SKU: ST.C157
ISBN 9790570811571.
SKU: BT.STACLI158
English.
SKU: ST.C156
ISBN 9790570811564.
SKU: ST.C484
ISBN 9790570814848.
This ever popular collection of classical piano duets have delighted piano students for many years. Originally collected by the redoubtable Marjorie Smale in 1992, this new enhanced edition brings these wonderful treasures back to life.CONTENTS1. Minuet â?? Luigi Boccherini2. Rondo â?? Anton Diabelli3. Hungarian Song â?? Franz Behr4. Turkish March â?? Ludwig van Beethoven.
SKU: ST.C479
ISBN 9790570814794.
The Easy Piano Duets Series presents a selection of sensitively arranged piano duets, each with optional backing tracks. In the interests of playability, these two wonderful tunes have been simplified, while still allowing the spirit of the originals to shine through. The keys have been transposed to C major and the Baroque rhythmic notation updated to improve readability. The optional backing tracks include both a performance of each piece, plus tracks that allow the student to practise alone both â??slowlyâ?? (with a metronome click) and â??a tempoâ??, before putting the whole piece together â?? ideally in the company of a real person!â??Sleepers Awake!â?? (from â??Wachet aufâ?? BWV 140)â??Sheep May Safely Grazeâ?? (from â??The Hunting Cantataâ?? BWV 208).
SKU: ST.C482
ISBN 9790570814824.
This ever popular collection of classical piano duets have delighted piano students for many years. Originally collected by the redoubtable Marjorie Smale in 1992, this new enhanced edition brings these wonderful treasures back to life.Primo part: 5 finger positions onlySecondo part: Grade 1CONTENTS1. Andante con espressivo â?? Gustav Damm2. Calmato â?? Lullaby â?? Gustav Damm3. Andantino â?? Gustav Damm4. Grazioso â?? Gustav Damm5. Con spirito â?? Louis-Luc Loiseau de Persuis6. Allegretto con moto â?? Wilhelm Tschirch7. Alla walzer â?? Gustav Damm8. Allegro con brio â?? Bernhard Wolff9. Cantabile â?? Anonymous.10.Vivace Gustav Damm.
SKU: ST.C480
ISBN 9790570814800.
The Easy Piano Duets Series presents a selection of sensitively arranged piano duets, each with optional backing tracks. In the interests of playability, these two wonderful tunes have been simplified, while still allowing the spirit of the originals to shine through.Vivaldiâ??s The Four Seasons (Le quattro stagioni) is the name given to the four violin concertos Opus 8, No. 1â??4. Composed in 1723, they remain among the most popular concertos in all music. The texture of each movement is varied, resembling its respective season. For example, â??Winterâ?? is dark and sombre, whereas â??Summerâ?? invokes a thunderstorm in its final movement. Vivaldi wrote four sonnets to be read with the concerti â?? here translated into English overleaf.
SKU: ST.C483
ISBN 9790570814831.
This ever popular collection of classical piano duets have delighted piano students for many years. Originally collected by the redoubtable Marjorie Smale in 1992, this new enhanced edition brings these wonderful treasures back to life.CONTENTS1. The Horn Galop â?? Richard Kleinmichel2. Serenade â?? Franz Behr3. Turkish March â?? Anton Diabelli4. Clockwork Ballerina â?? Gustav Damm5. The First Swallow â?? Gustav Damm6. Clowns Romance â?? Friedrich Wilhelm Kücken7. Rondo Militaire â?? Anton Diabelli.
SKU: ST.C481
ISBN 9790570814817.
The Easy Piano Duets Series presents a selection of sensitively arranged piano duets, each with optional backing tracks. In the interests of playability, these two wonderful tunes have been simplified, while still allowing the spirit of the originals to shine through.In the interests of playability, the strict formality of Pachelbelâ??s Canon has been relaxed while allowing the spirit of the original to shine through. The key has been simplified from D major to C major and the seventeenth century rhythmic notation updated to improve readability. The optional backing tracks allow for small 12 bar sections (between each of the rehearsal letters) to be practised both â??slowlyâ?? (crotchet = 70 with metronome click) and â??a tempoâ?? (crotchet = 84), before putting the whole piece together â?? ideally in the company of another human!Arranged by Mark Goddard with optional backing tracks (available to download here).
SKU: ST.C158
ISBN 9790570811588.
SKU: JK.01695
Doctrine and Covenants 25:12-13.
Arranged for women's chorus (SA), or even mixed chorus and piano duet (4 hands), beautiful tribute to music and singing. Made to lift the soul and spirit.Composer: Richard C. Berg Arranger: Mike Carson Lyricist: Richard C. Berg Performance time: 1:30Reference: Doctrine and Covenants 25:12-13.
SKU: SU.YR9912
Words by Mary Katherine MornSSAATTBB, piano (3 hands) & percussion Composed: 2002 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: ST.C463
ISBN 9790570814633.
This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??EloÃsaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.â??Eloisaâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.