Let The Women Sing!

Nine Reproducible Choral Works for Soprano and Alto Voices-Let the Women Sing! is a new reproducible collection of chorals for soprano and alto voices and is the follow-up to the best-selling collection Let the Men Sing! Folk songs holiday music spirituals inspirational songs and patriotic themes fill this nine-song collection. This budget-stretching kit includes an enhanced CD-ROM with accompaniment and performance tracks information about the composer as well as reproducible vocal parts and instrument pages. Whether you have 10 or 100 female singers this must-have collection will keep you on budget while supplying your program with excellent choral literature for your young female singers for many years to come.

For SATB and pianoDon Michael Dicie has created a straightforward unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of major and minor seventh chords for a more tertial setting. The variety of textures and its simplicity and accessibility make a lovely effect. The women sing the first verse; men the second; both a cappella for the third; and they finish together with piano.

Harmony Singing Made Easy teaches you to sing harmony by ear. Murphy and friends Bill Evans Janet Beazley and Chris Stuart join together to sing some beautiful trios and quartets. First you hear thethree (or four) voices blending together then you hear each harmony part sung separately. You learn your part by singing along with us. We sing several songs in three different keys so no matter what your vocal range you can tryyour hand at singing the lead part. Sometimes the men (Bill Chris) take the lead; sometimes the women (Murphy Janet) take the lead. With three keys to choose from you can also find a harmony part to suit yourvoice.Along the way we offer some helpful hints such as 'What key do I sing in?' 'How do I find my harmony part?' and 'How can I get a good blend?' At the very end Murphy and Bill break out their banjos for a rousing quartetversion of 'Over in the Gloryland.' Very entertaining!If you've been wondering how to sing harmony we've made it as easy as possible. Or as we say in Virginia 'It's as easy as pie.' Read even more details on our blog.Will the Circle Be Unbroken Bury Me Beneath the Willow All the Good Times Are Past and Gone Don't This Road Look Rough and Rocky Amazing Grace Over in the Gloryland

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

Contemporary Musical Theatre For Teens is a four-volume series providing a giant resource of songs from the musicals that appeal to the young singer.This first volume for women contains 31 songs from 25 musicals, including Defying Gravity (Wicked), There's A Fine, Fine Line (Avenue Q), What I've Been Looking For (High School Musical), I Can Hear The Bells (Hairspray) and more. / Voix Et Piano

Vocal Techniques: Heavy Rock to Metal Level 2-This program designed for both men and women by renowned vocalist/instructor Breck Alan builds on the techniques learned in Heavy Rock to Metal Level 1. With this three part learning system that includes DVD Audio CD and 24/7online lesson support you'll learn to sing in your upper range master placement of your throat resonance develop full-voice singing and learn how to keep your voice healthy. Learn to develop key vocal techniques like directionand anchoring of resonance reflex oriented breath support and Breck's famous warm-up routines.Each Rock House product includes free lifetime membership to Rock House's online lesson support system. Enhance your learningexperience links with instructors download backing tracks access message boards and much more. You'll connect with a community of musicians around the world learning to play music using The Rock House Method.

Dans 80 bars partout dans le monde - sans aucune hommes? ! Est-ce qui fonctionne ? Oui, c'est - et c'est superbe. Cette Choirbook Women´s fournit un riche fonds d'airs connus de différents pays et dans des styles différents, allant de swing, de soul et de groovy tune / 3 A 4 Parties Pour Choeur De Femmes (SSA/SSAA)

Sing popular songs from the hit Fox TV show!Hal Leonard proudly presents this exciting new series for singers. The songs are arranged in singer-friendly key ranges and the Piano parts are true accompaniments with no melody lines in these parts.The Singer's Series is ideal for voice teachers looking for fresh contemporary repertoire and for singers to use at auditions.

3rd Edition. Par PHILLIPS PAMELIA S.. Go from singing in the shower to taking your audience\'s breath away Whether you picture yourself as the next Ariana Grande or just feel like picking up a new hobby, Singing For Dummies walks you through the surprisingly straightforward steps you\'ll need to take to develop your voice. It\'s a practical guide to every important aspect of singing, from vocal techniques to performance tips. You\'ll learn exercises and practice songs that gradually improve your craft and receive instruction on the latest technology and recording devices to capture and play back your songs. Singing For Dummies also shows you how to: Understand and use important singing techniques, improve your tone, upgrade your posture, and maximise your breath Maintain your voice with preventative self-care that keeps your vocal cords in tiptop shape Sing with instrumental accompaniment or with a partner in a duet Perfect for men, women, boys, and girls, Singing For Dummies is the most intuitive and accessible resource on the market for anyone who hopes to find their voice. / Date parution : 2022-06-08/ Méthode / Chant

Vocal Techniques: Heavy Rock to Metal Level 1-This program is designed for both men and women with little or no singing experience who want to ROCK. Your lessons with world renowned vocalist/instructor Breck Alan start with basics like how to relax your body when singing how breath control really works and how to find and fully develop your own singing range. You'll learn warm-up routines that will bring your voice to its highest performance level while maintaining vocal health.Each RockHouse product includes free lifetime membership to Rock House's online lesson support system. Enhance your learning experience links with instructors download backing tracks access message boards and much more. You'll connectwith a community of musicians around the world learning to play music using The Rock House Method.

24 Classical Songs for Young Women Age 1 to Mid-Teen Low Voice-24 Classical Songs for Young Women Age 10 to Mid-Teen Low Voice. Joan Frey Boytim a nationally recognized expert on teaching the young voice has compiled this collection especially for young women singers. The 24 songs - exellent literature for the young classical singer - have been chosen not only for the vocal ability of pre-teens and young teens but also for the tastes and sensibilities of this age group. All songs are in English. Contents: An April Girl (Fairlamb) Boats of Mine (Miller) Care Flies from the Lad That Is Merry (Arne) Daddy's Sweetheart (Lehmann) Does He Love Me or Love Me Not' (Sterling) The Fairy Pipers (Brewer) Four and Twenty Snowflakes(Stickles) Heigh-Ho! The Sunshine (Phillips) Her Dream (Waller) Ho! Mr. Piper (Curran) Kitty of Coleraine (Irish) The Leaves and the Wind (Leoni) The Linnet's Secret (Rowley) Little Maid of Arcadee (Sullivan) The Minuet (Mosenthal) Molly Malone (Irish) My Daffodils (Berwald) Nursery Rhymes (Curran) The Secret (Speaks) 'Tis Spring (Ware) To My First Love (Löhr) Violets (Woodman) The Wind (Spross) You'd Better Ask Me (Löhr).

Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship.  At the end of his song he jumps overboard and one of the dolphins carries him to safety.  So Arion’s musical gift gets him into trouble but it is also his salvation.   The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.”  However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there.  Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill.  This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this