Latin Jazz Standards

Frank Mantooth was always thinking out of the box injecting clever and fresh ideas into jazz standards. Franks' chart on On Green Dolphin Street toggles between Latin and swing which will help your band lock in the two styles and solo space (written or ad-lib) is provided for trumpet tenor and trombone. This arrangement delivers interesting rhythms and harmonies that the band can sink its teeth into. (4:22)

One dozen of the world's finest Standards done in the popular Latin Jazz style. A refreshing departure from the typical swing and bossa styles which have dominated Jazz in the past. The authentic rhythm section includes Mark Levine, Piano; David Belove, Bass; Harold Muniz and John Santos, various percussion. St. Thomas - West Coast Blues - Soul Eyes - Body & Soul - Forest Flower - Have You Met Miss Jones - Desafinado - What Is This Thing - What’s New - Don’t Blame Me - Opus de Funk - I Can’t Get Started

One of the most familiar Latin standards is given a complete facelift by Michael Mossman in this creative and impressive sounding arrangement. You'll find harmonic wrinkles and rhythmic twists and turns amidst some really hot ensemble writing. A variety of solo opportunities are also provided.

Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards s'appuie sur les bases de 'Piano Blues ' . Il présente les principes de l'harmonie du jazz et de l'improvisation depuis le début avant et conduit le pianiste avancé dans les différents types d'accords typiques de jazz , en commençant par les triades majeures et mineures à septième et neuvièmes accords par tous les styles de jazz des années quarante années utilisées à ce jour . Si vous jouez dans un groupe , donner des leçons de piano ou tout simplement jouer à la maison - vous êtes avec ' Jazz Piano ' avez beaucoup de plaisir !Tim Richards combiné vingt-huit de ses propres morceaux avec des arrangements spéciaux tels que des normes de jazz bien connus comme 'Feuilles d'automne' , ' Fly Me To The Moon ', ' In A Sentimental Mood ', ' l'homme montagne ' , 'On Green Dolphin Street ', ' Song For mon Père ',' Straight No Chaser 'et' Take The A - train ' . Deux chansons transcrites par Thelonious Monk et Horace Silver fournissent une source inépuisable de techniques de jazz authentiques vous pouvez travailler à travers la reconstitution .Dans tous les chapitres , l'aide et des conseils importants sur l'improvisation sont donnés . Vous obtiendrez beaucoup de suggestions sur la façon dont vous pouvez construire individuellement sur le matériel d'étude présenté et trouver votre propre vocabulaire de jazz personnelle :- Rapports de cordes et des échelles- Modes- Broken Chords et échelles motif- Echelles pentatoniques et blues- Marche des lignes de basse- Rythmes latins et des lignes de basse- Improvisatoin horizontale et verticale- Composés II-V I- Substitution de Tritone- Voicings à deux mains- Des exercices techniques et doigté- Styles d'accompagnement- Formation de l'oreille- Propositions pour écouterLe CD contient des enregistrements de toutes les pièces , la plupart avec basse et batterie accompagnement . Ils peuvent être utilisés comme un Play-Along - un moyen important d'apprendre le jazz sans beaucoup de détours . / Piano

Contemporary Salsa RAY BARRETTO Amor Artificial, Indiferencia, Aguaradiente de Caña, Guararé, Indestructible, Arallué, Pura Novela, Vive Y Vacila. EDDIE PALMIERI Palo Pa’ Rumba, La Malanga, Bomba De Corazon, 1983, Páginas De Mujer RUBEN BLADES Pablo Pueblo, Camaleón, Siembra FANIA ALL-STARS Nací Moreno, Juan Pachanga, Sin Tu Cariño, Encántigo MANNY OQUENDO AND LIBRE Elena, Elena, Estoy Como Nunca and more! PUERTO RICO ALL-STARS El Cantar Del Coquí, Changüirí TITO PUENTE Dejame Soñar, Te Desafío, Ran Kan Kan, Picadillo NG LA BANDA Un Tipo Como Yo, Lo Que Siento Es Le Lo Lay IRAKERE Bailando Así, Lo Que Va a Pasar LOS VAN VAN Sandunguera, Que Sorpresa, Muévete ISSAC DELGADO Son De Cuba A Puerto Rico, Dime Tú Que Lo Sabes LOUIS RAMIREZ Amentes, Déjala Que Baile Sola CONJUNTO CESPEDES Virgen De La Caridad ...AND MORE! Brazilian Music IVAN LINS Lua Soberana, Sambadouro, Sonhos, Leva E Traz, Amor, Aparecida TOM JOBIM Outra Vez, Retrato Em Branco E Prato, Look To The Sky, So Danço Samba TONINHO HORTA Mountain Flight, Aqui Oh, Meu Canario Vizinho Azul JOAO BOSCO A Nivel De, Coisa Feita, O Bebado E A Equilibrista MILTON NASCIMENTO Vera Cruz, Don Quixote,Novena AIRTO Mixing, Tombo in 7/4, Anatelio (The Happy People) LENY ANDRADE Rio, Vai Amigo, A Fonte Secou EGBERTO GISMONTI Lôro, Frevo DJAVAN Flor De Lis, Jogral LEILA PINHEIRO Um Samba, Bésame GAL COSTA Luz Do Sol, Tapete Mágico TANIA MARIA Come With Me, Yatra-Ta ...AND MORE! Latin Jazz TITO PUENTE Second Wind, Eastern Joy Dance, Linda Chicana, Cha-Cha-Cha, María Cervantes, Flight To Jordan MARIO BAUZA Lourdes’ Lullaby, Mambo Inn ANDY NARELL Kalinda, Natty Stick, Hannibal’s Revenge CAL TJADER Sabor, Alonzo, Mamblues DIZZY GILLESPIE Manteca, Tin Tin Deo DANIEL PONCE Latin Perspective, Oferere, Midnight Mambo SEIS DEL SOLAR Entrégate, Decisión AZYMUTH Club Morocco, Cascade Of The Seven Waterfalls DAVE VALENTIN Danzón For My Father FT. APACHE BAND To Wisdom The Prize CHICK COREA Armando’s Rumba ...AND MORE! Salsa Classics ARSENIO RODRIGUEZ Dile a Catalina, Dame Un Cachito Pa' Huele, La Vida es un Sueño BENY MORÉ Y Hoy Como Ayer CELIA CRUZ Soy Antillana, Bemba Colorá, YerberoModerno CONJUNTO CHAPPOTTIN Camina Y Prende El Fogón, Que Se Fuñan JOHNNY PACHECO La Esencia Del Guaguancó, El Agua Del Clavelito, etc. PEREZ PRADO Mambo #5, Mambo #8 ORQUESTA SENSACION Suavecito, Bruca Manguá Standards: Capullito De Alelí, Compadre Pedro Juan, Contingo En La Distancia, Déjala Que Siga Andando, Lamento Boricano, Mayeya No Juegues Con Los Santos, Me Voy Pa'l Pueblo, Frenesi, Solamente Una Vez, Son De La Loma, El Manisero, Cachita, Y Tu, ¿Que Has Hecko?, Echale Salsita, Obsesión, Rico Vacilón, La Comparsa, La Engañadora, A Mí Qué, Bésame Mucho, Lágrimas Negras, Pare Cochera

100 Ultimate Jazz Riffs for Guitar by Andrew D. Gordon and Jo De Sa consists of as the title suggests 100 Jazz riffs based on chord progressions used in jazz such as the II-V-I II-VI-II-V etc. Most jazz as well as pop standards such as Misty Satin Doll Blue Moon This Masquerade and Europa use these types of chord progressions. There are five separate sections: Jazz Swing Jazz Ballad Jazz Funk Jazz Waltz and Latin Jazz. At the end of the book there is the chord progression for the popular jazz standard Blue Moon showing you how to use various examples from over 100 riffs to create an improvised solo over the chordprogression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book.The accompanying CD is recorded with the guitar as the melody instrument along with the piano bass and drums. All of the examples are recorded with the guitar playing with the rhythm section at the normal tempo followed by just the rhythm section playing the normal tempo so that the soloist can practice along. The more difficult examples have been recorded with the rhythm section playing at a slowed down tempo.

Soloing is an important part of your playing, but practicing on your own doesn't always get the creative juices flowing---there is nothing like the experience of sitting in with a full band. Though playing with a group isn't possible every time you want to jam, Sitting In: Jazz Piano brings the band to you anytime so you can practice comping patterns and soloing with the same energy as playing live. The book offers tips and techniques from veteran jazz educators Noah Baerman and Jen Allen to give life to your practice sessions and inspire you to add new sounds to your jazz vocabulary. Features: * High-quality studio play-along recordings performed by a live band * Progressions in the most important jazz styles including standards, modern jazz, bebop, Latin jazz, ballads, and more * Recordings include sample solos, and the progressions are repeated so you can jam freely * Soloing tips feature scales, modes, comping patterns, and other ideas to develop your jazz vocabulary * Each tune includes an overview and listening suggestions About the Authors Noah Baerman earned his bachelor's and master's degrees in jazz studies from Rutgers University, studying under Kenny Barron. To date, Noah has released nine jazz albums under his own name. Noah is active as an educator, directing the Jazz Ensemble at Wesleyan University and teaching at numerous other institutions. He has written nine other instructional books for Alfred Music, including the three-volume Complete Jazz Keyboard Method and The Big Book of Jazz Piano Improvisation. Jen Allen received her bachelor's degree in 2000 from The Jackie McLean Institute of Jazz at the Hartt School, where she studied under McLean and other jazz luminaries, including Steve Davis, Nat Reeves, Andy Laverne, and Harold Danko. She regularly appears as a bandleader and sideman at major jazz venues throughout New York City and the Northeastern United States. Jen is a visiting lecturer at Trinity College and is also on the faculty of the University of Hartford. / Piano

100 Ultimate Jazz Riffs for Violin. 100 Ultimate Jazz Riffs for Violin by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the violin and the rhythm section, as well as the rhythm section without the violin. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Clarinet. Facebook Twitter Pinterest Google Quantity

100 Ultime Jazz Riffs de guitare par Andrew D. Gordon et Jo De Sa se compose de, comme le titre l'indique, 100 riffs de Jazz basés sur les progressions de corde utilisées dans le jazz, comme la II-V-I, II-VI-II-V etc.. Plus jazz ainsi que des normes pop comme Misty, Satin Doll, Blue Moon, cette mascarade et Europa utilisent ces types de progressions de corde. Il y a cinq sections distinctes : Jazz Swing, la ballade de Jazz, Jazz Funk, Jazz Waltz et Latin Jazz. À la fin du livre, il y a la progression d'accords pour les populaires standard Blue Moon, en vous montrant comment utiliser divers exemples de plus de 100 riffs pour créer un solo improvisé au cours de la progression d'accords de jazz. En faisant preuve de cette technique, vous pouvez choisir la plupart standards de jazz et créer vos propres idées improvisation en utilisant le livre. Le CD qui l'accompagne est enregistré avec la guitare comme l'instrument de la mélodie avec le piano, basse et batterie. Tous les exemples sont enregistrées avec la guitare en jouant avec la section rythmique à la cadence normale suivie, juste th... / Guitare

Catalog Number: ADG038 Author: Andrew D. Gordon Publisher: ADG Productions 100 Ultimate Jazz Riffs Ebinstruments such as tenor sax, clarinet, etc. by Andrew D. Gordon and Mark Vega consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard Blue Moon showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The CD is recorded with the saxophone playing the melody line along with a rhythm section of piano bass and drums. All the examples are recorded with the saxophone and the rhythm section, as well as the rhythm section with out the saxophone and with the more difficult examples the rhythm section is recorded at a slowed down tempo. An absolute must for musicians learning and playing various jazz styles. There are 4 different versions: a version for C instruments, Bb and Eb as well as a version for piano.

Cette méthode de Piano Jazz s'adresse aux pianistes et autres joueurs de claviers, désireux de compléter leurs connaissances dans le domaine mais aussi, et surtout, de pratiquer le Jazz sous toutes ses formes et à l'aide de tous les outils qui en sont issus. Par une suite d'exercices, d'exemples et surtout de morceaux, vous pourrez progresser dans l'étude et la pratique des grilles et des accords, observer le système majeur et ses modes, travailler la relation accord/mode propre au Jazz, à travers des modules d'improvisation, étudier le phrasé Jazz et sa construction, vous promener parmi les styles dans lesquels s'inscrit le piano Jazz : Blue/Jazz, Be-bop, Latin/Jazz, Jazz moderne, Ballade Jazz, etc... en consacrant une large partie à l'étude des standards. Enfin, le DVD Vidéo reprend chaque exercice pour en faciliter la compréhension, alors que le CD Audio vous propose les playbacks correspondants, sur lesquels vous pourrez mettre en application les enseignements mais aussi vous exercer en toute liberté. / Piano

The Jazz Sessions Series is a tremendous collection of Jazz standards, classics and original material by contemporary composers Alexander L'Estrange and Tom Pilling. Each book is dedicated to a particular instrument but they are all able to work in conjunction with each other in ensembles and Jazz bands, providing an exciting and enjoyable repertoire. A professionally recorded CD accompanies each book and contains play-along backing tracks as a substitute for real life musicians. This allows for practice at an individual's preferred pace and enables students to get an authentic feel of the style. One of the main purposes of Jazz Sessions is help encourage and develop improvisational skills with a full written solo on one page and an alternative, extended version for improvising. A great introduction to experimentation and ideal preparation for ABRSM exams. Reflects a variety of Jazz styles including swing, Latin, gospel and blues. Backing Tracks give opportunity for confident and atmospheric performance. Carefully tailored for intermediate musicians.