Liaison

SKU: BR.KM-2516

ISBN 9790004502938. 11.5 x 16 inches.

Der Komposition gehen keine aussermusikalischen Eindrucke voraus, sondern sie konzentriert sich auf innermusikalische Uberlegungen, weshalb es nicht leicht ist, uberhaupt Worte fur sie zu finden. In einem losen Zyklus, den ich in den nachsten Jahren fortsetzen mochte, will ich mich auf das Phanomen der innermusikalischen Bindungen konzentrieren sowie auf ihr Gegenuber, die Einschnitte, Trennlinien oder Kontraste. Jenseits der Tonalitat stellt sich mit jeder neuen Komposition auch die Frage erneut, was zwei Klange zusammenhalten kann, was Ferne und Nahe bedeuten, was das Lose ist und was das Gebundene. Stehen solche Uberlegungen in meinen anderen Kompositionen im Dienste anderer Visionen, so will ich ihnen hier wie ein Geologe auf den Grund gehen.Immer wieder ziehen sich Linien durch die Musik, im konkreten Sinne melodischer Phrasen, aber auch im allgemeinen Sinne der Weiterfuhrung von Klangcharakteren. So unterliegt die Musik permanenten Wandlungen, gehalten von imaginaren Faden, die sich auch verknoten, vernetzen oder vervielfaltigen konnen. Gleichzeitig gibt es auch Einschnitte, scheinbar losgeloste Geschehnisse, die wie unbegrundet hineinplatzen, und dennoch vergleichbar mit einem Stein in einem Fluss ihren Einfluss auf den Verlauf des Ganzen nehmen.Liaison - der Titel beschreibt zwei Seiten dieses Projektes, namlich einerseits die Bindung als innermusikalisch fokussiertes Thema, andererseits den Antrieb, sich mit einem solch basalen Phanomen der Musik erneut zu beschaftigen: die Liaison als Liebesbeziehung, in der die einfachsten Dinge doch wieder zu einem Ratsel werden konnen.(Isabel Mundry).

SKU: LM.26589

ISBN 9790230965897.

Etude No. 6 (Mordants) - Etude No. 7 (Barres et liaisons) - Etude No. 8 (Tremolos) - Etude No. 9 (Positions transversales) - Etude No. 10 (Enchainements d'accords).

SKU: HL.49004865

ISBN 9781423413134. UPC: 073999276947. 6.0x9.0x0.366 inches.

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations



With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations



With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations



With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations



With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations



With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

SKU: BO.B.3668

It was commissioned by Banda Municipal de Barcelona (Barcelona's municipal band) and performed for the first time on January 30th 2011 at L'Auditori de Barcelona (auditorium of Barcelona).

This concert is divided into three movements. The first, bearing the name of Preludi (Prelude), is slow and mysterious, with two alternating subject matters flowing gently. It is only towards the end that a rapid cadence of the piano leads to an orchestral tutti which will gradually fade within the general atmosphere.

The second movement is a Scherzo-Cadenza, always in a bar of 6/8, based on triplets and twangs but also tied at the most expressive moments. The piano and the wind and percussion instruments embark in a contrapuntal dialogue in which a burlesque character alternates with forceful moments. The movement ends subtly, with a long scale flowing from a low to a high pitch.

A cadence of the piano serves as a liaison with the third movement, an Allegro molto, the longest and most complex of the whole concert. This movement is clearly virtuosic and it consists of three main subject matters which alternate and blend. The atmosphere is lively and unmistakably burlesque, although there are three thoughtful moments in which it becomes mysterious. The coda is fast, bright and clearly conclusive.

SKU: HL.49007040

ISBN 9790001075404. 11.5x16.5x0.195 inches.