Format : Reduction
SKU: HL.49031429
ISBN 9790001049559. German.
Improvisation ist, neben der musikalisch-padagogischen Intention, ein zentraler Aspekt dieser Kantate. Unter Verwendung szenischer Formen wie Tanz, Pantomime liefert das an dem bekannten Kinderlied von der Vogelhochzeit entlangerzahlte Spiel eine Fulle von Moglichkeiten, auch spielunerfahrenen Kindern erste Kontakte zum darstellenden Spiel zu eroffnen.
SKU: HL.49031427
ISBN 9790001049535. German.
SKU: HL.49031426
ISBN 9790001049528. 0.033 inches. German.
SKU: HL.49031428
ISBN 9790001049542. German.
SKU: BA.BA06345
ISBN 9790006478453. 27 x 18.9 cm inches.
Leichte Satze zu Choralen und Liedern, liturgische Kanons zeitgenossischer Komponisten fur 1- bis 3stimmigen Kinderchor und beliebige Instrumente (teilweise ad lib.).
SKU: HL.49021014
ISBN 9790001104975. 7.5x11.0x0.106 inches.
Fur kleine instrumentale Vor- und Nachspiele gilt Freizugigkeit der Besetzung: Wenn der Cantus firmus in der Bassstimme liegt, kann er von Lauten, Gamben, Fideln oder einem Cello ausgefuhrt werden. Alle Vorspiele und Liedsatze konnen auch nur von Cembalo oder Orgel begleitet werden. Im ubrigen sind als Instrumentarium je nach der Stimmlage Blockfloten oder Querfloten geeignet, falls vorhanden auch Oboe, Fideln, Geigen, Violen, Gamben und Celli.Es konnen 8-12 Lieder zu einer kleinen Weihnachtskantate zusammengestellt werden.
SKU: CA.3720903
ISBN 9790007095987. Language: German.
The composition of the cantata was probably completed on 16 November 1765. The subject of the cantata text is the fulfillment of the prophecy with Christ's birth. The author of the texts of the inner movements is unknown. Score available separately - see item CA.3720900.
SKU: CA.3720909
ISBN 9790007214685. Language: German.
The composition of the cantata was probably completed on 16 November 1765. The subject of the cantata text is the fulfillment of the prophecy with Christ's birth. The author of the texts of the inner movements is unknown. Score and parts available separately - see item CA.3720900.
SKU: CA.3720914
ISBN 9790007214722. Language: German.
The composition of the cantata was probably completed on 16 November 1765. The subject of the cantata text is the fulfillment of the prophecy with Christ's birth. The author of the texts of the inner movements is unknown. Score and part available separately - see item CA.3720900.
SKU: CA.3720905
ISBN 9790007132163. Language: German.
SKU: CA.3720949
ISBN 9790007214739. Language: German.
SKU: CA.3720900
ISBN 9790007095970. Language: German.
The composition of the cantata was probably completed on 16 November 1765. The subject of the cantata text is the fulfillment of the prophecy with Christ's birth. The author of the texts of the inner movements is unknown.
SKU: CA.3720912
ISBN 9790007214708. Language: German.
SKU: CA.3720911
ISBN 9790007214692. Language: German.
SKU: CA.3720913
ISBN 9790007214715. Language: German.
SKU: CA.3720919
ISBN 9790007134716. Language: German.
SKU: HL.49015091
ISBN 9790001049511. 7.5x10.75x0.067 inches. German.
Die Kantate soll die Kinder mit der Form der Variation vertraut machen. Ihre szenische Gestaltung ist daher nicht unbedingt notwendig, aber zur Erhohung der Freude fur die Kinder und der Wirkung auf die Zuhorer moglich und wunschenswert. Die Darstellung kann auf jeder beliebigen Spielflache erfolgen. Eine etwa vorhandene Wald- und Hauskulisse - letztere mit Fensterladen und Schild 'Kuckucksheim' - lasst sich gut verwenden. Hinsichtlich der Kostumierung sind der Phantasie des Spielleiters keine Grenzen gesetzt. [...] Im ubrigen lasse man die Kinder improvisieren.' (Fritz Goller, Vorwort zur Partitur)Improvisation ist, neben der musikalisch-padagogischen Intention, ein zentraler Aspekt dieser Kantate. Unter Verwendung szenischer Formen wie Tanz, Pantomime liefert das an dem bekannten Kinderlied von der Vogelhochzeit entlangerzahlte Spiel eine Fulle von Moglichkeiten, auch spielunerfahrenen Kindern erste Kontakte zum darstellenden Spiel zu eroffnen.
SKU: VD.ED95242
ISBN 9790202002421. 11.69 x 8.26 inches.
SKU: HL.49042437
ISBN 9783795794507.
Carl Maria von Weber's fame rests mainly on Der Freischutz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was notconducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer,ritic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold.This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Webers music. Conforming to the standards of recent historico-critical editions, the textual material will be based on.
SKU: HL.49042473
Carl Maria von Weber's fame rests mainly on Der Freischutz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as Preciosa, Oberon, and Euryanthe, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Webers work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for eachwork. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant toeach other in the commentaries, therefore readers should benefit from a wealth of concise information and cro.
SKU: M2.MOS-68011-11
ISBN 9790203771432.
SKU: M2.MOS-68011
ISBN 9790203771418.
SKU: M2.MOS-68011-60
ISBN 9790203771449.
SKU: M2.MOS-68011-01
ISBN 9790203771425.
SKU: HG.PE-365
Nur in Chorstarke, ab 20 Stuck.
SKU: BA.BA01125
ISBN 9790006408566. 34.7 x 27.2 cm inches.
Print on demand (POD).
