les clés de douze. Une section rythmique superbe fournit le soutien pour toutes les pièces et les exercices sur le CD qui l'accompagne. / Flûte Traversière

Beginning Jazz Piano s'adresse aux joueurs ayant peu de connaissances préalables et qui aiment explorer la musique liée au jazz. Avec de nombreux morceaux harmonieux - ses propres compositions, des mélodies du jazz classique et de nouvelles mélodies de chansons de jazz connues - Tim Richards initie les joueurs au blues, au funk et à la musique latine, en expliquant les techniques les plus importantes pour la main droite et la main gauche. L'éducateur expérimenté et auteur des méthodes Blues Piano et Jazz Piano, acclamés par la critique, suit également les exigences du catalogue d'examens de l'ABRSM, entre autres, ce qui fait de cette méthode une ressource indispensable pour étudier et pratiquer. Le volume 1 (ED 23374) explique de manière simple comment jouer spontanément et librement au-dessus des harmonies. En commençant par des accords parfaits à la main gauche, des gammes pentatiques et des arpèges ainsi que la gamme de blues sont expliqués ici et essayée avec des pièces concrètes. Truffé de rythmes typiques et de grooves de basse allant du swing au latin, le volume 2 (ED 23379) aiguise ensuite l'appétit pour le piano comme instrument d'accompagnement et montre également comment arranger une mélodie dans un contexte de jazz. Les deux volumes sont de même niveau de difficulté et peuvent être utilisés consécutivement ou en parallèle. Les fichiers audio comprennent des versions complètes et des pistes play-along, avec Tim Richards au piano, une ligne de basse supplémentaire et une batterie. La fonction interactive Replay est particulièrement recommandée, non seulement pour les autodidactes : En coopération avec MusicGurus , fournisseur de cours en ligne de haute qualité, des partitions interactives de tous les morceaux sont accessibles en ligne gratuitement, ce qui facilite la pratique et garantit un succès rapide d'apprentissage. / Méthodes et pédagogie / Piano et instrument à clavier / Piano / SCHOTT

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

14 famous classical pieces, original version + jazzy arrangement Instrument : piano Type : edition with CD Nombre de Pages : 80 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side. The accompanying CD provides examples and suggestions as to how all of these pieces can be interpreted. Content : Schubert, The Trout - Korn, Fish Rag - Grieg, Kobold - Korn, Coolbold - Grieg, Piano Concerto a Minor (Beginning of 1st Movement) - Korn, Tango Concertante - Brahms, Hungarian Dance No. 1, Korn, Hungarian Salsa No. 1 - Schubert, Symphony in B Minor Unfinished (Beginning of 1st Movement) - Korn, Endless - Händel, Halleluja (from Messiah) - Korn, Halleluja Rock - Paganini, La Campanella (Rondo-Thema from 2nd Violin Concerto) - Korn, Campanella Swing - R. Schumann, Knecht Ruprecht - Korn, Santa Claus in Bobby's House - J. S. Bach, Air (from Orchestral Suite No. 3) - Korn, Air in Blue - Mozart, A little Night Music (Excerpt from 4th Movement) - Korn, A Clack Night Music - Offenbach, Cancan - Korn, Nacnac - J. Strauss jr., The Blue Danube - Korn, On the Beautiful Blue Mississippi - Beethoven, Grande Sonate Pathétique (Introction to the 1st movement) - Korn, Echoes of the Pathétique - Chopin, Valse op. 69 Nr. 2 - Korn, Senor Siminor

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Do