Keyboard Works Band 1A

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Keyboard Works Band 1a de Haendel Georg Friedrich. Cette partition qui est éditée par les éditions Wiener Urtext fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

Editée par la maison d'édition Wiener Urtext, la partition musicale ayant pour titre Keyboard Works Band 3 vous fera découvrir au travers de ses pages, des morceaux de Haendel Georg Friedrich. Cette partition qui se joue pour Piano et plus particulièrement pour Piano (Ou Clavecin) est à classer parmi la catégorie musicale Classique. / Piano (Ou Clavecin) / Partition

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

A beginner's Guide for Group or Private Instruction. The Modern Band Method series provides a guided lesson plan for the absolute beginner, complete with audio tracks, video lessons, and many popular songs by the biggest artists of the day! This keyboard method works in tandem with the other instrument methods in the series, allowing students to play the same songs together as a full band! Keyboard lessons include: · Proper playing posture · Reading notes and rhythms · Scales, chords and arpeggios · Syncopation · Rock, pop, Latin, funk, hip hop and island styles · Articulations · Composing a song · Writing lyrics

This work is composed by the very talented Grammy Award-winning composer Michael League composer for many of the works performed by the group Snarky Puppy one of the most exciting entertaining and musically sophisticated groups of young musicians performing today. The group is a collective of nearly 40 musicians consisting of guitars pianos keyboards woodwinds brass percussion and strings. From their most recent album We Like It Here comes this Latin wonder Tio Macaco tastefully arranged by Tom Wallace. An infectious mix of melodies and harmonies co-exist with an unstoppable groove to create just the kind of music that marching bands find irresistible.

The early music specialist and harpsichordist, Robin Bigwood presents the first in a series of four volumes dedicated to keyboard music from the Baroque period. Featuring a variety of interesting solo pieces, this collection includes works by well-known figures as well as lesser-known and rarely available pieces from a range of composers.Suitable for students of ca.2-3 years of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Robin Bigwood. / Piano

The Books of 1705-6 and 1724-This three volume edition is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes (In book 3 - BA6583).It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.For the first time all accidentals and expressionmarks are reproduced exactly as they appear in the sources. All of Rameau’s written comments a key source on performance practice are reproduced in the original French with translations into German and English.Rounding off the edition are instructive facsimiles and a detailed preface in which the editor the celebrated harpsichordist and conductor Siegbert Rampe discusses the sources editorial method and important aspects of performance.Complete scholarly-critical Urtext edition in modern clefsIncludes the latest findings in performance practiceIncludes Rameau’s written comments and explanations in the original and in translations in English and GermanIdeal format (24.3 x 31 cm)

Beethoven?s 32 Piano Sonatas are often referred to as the ?New Testament of Music? (Hans von Bülow). Since the publication of our complete edition in two volumes experts have praised it as being themost reliable Urtext edition. Its contents: an almost inexhaustible wealth of pianistic musical flights of inspiration predominantly high profile works the Sonatas ?Pathétique? ?Moonlight? ?Storm? ?Appassionata? ?Waldstein? ?Hammerklavier?. Even if one will never (be able) to play them all the acquisition of the ?New Testament? is always worthwhile whether clothbound paperbound or as a studyedition in Henle Urtext.