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American Company
CHOIR - VOCAL
SHEET MUSIC
⮞
CHILDREN'S MUSICAL
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Let's Jam! It's Our Band
$79.99
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(Reggae, Rock and More Express Musical for Young Voices). Composed by John Jacobson and Roger Emerson. For Choral (CLASSRM KIT). Music Express Books. Published by Hal Leonard
Instrumentation :
Children choir
Publisher :
Hal Leonard
Listen audio
Song List
:
Dancing In The Street
Don't Worry, Be Happy
Down At The Twist And Shout
What Kind Of Band Are You?
In My Room
Sweet Home Chicago
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Sheetmusicplus
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, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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La Métamorphose (LEVINAS MICHAEL)
Français
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
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Lemoine, Henry
Par LEVINAS MICHAEL. Précédé de Je, tu, il, prologue à La Métamorphose sur ...
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Par LEVINAS MICHAEL. Précédé de Je, tu, il, prologue à La Métamorphose sur un texte de Valère Novarina. Au sortir d'un rêve agité, Grégor Samsa s'éveille pour vivre un véritable cauchemar, celui de sa transformation en énorme cancrelat. Tout le monde connaît cette nouvelle de Kafka - elle appartient désormais à nos mythologies contemporaines. L'idée d'en faire un opéra est tellement excitante qu'on en serait presque à se demander pourquoi une telle adaptation n'a encore jamais été tentée. Peut-être parce que la perspective donne le vertige et que l'histoire elle-même semble veiller à sa propre irreprésentabilité ? Il aura fallu attendre près d'un siècle pour que le texte se métamorphose en opéra grâce à Michaël Levinas et à l'équipe artistique qu'il a réunie. Avec Valère Novarina et Emmanuel Moses, le compositeur opère un travail sur la langue pour révéler sa vocalité lyrique. Le chant du 'sopraniste' Fabrice Di Falco et des autres interprètes est ensuite traité par des techniques d'hybridation informatiques [réalisées à l'Ircam, NDLR]. Toujours en quête 'd'une suggestion d'ébranlement dramatique dans la vibration du son' comme s'il y avait un 'au-delà du son dans le son', la musique de Levinas s'ouvre au fantastique. Ce sentiment de l'extraordinaire sera rendu palpable par les instrumentistes d'Ictus, imbattables quand il s'agit de faire advenir des univers inouïs. L'adaptation scénique est confiée à Stanislas Nordey, homme de théâtre insatiable découvreur de textes contemporains. Il s'est également distingué à l'occasion de nombreuses collaborations avec les plus grands compositeurs de notre temps, parmi lesquels Michaël Levinas. C'est en effet lui qui a mis en scène son précédent opéra composé à partir des Nègres de Jean Genet. www.opera-lille.fr Vidéo : http://culturebox.france3.fr Du lyrique dans la musique de Michaël Levinas ou le spectre sur la scène 'L'instant du réveil est le moment risqué entre tous : c'est celui où l'on franchit la frontière. Qui devient-on la nuit ? Que s'est-il passé dans le sommeil de Gregor pour qu'il en sorte ainsi changé en monstre ? Le réveil, c'est toujours l'entrée dans un monde enchanté.' Yannick Haenel (1) Le monde enchanté de Michaël Levinas est celui de ce moment risqué où peut naître un drame et, c'est là la partie visible de l'enchantement, des personnages chantent, vivent et meurent. Nous sommes à l'opéra. Comment le compositeur parvient-il aujourd'hui à relever en musique le défi de la scène ? Quels moyens musicaux convoque-t-il ? Quel monde harmonique et lyrique bâtit-il ? Car pour sonner à ce point juste sur les planches, il faut que le style lyrique du créateur vienne de bien loin, de profond, non pas d'une circonstance, mais de ce qu'il est musicalement, depuis longtemps, de ce qu'il poursuit assidûment dans son oeuvre. En 2011, avec La Métamorphose, son troisième ouvrage lyrique, Michaël Levinas a montré une nouvelle fois la maîtrise qu'il avait des données de l'opéra : l'opéra comme théâtre, l'opéra comme lieu où l'est ému par le chant, l'opéra comme institution où la création a sa place. Quand les spectateurs découvrent à l'opéra le personnage de Gregor imaginé par Michaël Levinas, ils ont déjà entendu un prologue. Intitulé Je, tu, il et composé sur un texte somptueux de Valère Novarina, ce prologue se trouve, dans le temps du récit, en lieu et place de la nuit, d'un rêve sans doute, avant le réveil de Gregor. Les spectateurs assistent à une allégorie des énonciations (les pronoms personnels chantent : 'je', 'tu' et 'il' deviennent un instant des personnages), enlevée, très vive, baroque. Le compositeur (celui qui choisit la succession dans le temps des événements du récit lyrique - Michaël Levinas a largement adapté la nouvelle de Kafka) confie à trois sopranos ce prologue. Ainsi le récit de La Métamorphose débute-t-il par autre chose que lui-même, un autre lyrique qui n'est pas le récit, qui n'est pas même un récit, mais qui prépare à l'écoute de la Passion de Gregor qui suit - l'infra-récit est la préfiguration de l'infra-homonidée kafkaïenne mourante que montrera La Métamorphose - avec toute la résonance de ce parti-pris dramaturgique dans l'histoire politique de l'humanité. Ce geste est théâtral autant que musical. Il est très caractéristique de la sensibilité du compositeur pour ce qui, dans la musique, induit le lyrisme, le lyrisme étant entendu ici comme la mise en oeuvre de 'toutes les puissances que recèle le verbe soumis au rythme et à la mélodie' (2). En un mot, la dimension théâtrale de l'opéra n'est pas reniée par Michaël Levinas - au contraire : elle est exaltée. Toutes les puissances que recèle le verbe aident le compositeur dans son projet lyrique. Si le chant naît du verbe chez Michaël Levinas, il faut considérer que les parties instrumentales aussi naissent du verbe. Aux parties instrumentales s'ajoutent les parties électroniques qui, dans La Métamorphose autant que dans Les Nègres, opéra de 2003 d'après la pièce éponyme de Jean Genêt, donnent au son ce statut irréel, magique nécessaire à tout lyrisme. Elles aussi sont pensées, écrites, composées comme un prolongement des données du langage. Dans La Métamorphose, la polyphonie vient essentiellement de la voix démultipliée de Gregor et cette démultiplication est autant instrumentale qu'électronique. Le chant - émouvant ô combien - de Gregor est un choral, sa voix est intermédiaire, ni la sienne seule, ni une pluralité identifiable. La voix de Gregor participe d'une singularité inaudible - un monstrueux bien au-delà de l'hybride - pour son entourage qui le conduit à mourir (par décence ? par abandon de ses proches ?). Il y eut dans Les Nègres 'un langage tambouriné tissant des liens entre les phonèmes de la langue et la percussion' (3) et dans cette veine, récemment, Le Poème battu - il y eut en 2008 les réussites madrigalistes de Le 'O' du haut et des Trois chansons pour la Loterie Pierrot et Jean Lagresle sur un texte de Valère Novarina - il y eut enfin, pour La Métamorphose, l'acmé (provisoire - telle est l'activité de création) de l'analyse et de la synthèse sonore par ordinateur de la voix parlée et chantée (4). Comment faire des mots eux-mêmes un chant, un drame, un opéra enfin ? C'est là tout l'enjeu de la poïétique de Michaël Levinas. Le poïen grec, c'est la réponse à la question du faire. Dès Go-Gol (1996) (5) -le titre, Go-Gol est déjà un jeu de décomposition / recomposition du nom de l'écrivain dont est tiré le livret, le compositeur fait du mot le ressort de sa dramaturgie musicale. Il est entré depuis dans le son du mot lui-même et applique au champ de la linguistique une démarche spectrale (6). Ainsi naît son matériau lyrique. Décortiquant les données des hauteurs, des syllabes, phonèmes et morphèmes, Michaël Levinas - avec l'aide d'un outil informatique de plus en plus puissant - en tire des tournoiements, des arabesques, des lignes qui entent une composition destinée à la scène. L'opéra est bien là un lieu de création. La pointe de ce qui constitue la création musicale - à la fois l'oeuvre d'un compositeur qui est la recherche d'une vie et les outils qu'il utilise en les faisant évoluer - est non seulement viable, mais éminemment émouvante à la scène : la palette que s'est constituée le musicien induit bel et bien cette vibration des affects que tout un chacun veut à l'opéra, toutes époques confondues. '(...) c'est à l'opéra que, paradoxalement, tend je dirais toute oeuvre instrumentale.' déclarait en 1982 le compositeur (7). En effet, l'oeuvre de Michaël Levinas offre de lire les étapes de cette conception et des recherches qu'elle appelle. Ancrée dans le langage, toute adonnée au théâtre, la lyre de Michaël Levinas allie l'exigence créatrice à la séduction parfois vénéneuse d'une émotion dramatisée avec art. Pour l'heure, le compositeur a fait de la syllabe son mystère. Du mystère naît le drame et, sur scène, d'une dramaturgie naît un mystère par lequel le compositeur nous impose son temps, non pas le temps d'un drame, mais le temps intérieur résonant - pour notre plus grand plaisir. Benoît Walther, novembre 2011 (1) Interview 'Yannick Haenel, pourquoi aimez-vous La Métamorphose ?', parue dans Kafka, La Métamorphose (page II), traduction et présentation par Bernard Lortholary, Garnier Flammarion, Paris, 2010, 103 pages. (2) Pierre Grimal, Le Lyrisme à Rome, Introduction (p.15), Presses Universitaires de France, Paris, 1978, 304 pages. (3) Notice de Michaël Levinas pour l'opéra Les Nègres, mai 2002. (4) Les parties électroniques de Les Nègres et de La Métamorphose ont été réalisées à l'Ircam. (5) Le compositeur parle alors de 'traitement animal' de la langue française (Autour de Go-Gol : forme, récit, textualité dans l'opéra contemporain, entretien avec Evelyne Andreani, in : cf note 7). (6) Est spectrale une musique fondée sur l'analyse du spectre du son : découle de cette analyse l'organisation des paramètres musicaux et, in fine, de toute la composition elle-même. Aujourd'hui, les sons analysés peuvent atteindre des degrés de complexité très grands : par exemple, dans le cas de Michaël Levinas, la pénétration du détail d'une énonciation chantée autant que parlée. (7) Michaël Levinas, 'Qu'est-ce que l'instrumental ?', texte prononcé à Darmstadt en juillet 1982, in Le Compositeur trouvère, Ecrits et entretiens (1982-2002), textes réunis et annotés par Pierre-Albert Castanet et Danielle Cohen-Levinas (p.33), L'Harmattan, Paris, 2002, 428 pages. / contemporain / Répertoire / Solistes, Choeur et Orchestre
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White Pages Vol.1 2nd Edition - Guitar Tab
Guitar notes and tablatures
Hal Leonard
2ème édition… prix à la baisse! Plus de 150 chansons, transcriptions note-p...
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2ème édition… prix à la baisse! Plus de 150 chansons, transcriptions note-pour-note pour Guitare tablatures avec les paroles complètes. Titres : Aerials [System Of A Down] All Apologies [Nirvana] All Day And All Of The Night [Kinks, The] All The Small Things [blink-182] All Your Love (I Miss Loving) [Rush, Otis] American Woman [Kravitz, Lenny] Badge [Cream] Best Of You [Foo Fighters] Birthday [Beatles, The] Blue Suede Shoes [Presley, Elvis] Brass In Pocket [Pretenders] Brick House [Commodores] Bulls On Parade [Rage Against The Machine] Can’t You See [Marshall Tucker Band] Caught Up In You [.38 Special] Centerfold [J. Geils Band] Change The World [Clapton, Eric] Chinatown, My Chinatown [Atkins, Chet] Cliffs Of Dover [Johnson, Eric] Close My Eyes Forever [Osbourne, Ozzy] [Ford, Lita] Couldn’t Stand the Weather [Vaughan, Stevie Ray] Cradle Of Love [Idol, Billy] Crush ‘Em [Megadeth] Cult Of Personality [Living Colour] Dani California [Red Hot Chili Peppers] Day Tripper [Beatles, The] Dissident [Pearl Jam] Divorce Me C.O.D. [Travis, Merle] Don’t Fear The Reaper [Blue Oyster Cult] Drive My Car [Beatles, The] Dust In The Wind [Kansas] Eye Of The Tiger [Survivor] Fly Like An Eagle [Steve Miller Band] For Your Love [Yardbirds, The] Fortunate Son [Creedence Clearwater Revival] Free Ride [Edgar Winter Group] Full House [Montgomery, Wes] Give Me One Reason [Chapman, Tracy] Gloria [Van Morrison] Godzilla [Blue Oyster Cult] Green-eyed Lady [Sugarloaf] Hair Of The Dog [Nazareth] Heartache Tonight [Eagles] Heaven Beside You [Alice In Chains] Hey Joe [Hendrix, Jimi] Hit Me With Your Best Shot [Benatar, Pat] Hold My Hand [Hootie & The Blowfish] Honeysuckle Rose [Reinhardt, Django] Hot Blooded [Foreigner] I Just Want To Celebrate [Rare Earth] I Love Rock ‘N Roll [Joan Jett & The Blackhearts] I Stand Alone [Godsmack] I’m Your Hoochie Coochie Man [Muddy Waters] Iron Man [Black Sabbath] It Hurts Me Too [James, Elmore] Jessica [Allman Brothers Band, The] Jesus Is Just Alright [Doobie Brothers, The] Kind Hearted Woman Blues [Johnson, Robert] Landslide [Fleetwood Mac] Layla [Derek And The Dominos] Learn To Fly [Foo Fighters] Learning To Fly [Petty, Tom] Let It Ride [Bachman-turner Overdrive] Lit Up [Buckcherry] Living After Midnight [Judas Priest] Longer [Fogelberg, Dan] Loser [Beck] Mama Kin [Aerosmith] Mannish Boy [Hendrix, Jimi] Mary Had A Little Lamb [Guy, Buddy] Mississippi Queen [Mountain] Misty [Kessel, Barney] Moonlight In Vermont [Smith, Johnny] Mr. Jones [Counting Crows] My Girl [Temptations, The] Name [Goo Goo Dolls] No One Like You [Scorpions] No Particular Place To Go [Berry, Chuck] Oh, Pretty Woman [Van Halen] Oleo [Martino, Pat] Owner Of A Lonely Heart [Yes] Papa’s Got a Brand New Bag [Brown, James] Paperback Writer [Beatles, The] Paranoid [Black Sabbath] Piece Of My Heart [Joplin, Janis] Pretty Fly (For A White Guy) [Offspring, The] Radar Love [Golden Earring] Ramblin’ Man [Allman Brothers Band, The] Ramrod [Eddy, Duane] Rebel, Rebel [Bowie, David] Rhiannon [Fleetwood Mac] Ridin’ the Storm Out [REO Speedwagon] Rock And Roll Hoochie Koo [Derringer, Rick] Rock and Roll Never Forgets [Bob Seger & The Silver Bullet Band] Rock Around The Clock [Bill Haley & His Comets] Run To The Hills [Iron Maiden] Satin Doll [Joe Pass] School’s Out [Cooper, Alice] Seven Come Eleven [Christian, Charlie] Shake Me [Cinderella] Shining Star [Earth, Wind & Fire] Shout It Out Loud [Kiss] Signs [Tesla] Sir Duke [Wonder, Stevie] Sleepwalk [Santo & Johnny] Slither [Velvet Revolver] Smoke On The Water [Deep Purple] Snortin’ Whiskey [Travers, Pat] Something to Talk About (Let’s Give Them Something to Talk About) [Raitt, Bonnie] Southern Cross [Crosby, Stills & Nash] Start Me Up [Rolling Stones, The] Statesboro Blues [Allman Brothers Band, The] Stray Cat Strut [Stray Cats] Sunday Bloody Sunday [U2] Sunshine Of Your Love [Cream] Susie-Q [Creedence Clearwater Revival] Sweet Child o’ Mine [Guns N’ Roses] Sweet Emotion [Aerosmith] Sweet Little Angel [King, B.B.] Take A Picture [Filter] Takin’ Care of Business [Bachman-Turner Overdrive] Teach Your Children [Crosby, Stills, Nash & Young] Tears In Heaven [Clapton, Eric] The Impression That I Get [Mighty Mighty Bosstones, The] The Man Who Sold The World [Nirvana] The Space Between [Dave Matthews Band] The Stumble [King, Freddie] This Masquerade [Benson, George] Til I Hear It from You [Gin Blossoms] Time [Pink Floyd] Time For Me To Fly [Reo Speedwagon] Time In A Bottle [Croce, Jim] Today [Smashing Pumpkins] Tube Snake Boogie [ZZ Top] Turn! Turn! Turn! (To Everything There Is a Season) [Byrds, The] Two Princes [Spin Doctors] Unchained [Van Halen] Unskinny Bop [Poison] Wait And Bleed [Slipknot] Wake Up Little Susie [Everly Brothers, The] Walk This Way [Aerosmith] What I Like About You [Romantics, The] What’s Your Name [Lynyrd Skynyrd] When The Children Cry [White Lion] Wild Thing [Troggs, The] Wonderwall [Oasis] You Give Love A Bad Name [Bon Jovi] You Shook Me [Led Zeppelin] You Were Meant For Me [Jewel] You’ve Got a Friend [Taylor, James]
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White Pages Play Along
Guitar notes and tablatures
[Sheet music + CD]
-
Intermediate/advanced
Hal Leonard
Hal Leonard a combiné deux de ses marques les plus populaires - Pages Blanches ...
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Hal Leonard a combiné deux de ses marques les plus populaires - Pages Blanches et Guitar Play-Along - en une nouvelle super-produit pour les guitaristes: les pages blanches Guitar Tab Play-Along!Ce package contient l'onglet impressionnant de 100 transcriptions des plus grandes chansons rock jamais, avec six CD de haute qualité, playback pleine bande qui coordonnent avec les transcriptions.Les CD peuvent être lus sur n'importe quel lecteur CD, et sont également amélioré de façon utilisateurs Mac et PC peuvent ajuster les pistes Play-Along à n'importe quel tempo sans changer la hauteur. C'est vraiment le play-along guitare ultime collection! / Guitare
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White Pages Piano
Piano, Vocal and Guitar
[Sheet music]
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Intermediate/advanced
Hal Leonard
200 chansons arrangées pour piano solo, chant et accords guitare?Un livre excep...
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200 chansons arrangées pour piano solo, chant et accords guitare?Un livre exceptionnel !
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Jam (BEATLES THE)
Guitar notes and tablatures
[Sheet music + CD]
-
Intermediate
Novello & Co Ltd.
Par BEATLES THE. The Beatles were undoubtedly one of the most influential bands ...
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Par BEATLES THE. The Beatles were undoubtedly one of the most influential bands ever, with clear similarities still noticeable in many hits of the nineties. Almost anyone who has picked up a guitar has probably learned to play something from the enormous repertoire of songs written by the legendary Lennon and McCartney combination. This guitar workshop is a powerful learning tool that will help you extend your stockpile of licks and fills and develop your improvisational skills. The combination of musical notation and guitar tablature in this book together with backing tracks on the CD gives you the opportunity to learn eight of the Beatles' tracks note for note and then jam with a professional session band. The track listing reflects some of the Beatles' most popular recordings, providing something for guitarists to have fun with and improvise with, as well as something to aspire to. The CD is split into two sections - section 1 is the backing tracks minus lead guitar and vocals, while section 2 is the backing tracks with all guitar parts added, so in addition to the written tab you can hear the rhythm, fills and solos as they should be played! The 'Jam With...' series allows you to accurately recreate the original songs, or to use the transcriptions in this book in conjunction with the backing tracks as a basis for your own improvisation. Includes superb quality, live recorded backing tracks plus note for note transcriptions to 9 classic tunes. / Niveau : Intermédiaire / Rép International / Tablatures / Guitare Tablatures
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Cancionero Internacional
Italiano
Piano, Vocal and Guitar
Volonte and Co
/ Piano/Vocal/Guitare (PVG)
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250 Tubes Variete Internationale
Français
Piano, Vocal and Guitar
Volonte and Co
/ Chant Et Accords Guitare
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Rock Band 2
Piano, Vocal and Guitar
[Sheet music]
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Intermediate
Hal Leonard
Retrouvez ici les partitions pour piano, chant, guitare (grilles d'accords) des ...
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Retrouvez ici les partitions pour piano, chant, guitare (grilles d'accords) des hits figurant sur le jeu vidéo 'Rock Band 2'. Inclus les artistes Nirvana, Red Hot Chili Peppers, The Who ou encore Pearl Jam. / Piano/Vocal/Guitare (PVG) / Partition
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Ultimate Song Pages: BroadwayMovieTV
Piano, Vocal and Guitar
[Sheet music]
Alfred Publishing
Now you can play over 250 of your favorite songs from Broadway, movies and telev...
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Now you can play over 250 of your favorite songs from Broadway, movies and television, all in one book! This book provides the lyrics along with piano and chord arrangements for some of the greatest hits ever written for the stage and screen. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier
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Jam With (AC / DC)
Guitar notes and tablatures
[Sheet music + CD]
-
Intermediate
Amsco Wise Publications
Par AC / DC. Australian uber-rockers AC/DC have written some of the most recogni...
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Par AC / DC. Australian uber-rockers AC/DC have written some of the most recognisable and universally appealing rock standards with uplifting ear-crunching guitars and ballsy vocals! Lead guitarist, Angus Young's frantic fast fret mastery is evident on most of their tracks and his style has been much imitated by players the world over. Jam With AC/DC gives you the opportunity to learn 8 of their fierce, growling songs note-for-note and then jam with a professional session band! Includes the hits Let There Be Rock, Back In Black, For Those About To Rock, Whole Lotta Rosie and Highway To Hell all with full lyrics and vocal lines. / Niveau : Intermédiaire / Rép International / Tablatures / Guitare Tablatures
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Supercanzoniere
Lyrics and Chords
[Sheet music]
Hal Leonard
Par . A collection of 350 Italian and International songs in lyrics and chords f...
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Par . A collection of 350 Italian and International songs in lyrics and chords format. The tracklist includes evergreens by the most important artists who have made the history of pop world music and the most famous songs by contemporary artists. / Date parution : 2022-07-20/ Recueil / Paroles et Accords
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The Disney Fake Book
Piano, Vocal and Guitar
[Sheet music]
Hal Leonard
2nd Edition. This sensational second edition has been updated with music from al...
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2nd Edition. This sensational second edition has been updated with music from all of the Disney hits of the last five years, such as The Hunchback of Notre Dame, Hercules, Mulan, Tarzan and Toy Story I and II. Features melody lines, lyrics and chord symbols for more than 240 beloved songs, including: The Bare Necessities ° Be Our Guest ° Beauty and the Beast ° Bibbidi-Bobbidi-Boo ° Can You Feel the Love Tonight ° Circle of Life ° Colors of the Wind ° A Dream Is a Wish Your Heart Makes ° Go the Distance ° It's a Small World ° Mickey Mouse March ° Part of Your World ° Reflection ° Someday My Prince Will Come ° A Spoonful of Sugar ° Supercalifragilisticexpialidocious ° Under the Sea ° When You Wish Upon a Star ° A Whole New World ° Winnie the Pooh ° You'll Be in My Heart ° You've Got a Friend in Me ° Zip-A-Dee-Doo-Dah ° and many more magical Disney tunes! Includes two alphabetical indexes: one by song title and one by production. Spiral-bound.
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50 Years Of The Greatest Hits
Piano, Vocal and Guitar
[Sheet music]
-
Intermediate
Amsco Wise Publications
All 42 songs from the hit album, arranged for piano and voice, with complete lyr...
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All 42 songs from the hit album, arranged for piano and voice, with complete lyrics and guitar chord boxes. / Piano/Vocal/Guitare (PVG) (Avec Grille D'Accords)
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Stefan Grossman: The Guitar Artistry Of Stefan Grossman: Guitar: Recorded
Guitar
Grossman's Guitar Workshop
Guitarist educator and historian Stefan Grossman was a student of acoustic blue...
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Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details
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Ultimate Song Pages: Piano Vol.1 (PVG)
Piano, Vocal and Guitar
[Sheet music]
Alfred Publishing
Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pag...
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Over 200 of your favorite pop/rock songs, all in one book! The Ultimate Song Pages: Piano Volume 1 provides the lyrics along with piano and chord arrangements for some of the greatest pop and rock hits ever written. Artists featured: 50 Cent * ABBA * Aerosmith * Avril Lavigne * the Beatles * the Bee Gees * Bruce Hornsby * Bruce Springsteen * Celine Dion * Cher * Chicago * Coldplay * Cream * Diana Ross * Dixie Chicks * Elvis Presley * Eric Clapton * Grateful Dead * Green Day * Hall
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