SKU: FG.55009-416-1
ISBN 979-0-55009-416-1.
Konzertstuck by Olli Kortekangas is charged with the intensity which rises from small, carefully-weighed gestures and the poeticism which stems from delicately-poised timbral colourings. The work was composed in 1992-93 and commissioned by the Tapiola Sinfonietta.
SKU: CY.CC2936
ISBN 9790530057551.
Robert Schumann's Konzertstuck (Concert Piece), Opus 86 originally for Four Horns is a work of incredible genius, in that it combines virtuosity, energy, expression, lyricism and harmonic invention. It is now available in a newly arranged edition for Four Trombones and Piano, by Gordon Cherry.Written during Schumann's most prolific period in 1849, it is a marvelous showpiece for Trombone quartet & Piano and unsurpassed for its sheer excitement. Each performer needs to be at the top of their game, but the rewards are well worth the effort.The 3-movement work of almost 20 minutes in length is a joy to perform and to listen to.Recommended for advanced performers.
SKU: TM.00859SC
Solo in set.
SKU: TM.00434SET
Solo/pf.
SKU: TM.00859SET
SKU: TM.00080SC
Sol/pf.
SKU: TM.00434SC
SKU: TM.00080SET
SKU: HL.48015931
UPC: 073999897197. 9.0x12.0x0.176 inches.
Contents: J.S. Alschausky: GroBes Rezitativ und Andante * E. Gabler: Capriccio Nr. 3 * A. Jorgensen: Konzert, op. 31 * F. Brange: Nocturne, op. 48 * R. Wagner: Siegmund's Liebeslied * O. Hoser: Romanze * E. Schiffmann: Intermezzo * E. Jaruszewski: Konzertstuck b-Moll * Einlageblatt * G. Verdi: Rezitativ und Romanze des Radames * P. Weschke: Der Karneval in Venedig * E. Schiffmann: Konzertstuck, op. 67 * R. Jehmlich: Concertino, op. 3 * C. Hofmann: Konzert c-Moll, op. 31 * J.G. Bagge: Barkarole * F. Schmid: Konzert f-Moll * E. Gabler: Konzert Des-Dur * A. Gunther: Konzert Nr. 1 Es-Dur, op. 19.
SKU: HL.49022639
ISBN 9790001128018. 8.25x11.75x0.065 inches.
SKU: HL.44012591
ISBN 9789043150835. UPC: 888680087517.
Op. 41 - windquintet, piano.
SKU: CY.CC2780
Max Warnecke's Konzertstuck is characteristic of the nineteenth-century solo Trombone tradition. At six minutes in duration, it is considerably shorter than contemporary solos of the time such as the Grafe Concerto. Like the David Concertino it uses similar martial-style opening and closing themes with a lyrical middle section. The solo and piano accompaniment are of medium difficulty and appropriate for school recitals or professional performances.