SKU: SU.27200031
Arranged by Sarah RuffSet of Parts only. Also available: Full Score (cat. #27200030)String orchestra and 3 voices (Soprano, Tenor, Baritone) Duration: 5’ Composed: 2022 Published by: Sarah Ruff.
SKU: HL.456058
UPC: 196288066682. 6.75x10.5x0.036 inches.
Now available for SATB and SAB. Often referred to as the “Black National Anthem,†young people need to know this song and its importance in American history. Singers of all ages need to sing this song and know this inspirational anthem of faith and hope.
SKU: AU.9798889830986
ISBN 9798889830986.
Tedde Gibson’s accompaniments for the hymn Lift Every Voice and Sing for assembly and organ, brilliantly arranged in a Gospel style. Organist and church musician Tedde Gibson provides an introduction and three stanza accompaniments to Lift Every Voice and Sing for assembly and organ, brilliantly arranged in a Gospel style. These arrangements expand on the setting found in Pull Out the Stops! Vol. 3, providing a through-composed accompaniment for the entire hymn.
SKU: AP.44827S
UPC: 038081518176. English. James Weldon Johnson.
The poem and original hymn-like music of Lift Every Voice and Sing, by James and J. Rosamond Johnson, reverberate through the decades of the civil rights movement. Originally performed for Booker T. Washington in 1900, it is sometimes called the African-American National Anthem. This setting, by Bob Phillips, teaches 6/8 and uses chromatic alterations in first position. A vocal lead sheet is included in the reproducible educational packets. The cross-curricular programming possibilities are vast. (2:40).
SKU: HL.369750
ISBN 9781705144541. UPC: 840126992465. 9.0x12.0x0.328 inches.
The poem““Lift Every Voice and Sing†was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African-American communities. While at one time it could be found pasted to the back of some hymnals used in African-American churches, today the song is formally printed under headings such as“national songs or“social justice in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder, and Take 6. This newly engraved edition of the Hale Smith orchestration will make the music accessible to more organizations.
SKU: HL.369749
ISBN 9781705144527. UPC: 840126992441. 6.75x10.5x0.009 inches.
The poem “Lift Every Voice and Sing†was written by acclaimed African-American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African-American communities. While at one time it could be found pasted to the back of some hymnals used in African-American churches, today the song is formally printed under headings such as“national songs or“social justice”in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6. This newly engraved edition of the Hale Smith will make the music accessible to more organizations.
SKU: HL.350799
ISBN 9781705106778. UPC: 840126935950.
The poem “Lift Every Voice and Sing†was written by acclaimed African American poet James Weldon Johnson in 1900 and set to music byhis brother John Rosamond Johnson in 1905. The Edward B. Marks Music Company first published the song in 1921, which remains strongly associated with social justice and patriotism, particularly in African American communities. While at one time it could be found pasted to the back of some hymnals used in African American Churches, today the song is formally printed under headings such as national song or social justice in many modern hymnals. Other versions include a concert setting published in 1978 for SATB chorus and piano by Roland Carter, a setting by Hale Smith for SATB chorus and orchestra also dating from the 70s, and a modern R&B recorded version released in 1990 featuring Dione Warwick, Stevie Wonder and Take 6.
SKU: MN.15-737
UPC: 688670157370.
An eclectic and fresh collection of piano solos based on popular hymns. Useful in many different settings.
SKU: SU.27200040
Arranged by Sarah RuffFull Score only. Also available: Set of Parts (cat. #27200031)Soprano, Tenor, Baritone voices 1110; 0230; stgs Duration: 5’ Composed: 2022 Published by: Sarah Ruff.
SKU: SU.27200030
Arranged by Sarah RuffFull Score only. Also available: Set of Parts (cat. #27200031)String orchestra and 3 voices (Soprano, Tenor, Baritone) Duration: 5’ Composed: 2022 Published by: Sarah Ruff.
SKU: SU.27200041
Arranged by Sarah RuffSet of Parts only. Also available: Full Score (cat. #27200030)Soprano, Tenor, Baritone voices 1110; 0230; stgs Duration: 5’ Composed: 2022 Published by: Sarah Ruff.
SKU: LO.10-5117L
ISBN 9780787759773.
After opening with a deeply reflective solo, this offering from Craig Courtney turns into a boisterous gospel anthem. Independent parts are used in this arrangement, and some optional a cappella singing is also present. Add the optional instrumental ensemble by Mark Hayes for a true gospel feel.
SKU: LO.10-5132L
ISBN 9780787760540.