Format : Part
SKU: AP.36-A908190
UPC: 660355007668. English.
Like many of his works, Leroy Anderson (1908-1975) wrote Fiddle-Faddle on a commission from Arthur Fiedler of the Boston Pops Orchestra in 1947. Originally written for string orchestra, the title of the work came first, and the music followed. Fiddle-Faddle was conceived as similar to Paganini's Moto Perpetuo, except in a modern style. Very much a violin feature, this string orchestra version was followed the next year by a transcription for full orchestra. An American Pops classic in its original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus. A count of 8-8-5-5-5 strings, along with an optional piano part, is included in the set.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.2816FB3X
UPC: 029156224627. English.
Every school has a talented mallet player. Why not take a great Leroy Anderson tune associated with strings and arrange it for mallet percussion? Why not, indeed . . . in fact, John Ford has arranged it for advanced as well as easy-play mallet percussion (both versions included). This one is a winner! Way to go, John! (2:45).
SKU: AP.47439
ISBN 9781470655181. UPC: 038081544724. English.
A fun new arrangement of a beloved holiday classic closely follows the original, though it is still playable for this level orchestra. Set in Bb by Bud Caputo, all parts remain in 1st position with minimal extensions. Optional percussion parts are included; however, other than the sleigh bells, all parts can be covered in the strings.
SKU: AP.47439S
ISBN 9781470655198. UPC: 038081544731. English.
A fun new arrangement of a beloved holiday classic closely follows the original, though it is still playable for this level orchestra. Set in B-flat by Bud Caputo, all parts remain in 1st position with minimal extensions. Optional percussion parts are included; however, other than the sleigh bells, all parts can be covered in the strings.