| Russell L. Robinson:
Jubilate Sing with Joy:
2-Part Choir: Vocal Score Choral 2-part [Vocal Score] Hal Leonard
Discovery Level 1-Written in the style of a canon this original work by Russell...(+)
Discovery Level 1-Written in the style of a canon this original work by Russell Robinson is a joyful and festive celebration of music that may be used as a concert opener or closer. With an option of performing a cappella the simple rhythms andmelodies make this a valuable teaching tool for music reading and form. Available separately: 3-Part Mixed 2-Part VoiceTrax CD. Duration: ca. 2:50.
11.25 GBP - Sold by Musicroom UK |
|
| Greg Gilpin: Jubilate
(Sing Joyfully): TTB:
Vocal Score Choral 3-part TTB/TBB [Vocal Score] Shawnee Press
Greg Gilpin has taken a simple Latin text and infused it with rhythmic energy an...(+)
Greg Gilpin has taken a simple Latin text and infused it with rhythmic energy and excitement! “Jubilate!” lives up to its name: “Sing Joyfully!” Younger singers as well as more advanced choirs will enjoythe world beat sound and feel of this driving choral. Use it successfully as a lively concert opener or theme song for any choral organization.
13.75 GBP - Sold by Musicroom UK |
|
| Greg Gilpin: Jubilate
(Sing Joyfully): SAB:
Vocal Score Choral 3-part SAB [Vocal Score] Shawnee Press
Greg Gilpin has taken a simple Latin text and infused it with rhythmic energy an...(+)
Greg Gilpin has taken a simple Latin text and infused it with rhythmic energy and excitement! “Jubilate!” lives up to its name: “Sing Joyfully!” Younger singers as well as more advanced choirs will enjoythe world beat sound and feel of this driving choral. Use it successfully as a lively concert opener or theme song for any choral organization.
13.75 GBP - Sold by Musicroom UK |
|
| Sing Glory - Words
Edition: Melody Lyrics &
Chords: Mixed Songbook Kevin Mayhew
Hymns songs and psalms for a new century-This outstanding collection suited es...(+)
Hymns songs and psalms for a new century-This outstanding collection suited especially to the Evangelical tradition of the Church of England is compiled by the Jubilate group. You will find 698 hymns psalms and worship songs here all with up to four verses setbetween the music. The ordering of material in Sing Glory is unique in design and is aimed to assist the planning of worship services. It is divided into 23 sections and separated into hymns psalms and songswithin each section those sections being: Gathering for worship Invocation Praise and thanksgiving Confessing our sins to God Assurance of God's love and mercy for us Adoration Reading fromScripture Prayers of intercession Offering our gifts and talents to God Sharing the peace and fellowship with one another Affirming our belief Celebrating Holy Communion Healing services Christian Initiation Responding to God: in faith and trust in hope and confidence in love and devotion in unity and growth in mission in serving others in conflict and endurance in commitmentand character Special occasions
7.99 GBP - Sold by Musicroom UK |
|
| Clive Sansom: Jubilate
Jazz: SATB: Single Sheet Piano, Voice [Sheet music] - Intermediate Paterson's Publications
A vibrant and jazzy choral arrangement for mixed voices with a string or wind tr...(+)
A vibrant and jazzy choral arrangement for mixed voices with a string or wind trio guitar bass keyboards and percussion. The piece combines the textures of choral singing with jazz tonalities and the thumping dotted rhythms of the blues.
3.99 GBP - Sold by Musicroom UK |
|
| John Rutter: I Will Sing
With The Spirit: 2-Part
Choir: Vocal Score Choral 2-part [Vocal Score] Oxford University Press
A fantastic setting of Corinthians 1:14 for Two-part Voices with Piano Accompani...(+)
A fantastic setting of Corinthians 1:14 for Two-part Voices with Piano Accompaniment. John Rutter has crafted a bright and energetic work that is full of jubilant praise.
2.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Antonio Vivaldi: Jubilate
o amoeni RV 639/639a -
Gloria RV 588: Voice Voix et Piano Réduction Ricordi
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-RV 588 is ...(+)
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-RV 588 is Vivaldi?s ?other? Gloria a composition having many parallels with Vivaldi?s better-known setting of the same text (RV 589). It dates similarly from the period 1713-1717 when the composer was acting choirmaster at the Ospedale della Pietà in Venice. It even borrows from the same work a slightly earlier Gloria by the Venetian amateur composer Giovanni Maria Ruggieri for its closing fugue. However the present Gloria RV 588 departs from its more famous counterpart in ingeniously combining its opening movement with the final movement of a specially designed introductory motet Jubilate o amoeni chori (RV 639/639a) for solo contralto (or soprano) and strings although Vivaldi makes it possible through optional cuts indicated in the autograph manuscript in Turin to perform the Gloria alone. With or without its Introduzione RV 588 is a masterly work with many memorable moments not least in its heartfelt second movement set to the words ?Et in terra pax?. The Introduction and Critical Commentary for this vocal score prepared by Antonio Frigé are closely based on those of the Critical Edition by Denis Arnold and Michael Talbot published in 1990.
13.99 GBP - Sold by Musicroom UK |
|
| Benjamin Britten:
Jubilate Deo In C: SATB:
Vocal Score Choral SATB SATB, Organ [Vocal Score] - Intermediate Chester
Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Br...(+)
Britten's Jubilate is written for SATB choir and Organ accompaniment.Benjamin Britten's birthday (22nd November 1913 Lowestoft) falls on St. Cecilia's Day a happy augury for the career of one of Britain's greatestcomposers. Essentially a vocal composer Britten won international fame for his operas and song-cycles. He never abandoned the principles of tonality and was a 'modern' composer who reached a mass audience and a conservative whoseoriginality no radical would sensibly deny. He shared with his predecessors Parry Vaughan Williams and Holst an intense interest in works for amateurs and children. His brilliant gifts as a pianist and conductor coupled withhis virtuosic inventiveness also led him to compose music for great performers such as the cellist Mstislav Rostropovich and the singers Galina Vishnevskaya Dietrich Fischer-Dieskau and Janet Baker.The greatestpersonal influence on his music was the Tenor Peter Pears for whom he composed many operatic and vocal roles. In 1948 Britten Pears and Eric Crozier founded the Aldeburgh Festival now one of the most respected established fornew English music. In 1952 he was made a Companion of Honour in 1965 received the Order of Merit and in 1976 the year of his death he became the first composer to receive a life peerage.Oxford University Press wasBritten's first publisher. In the early 1930s A Boy Was Born and the Simple Symphony brought him great critical acclaim and launched his compositional career. Oxford is delighted to present some previouslyunpublished pieces in collaboration with the Britten Estate. These include the Double Concerto for Violin and Viola premiered at Snape by the Britten-Pears Orchestra under Kent Nagano in June 1997; Two Portraits forString Orchestra premiered on BBC Radio 3 in December 1995 by the Northern Sinfonia under Martyn Brabbins; The World Of The Spirit the full version first performed in 1938 on the BBC Home Service the abridged
4.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Mack Wilberg: Christ The
Lord Is Risen Today:
Mixed Choir: Vocal Score [Vocal Score] Oxford University Press
This arrangement of the well-loved hymn stays true to the jubilation and reveren...(+)
This arrangement of the well-loved hymn stays true to the jubilation and reverence of Easter. Wesley's words and the eighteenth-century melody shine through in a sensitive reharmonization and a recurring instrumental passage smoothly connects the verses. Reflecting common hymn-singing practice the first verse is in unison the second in four-part harmony and the third returns to unison with a soprano descant before closing with a suitably exultant 'Alleluia' and 'Amen'. Christ The Lord Is Risen Today appears on the Mormon Tabernacle Choir and Orchestra at Temple Square's latest CD He is Risen which reached No. 1 in both the 'ClassicalAlbums' and 'Traditional Classical Albums' US charts within two weeks of its release in April 2014.
2.50 GBP - Sold by Musicroom UK |
|
| Christmas Classique Choral SATB Hal Leonard
A Gathering of Carols, Choir and Candlelight. Par . This choral compilation brin...(+)
A Gathering of Carols, Choir and Candlelight. Par . This choral compilation brings together beloved carols and new seasonal lyrics with celebrated music from Bach, Handel, Mozart and others. As a collection, you can use this resource throughout Advent and Christmas, or use the optional narration to present the entire work as a cantata. A full line of support products is available to enable your performance options. Score and Parts (instrumentation varies by song) available as a digital download. For the Accompaniment Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. HL00428625: Accompaniment Tracks Songs include: Canon de Noel; Procession of Light; A Classic Advent Flourish; Advent Alleluia; Celebration for Advent; He Shall Feed His Flock; An Etude Carol; Christ Is Born! Let Earth and Heaven Rejoice; Adoramus Te; Christmas Jubilate. / Date parution : 2022-11-29/ Recueil / SATB et Ensemble
13.79 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
|
| John Rutter: Wells
Jubilate: SATB: Vocal
Score Choral SATB [Vocal Score] Oxford University Press
This rousing Jubilate was written in 2009 for Matthew Owens and the Choirs of We...(+)
This rousing Jubilate was written in 2009 for Matthew Owens and the Choirs of Wells Cathedral. With its strong melody and rich textures and harmonies this work will prove immensely popular with all lovers of Rutter's music.
2.95 GBP - Sold by Musicroom UK |
|
| James Whitbourn: Alleluia
Jubilate: SATB: Vocal
Score Choral SATB SATB, Organ [Vocal Score] Chester
For SATB chorus and Organ commissioned for the Choir Schools’ Associatio...(+)
For SATB chorus and Organ commissioned for the Choir Schools’ Association conference 2008 originally for upper voices.'With Latin words from Psalm 66 (the translation is at the top of the score!) the lively andrhythmic setting of Jubilate Deo by James Whitbourn for SATB would thrill any choir especially a school choir and indeed this is an adaptation of the setting the composer made in 2008 for upper voices written for the ChoirSchools’ Association. Rhythmic yet with straightforward harmonies and a lively organ accompaniment there is enough challenge to keep the interest of singers and a nimble fingered organist under a competent conductor. Thisexciting piece will thrill the singers and audience!' - Sunday by Sunday (RSCM)
3.99 GBP - Sold by Musicroom UK |
|
| Jenkins Karl - Stella
Natalis - Soprano, Mixed
Choir Choral Schott
Content : Celebro - Lullay - Cantus triquertrus (The triangle song) - Only heave...(+)
Content : Celebro - Lullay - Cantus triquertrus (The triangle song) - Only heavenly music - Wintertide - Sleep, child of winter - Make we merry - From our earth - The Trotector - Dona nobis pacem (Grant us peace) - Sing with joy at Christmas - Jubilate Deo (O be joyful in the Lord)
21.60 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
|
| Wolfgang Amadeus Mozart:
Exsultate jubilate
K.165: Mixed Choir: Vocal
Score Soprano voice, Piano Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...(+)
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
8.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Wolfgang Amadeus Mozart:
Exsultate jubilate
K.165: SATB: Score Choral SATB [Sheet music] Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...(+)
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
16.00 GBP - Sold by Musicroom UK |
|
| Wolfgang Amadeus Mozart:
Exsultate jubilate
K.165: Mixed Choir: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...(+)
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
5.00 GBP - Sold by Musicroom UK |
|
| Wolfgang Amadeus Mozart:
Exsultate jubilate
K.165: Viola: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...(+)
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
5.00 GBP - Sold by Musicroom UK |
|
| Wolfgang Amadeus Mozart:
Exsultate jubilate
K.165: Cello: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...(+)
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
4.50 GBP - Sold by Musicroom UK |
|
| Wolfgang Amadeus Mozart:
Exsultate jubilate
K.165: Violin: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowaday...(+)
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale
4.50 GBP - Sold by Musicroom UK |
|
| Alan Bullard: Jubilate:
Vocal Score [Vocal Score] Oxford University Press
Jubilate arranged by Alan Bullard for SATB and piano or organ. This is a jubilan...(+)
Jubilate arranged by Alan Bullard for SATB and piano or organ. This is a jubilant arrangement of a four-part round by W. A. Mozart with choral imitation of pealing bells complementing the celebratory text. An English singing translation of the Latin text is provided.
2.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
|
| Jan McGuire John Purifoy:
Easter Jubilate!: SATB:
Vocal Score Choral SATB [Vocal Score] Brookfield Press
Sing a Jubilant Song!-Crisp and refreshing this anthem begins with a proclamati...(+)
Sing a Jubilant Song!-Crisp and refreshing this anthem begins with a proclamation of Easter joy. The melody and accompaniment are nicely rhythmic while the harmonies offer some nice surprises. Dynamic!
11.25 GBP - Sold by Musicroom UK |
|
| 150 Rounds for Singing
and Teaching: Mixed
Choir: Vocal Tutor Medium voice, Piano Boosey and Hawkes
150 Rounds For Singing is the perfect book for all teachers who enjoy sharing th...(+)
150 Rounds For Singing is the perfect book for all teachers who enjoy sharing the joy of music with children. The book contains 150 varied pieces with melody Line and Lyrics and are intended for teachers to teach their students. Includes a selection of songs rhymes and traditional classics such as Row Row Row Your Boat Three Blind Mice Jubilate Deo and Are You Sleeping plus many many more to delight and entertain!
18.50 GBP - Sold by Musicroom UK |
|
| Henry Purcell: Te Deum
And Jubilate In D: Mixed
Choir: Vocal Score [Vocal Score] Oxford University Press
Written for St Cecilia's Day 1694 Purcell's popular Te Deum and Jubilate in D w...(+)
Written for St Cecilia's Day 1694 Purcell's popular Te Deum and Jubilate in D was the first work of its kind to be scored for orchestra and it became the model for future settings of the text by Blow Croft and Handel. This new edition by Robert King has been prepared using the earliest available source material combining up-to-date scholarship with a clear and practical layout. The edition includes an organ reduction for rehearsal purposes.
7.95 GBP - Sold by Musicroom UK |
|
| Sadie Harrison: Via Della
Fortuna: String
Orchestra: Parts String Orchestra University Of York Music Press
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Chri...(+)
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.
13.95 GBP - Sold by Musicroom UK |
|
| Sadie Harrison: Via Della
Fortuna: String
Orchestra: Score String Orchestra University Of York Music Press
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Chri...(+)
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus.6; for String OrchestraWorld premiere: 25th April 2013 St. Katharine'sChurch Vilnius St. Christopher Chamber Orchestra conducted by Donatus Katkus.UK premiere: 10th May 2013 Cardiff Millennium Centre Vale of Glamorgan Festival.I - Casa di Caccia Antica (The House of the AncientHunt)II - Casa degli Amorini Dorati (The House of the Golden Cupids)III - Casa del poeta tragico (The House of the tragic poet)IV - Return to the Casa di Caccia Antica and northwards to Lithuania and the Amber Road(Gintaro Kelias)The piece is in four short movements each taking its title from one of the houses that line the main streets in Pompeii. Borrowing Mussorgsky's 'Promenade' from Pictures at an Exhibition the piece has twowalkers (violas) who take the listener with them onto the Via Della Fortuna then lead them from house to house. Several amber objects were found within the houses linking Pompeii with Lithuania. The lastmovement returns to the House of the Ancient Hunt then heads northwards along the Gintaro Kelias. The jubilant closing music refers to an earlier work (Geda's Weavings) based on Lithuanian folksongs.
14.95 GBP - Sold by Musicroom UK |
|
| Mack Wilberg: I Sing The
Mighty Power Of God:
Mixed Choir: Vocal Score Choral SATB SATB, Organ [Vocal Score] Oxford University Press
This anthem will feel immediately familiar to many listeners! Wilberg has adapte...(+)
This anthem will feel immediately familiar to many listeners! Wilberg has adapted the words of a traditional hymn and set them to the melody of O little town of Bethlehem. With a lively accompaniment and spirited counter-melody the result is a sparkling and jubilant work that will suit both concerts and services of thanksgiving throughout the year.Mack WilbergMack Wilberg is the Music Director of the Mormon Tabernacle Choir. He was appointed Music Director in March 2008 having served as Associate Music Director since May 1999. He is a former professor of music at Brigham Young University where he received his bachelor's degree; his master'sand doctoral degrees are from the University of Southern California. In addition to his conducting responsibilities he is active as a pianist choral clinician composer arranger and guest conductor throughout the United States and abroad. In addition to the many compositions he has written for the Mormon Tabernacle Choir his works have been performed by artists such as Renée Fleming Frederica von Stade Bryn Terfel The King's Singers and narrators Walter Cronkite and Claire Bloom. Wilberg's arrangements and compositions are performed and recorded all over the world. With their grandeur energy and craftsmanship they inspire performers and audiences everywhere.
2.95 GBP - Sold by Musicroom UK |
|
| Simon Johnson: Gloria:
Mixed Choir: Vocal Score Choral SATB SATB, Organ [Vocal Score] Oxford University Press
This jubilant single-movement setting of the Latin Gloria by celebrated organist...(+)
This jubilant single-movement setting of the Latin Gloria by celebrated organist Simon Johnson has something for everyone. Scored for SATB choir with Brass Ensemble Organ and Timpani (or Organ alone) the work is highly original and packed with content including recurring rhythmic and melodic motifs harmonic twists a peaceful central section and a four-part fugue.Johnson's Choral writing is clean and concise and more experienced singers will find the vocal lines approachable and enjoyable. The instrumental Ensemble/Organ part is integral to the work featuring short interludes driving rhythms and melodic and textural interest aswell as providing support to the voices where necessary. This exciting work holds its own among more established Gloria settings and will stand the test of time.
4.50 GBP - Sold by Musicroom UK |
|
| Mark Hayes: Sing A
Jubilant Song: SATB:
Vocal Score Choral SATB [Vocal Score] Hinshaw Music Inc.
Mark Hayes is known for his prolific compositional output. This anthem for divis...(+)
Mark Hayes is known for his prolific compositional output. This anthem for divisi mixed chorus with piano and optional flute is true to the energetic style found in many of mark's compositions. The rhythmic drive active accompaniment and text/music relationship are true to the text (Psalm 95) and captivating for the singer and listener. Try it for Pentecost!
3.75 GBP - Sold by Musicroom UK |
|
| Charles McCartha: Sing to
the Lord of Harvest:
Mixed Choir a Cappella:
Vocal Choral SATB [Vocal Score] Fred Bock Music Company
Come Ye Thankful People Come is one of best-known songs of Thanksgiving. Charl...(+)
Come Ye Thankful People Come is one of best-known songs of Thanksgiving. Charles McCartha has encircled that hymn with his own spirited tune. The piano accompaniment is jubilant and the vocal writing pleasing to sing. A great church anthem for Thanksgiving or any general service of praise. Easy to medium in difficulty.
27.50 GBP - Sold by Musicroom UK |
|