Latin Guitar

Nouvelles compositions pour guitare classique par le célèbre guitariste et compositeur, David Pritchard. Tous les solos sont en notation standard. ' En plus de toute la musique, j'ai écrit au cours des vingt dernières années pour les guitares acoustiques multiples, je me suis senti à l'occasion inspiré pour écrire un plus petit nombre de pièces pour seule guitare. Explorant une sensation méditative était ma motivation pour l'écriture ' A View pâle, ' 'A Silent Dream' et ' Restauration. ' ' Un silencieux Dream ' peut être joué, soit comme un morceau solo ou il peut être amélioré en ayant un autre guitariste à jouer de la deuxième partie. ' Arundo ' est fondamentalement un morceau d'étude de main droite, alternant entre deux patrons dans différents mètres, alors que ' Orb Weaver ' est principalement un rythme Latin étudient avec beaucoup syncope, alternant simplement entre deux accords. ' Coryza ' a été écrit avec la chaîne acier acoustique à l'esprit à l'aide de DADGAD de réglage. / Guitare Classique / 24 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

25 Stücke für Gitarre solo-This repertoire book presents 25 pieces for classical guitar inspired by pop music designed to appeal to young students in particular. The collection contains melodic and atmospheric ballads as well as some great swing Latin ragtime and jazz style numbers. The pieces span a range of levels from easy to moderately difficult with complete fingerings and tempo indications. The accompanying CD provides first-class performances by the up-and-coming concert guitarist Julia Trintschuk. These are intended to give an example of interpretation and to encourage a deeper study of the music.

Par RIVOAL YVON. Ces recueils proposent un choix de mélodies populaires arrangées pour deux guitares. Les pièces ne comportent aucune difficulté technique majeure. Néanmoins, certaines formes rythmiques, liées à la musique traditionnelle de ces régions, demanderont une attention particulière. Aucune gradation n'a été établie dans la présentation des textes. Chaque recueil contiendra donc des pièces faciles et d'autres qui le seront un peu moins. / Niveau : Assez Facile / classique / Date parution : 1991-02-01/ Répertoire / 2 Guitares

These two pieces for classic Guitar duo were composed for the Hanser-McClellan Guitar Duo.Two to Tango is a tango rhapsody for two Guitars using mainly tango rhythm combined with that of the milonga anotherArgentinean dance closely related to the tango. The interaction of the two Guitars playing single lines at times and then changing roles between the melody and the rhythm makes it more interesting for bothplayers.Millennium Duet was written as a homage to Chet Atkins. The piece opens with a brief reflection of country and western rhythmic ideas with a melody of a different character. It later moves on to otherpatterns at times combining some Latin American rhythms with a little touch of jazz harmony.This book includes two separate Guitar parts and a combined score written in standard notation only. The companion CD features thepremiere recording of the pieces by the Hanser-McClellan Guitar Duo.

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes

Par LINSKY JEFF. Ce livre et DVD package réunit Mel Bay artiste série vidéo de Jeff Linsky, Latin guitare Jazz, avec musique pour toutes les pièces en notation et tablature. Il y a quelques transcriptions directes, mais il y a aussi des arrangements des pièces et analyse de style du Linsky, ses techniques et ses approches à certains problèmes musicales. Jeff Linsky est un des meilleurs guitaristes sur la scène du jazz contemporaine. Il est bien respectées pour son improvisation solos de guitare polyphonique et pour son plaisir et animées compositions. Just Jazz Guitar Magazine a commenté, ' dans cette collection des Linsky originaux, vous entendrez beaucoup d'imagination, d'inventivité mélodique et harmonique et de joie pure. Capacité de Jeff pour créer des mélodies mémorables et improvisation éblouissante est une joie de vivre. ' / Niveau : Intermédiaire à Avancé / Jazz - Transcribed Solos / Tablatures / Guitare Tablatures

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Partition pour guitare Niveau : 2 Voici une bonne quinzaine d'années (et trois semaines) que j'espérais pouvoir écrire un jour ces pièces pour guitare à l'adresse de la plupart d'entre vous. C'est aujourd'hui fait. Cependant - et c'est là la principale raison de ce délai important - la conjugaison d'une certaine qualité musicale et d'une relative aisance d'exécution me semble toujours tenir de la plus haute difficulté en matière d'écriture. Et si j'ignore encore si ces 20 lettres remporteront ce défi-là, je sais au moins que je l'aurais tenté, répondant ainsi aux nombreuses voix amies qui depuis longtemps m'avaient invité à orienter mes travaux dans cette direction (très intimidant, cela dit et peut-être davantage que la composition même d'un concerto !). Aujourd'hui, au terme de ces quelques semaines de travail, ce qui probablement me ravit le plus est l'idée que ma musique puisse enfin être abordée par cette frange majoritaire de guitaristes qui, pour des raisons techniques compréhensibles, se sentait un peu exclue de la plupart de mes compositions. Cette lacune, je l'espère, fera donc désormais partie du passé. Contenu : Lettre à Sydney - Lettre à la Seine - Lettre noire - Lettre à soi-même - Lettre française - Lettre mi-longue - Lettre latine - Vénézuelettre - Lettre à Claude et Maurice - Lettre à la vieille Angleterre - Lettre Nordestine - Lettre à demain - Lettre et le néant - Lettre au calme - Lettre à Jacques Cartier - Lettre à Isaac, Emilio et les autres - Lettre encore - Lettre à la Saudade - Lettre à Julia Florida - Lettre à Monsieur Messiaen

Books 4-6 and Advanced Technique-The Guitar Lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in guitar didactic literature. The original six lesson books along with the book Advanced Technique were an immediate success on their introduction and remain so today. This edition brings together under one cover Lesson Books Four Five and Six as well as Sagreras's Advanced Technique volume. The studies in each book arecarefully fingered and graded. They are charming melodious and extremely effective in the classroom. They are also an ideal introduction to classical guitar playing and also to Latin American guitar music. Some of the laterstudies are appropriate as concert repertoire. This text is in English and Spanish with French and German translations in an appendix at the back of the book.

Guitar quartets scored by the legendary guitarist Laurindo Almeida. Included are the movements in his acclaimed 'Los Angeles Aquarelle Suite' ('North Hollywood' 'Sunset Boulevard? ?Latin Quarters? 'San Fernando Mission' 'Beverly Hills' and 'Harbor Freeway'.) The score and 1st guitar part are available in hard copy.

Ever since they were published, these studies, influenced by Aguado but with an added Latin flavour, have always retained their popularity with pupils and teachers alike. An ideal and natural way of learning the basic skills of the classical guitar. This sequel to the first three lessons includes the demanding 6th Lessons and the Técnica superior.