Format : Score and Parts
SKU: AP.49031S
ISBN 9781470645472. UPC: 038081564012. English.
Written by Anthony Granata, Into the Stars: A Galactic Journey is an exciting space-themed adventure piece that will captivate your developing orchestras and have them feeling and playing confidently in 6/8 time. With an epic and memorable sounding main theme, your students will be transported into a world of simple and compound meters as they dig into their strings for this fun programmatic piece of music. Students will feel as though they have stepped into the sound stage for a film score of a Hollywood science fiction movie. (1:45).
SKU: AP.46204
ISBN 9781470637118. UPC: 038081522739. English.
Billboard Greatest Chart All-Stars Instrumental Solos contains hit songs from the Billboard Hot 100 and Billboard Hot 200 lists of the past 50 years. Each instrument book is carefully edited---complete with articulations, dynamic markings, and keys well suited for the level 2--3 player. The accompanying MP3 CD includes a live instrumental performance of each song followed by a play-along track, PDFs of piano accompaniments, and Alfred's TNT 2 practice software. Titles: 21 Guns (Green Day) * Style (Taylor Swift) * All About That Bass (Meghan Trainor) * Cake by the Ocean (DNCE) * Can't Feel My Face (The Weeknd) * Desperado (Eagles) * Don't Stop Believin' (Journey) * Firework (Katy Perry) * Go Your Own Way (Fleetwood Mac) * Sorry (Justin Bieber) * Mr. Know It All (Kelly Clarkson) * Like I'm Gonna Lose You (Meghan Trainor feat. John Legend) * and more.
SKU: AP.46207
ISBN 9781470637125. UPC: 038081522746. English.
SKU: CL.023-4232-01
The exciting drive of the percussion section introduces the glorious sounds of woodwinds and brass, a bold declaration that the best is yet to come. As if on cue, our musical journey is then woven into a beautiful theme that your audience will find highly appealing. Instruments, scored where they sound their absolute best, combine to create a composition that delivers musical impact from the initial downbeat to the final cut-off. A great opener!
SKU: HL.1315785
ISBN 9798350110319. UPC: 196288179078. 9.0x12.0 inches.
So you've just started playing this compact wonder – now what? Hal Leonard's First 50 series is here to help! Designed for new players, First 50 Songs You Should Play on Melodica features a variety of accessible songs in a wide range of styles, simply arranged so you can start playing right away. Choose to play just the melody or enhance it using the chord labels or left hand part – the possibilities are endless for wherever you are on your melodica journey! Songs include: All of Me • Blinding Lights • Cabinessence • Canon in D • Easy on Me • Final Countdown • The Flight of the Bumblebee • Hallelujah • Heart of Gold • Imagine • A Million Dreams • Perfect • Someone Like You • Toccata in D Minor • Wellerman • You Raise Me Up • and more.
About First 50
You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.
SKU: CF.CM9743IN
ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!