Keyboard Book - Piano Solos (JOEL BILLY)

For Piano And Keyboards-The Blues Play-A-Long and Solos Collection For Piano/Keyboards by Andrew D. Gordon consists of 30 12 bar blues play-a-long backing tracks created in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you ample time to practice soloing techniques totaling over 3 hours of music. The inside front cover of the book gives a link to download the free audio files for thebookThe 30 Blues styles contains 3 solo improvisational melody lines each of which are 12 measures in length ranging from a basic solo and increasing in skill level designed for musicians/music students of all levels totaling 90 solos. Also there is a rhythm keyboard chart so that you can play a rhythm keyboard part for each Blues style. Using this book will help you on your way to becoming a great sounding blues pianist/keyboard player.Blues is the basis of many forms of music and these tracks have been specifically arranged to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues.

'Tall Stories for Short Pianists' is an album of a dozen approachable Piano solos along with 5 duets (for pupil and teacher) pitched at the younger Pianist. Each piece connects with a tale or story (some will be more immediately familiar than others) while the level of difficulty starts at ABRSM Prep Test/Trinity College Initial with a couple nudging Grade 3.While in some cases the technical and reading difficulties have been kept to a minimum other pieces include hand-positon changes hand-crossing isolated high/low notes or brief chromatic features in order to widen the interest. The intrepid Pianist is warmly invited to take up a commanding presenceat the Piano (or Keyboard) and perform with authority!Mark Tanner's compositions encompass an impressively wide range of attractive styles. A number of his pieces written or adapted for a variety of instruments feature in current ABRSM TCL and LCM exam syllabuses drawing from a growing oeuvre (60 volumes) of music published by Spartan Press. You will find a few of his pieces within an appealing new ABRSM series due to appear later in 2016: 'Piano Star'. Mark's 'Scapes' series was shortlisted for the 'Best Print Resource' Award at the 2015 Music Teacher Awards and he is co-author of ABRSM's Teaching Notes an informative book to support the latest Piano syllabus. His thought-provoking book 'The Mindful Pianist' was published by Faber Music in 2016.

Hal Leonard Student Piano Library Composer Showcase Intermediate Level-Mona Rejino has created a wonderful collection of six Piano solos in the style of the Keyboard works of the masters. It is designed to provide a link between early level method books and intermediate masterwork repertoire. The pieces in this collection will help students become familiar with the characteristics and sounds of works in contrasting style periods while providing fresh repertoire selections for students of all ages.Includes: 'Aurora (New Dawn)' 'Bourrée in G Major' 'Classical Sonatina in C Major' 'Menuet in G Major' 'Romance' 'Shimmering Sea'.

In Recital Throughout The Year is a series that focuses on fabulous repertoire with musically engaging pieces by leading FJH composers and arrangers. This series of books is carefully levelled to ensure that goals are attainable which is essential in motivating students. Providing excellent teaching material these books address the strengths and weaknesses of students with progressive discussions by Dr. Helen Marlais on the art of performance and an analysis of performance strategies.The pieces presented in these books provide repertoire for the entire year including pieces for Halloween and Christmas as well as arrangements of famous classicalthemes with original solos and duets.The accompanying CD includes demonstrations of the pieces presented in this book allowing the student to develop their interpretive skills.Volume One Book 3 is suitable for Late Elementary pianists and covers many basic principles including:Eighth notes and those basic notes and rests introduced in books 1 and 2 the dotted quarter note is also introduced in the last piece in the bookPlaying different articulations such as legato and staccato at the same timePlaying pieces in a variety of different moods tempos and formPlaying block and broken major minor and diminished chordsPieces which reinforce five-finger scales as well as scale patterns that extend from the usual five-finger patterns (with finger crossing)Playing blocked intervals up to a sixth double thirds and hand-over-hand arpeggiosContinued movement up and down the keyboard and using the pedal artisticallyReinforcing basic musical terminology and symbols such as crescendo decrescendo ritardando fermata mezzo forte mezzo piano forte piano fortissimo pianissimo and D.C. al fineKeys C G F D A minor and D minor.

With Performance Strategies-In Recital Throughout The Year is a series that focuses on fabulous repertoire with musically engaging pieces by leading FJH composers and arrangers. This series of books is carefully levelled to ensure that goals are attainable which is essential in motivating students. Providing excellent teaching material these books address the strengths and weaknesses of students with progressive discussions by Dr. Helen Marlais on the art of performance and an analysis of performance strategies.The pieces presented in these books provide repertoire for the entire year including pieces for Halloween and Christmas as well as arrangements of famous classicalthemes with original solos and duets.The accompanying CD includes demonstrations of the pieces presented in this book allowing the student to develop their interpretive skills.Volume Two Book 2 is suitable for Elementary pianists and covers many basic principles including:Basic notes and their corresponding rests such as quarter half dotted half and whole notesPlaying tied notes legato and staccato articulations accents upbeats a few chords blocked intervals and five-finger hand positionsPracticing moving up and down the keyboard as well as use of the pedal to create a larger soundReinforcing basic musical terminology and symbols such as crescendo decrescendo ritardando fermata mf mp forte piano loco D.C. al fine and D.S. al CodaUse of basic keys C F A minor D minor and C minor (with accidentals instead of key signatures).

In Recital Throughout The Year is a series that focuses on fabulous repertoire with musically engaging pieces by leading FJH composers and arrangers. This series of books is carefully levelled to ensure that goals are attainable which is essential in motivating students. Providing excellent teaching material these books address the strengths and weaknesses of students with progressive discussions by Dr. Helen Marlais on the art of performance and an analysis of performance strategies.The pieces presented in these books provide repertoire for the entire year including pieces for Halloween and Christmas as well as arrangements of famous classicalthemes with original solos and duets.The accompanying CD includes demonstrations of the pieces presented in this book allowing the student to develop their interpretive skills.Volume One Book 1 is suitable for Early Elementary pianists and covers many basic principles including:Basic notes such as quarter half dotted half and whole notes3/4 and 4/4 time signaturesUse of 8va signs and therefore practicing moving up and down the keyboardUse of the pedal to create a larger soundPlaying with both a detached and a smooth touchUnderstanding of basic musical terminology such as forte piano and repeat signsPieces which use the middle C position as well as other basic hand positionsUse of basic keys C F and A minor (written using accidentals instead of key signatures).

Explore the classic riffs and solos of rock's greatest keyboardists with this informative book/CD pack. Includes detailed instruction transcriptions and a CD with demos. 12 songs are analyzed: Bloody Well Right (Supertramp) · Cold as Ice (Foreigner) · Don't Do Me Like That (Tom Petty

A must have for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the real world. Highly endorsed! Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I\'ve already started practicing! - Kenny Barron In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one�s technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one�s ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. - Todd Coolman It is understood that all musicians must play piano. Emiko\'s book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one\'s playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. - David Liebman