Light 'n' Bright

Dan Welcher’s most enduringly and frequently played orchestral work, Prairie Light is a fascinating musical companion to three of Georgia O’Keeffe’s most unusual paintings, Light Coming on the Plains, Canyon with Crows, and Starlight Night. This work is ideal for performances using visual projections of the paintings, and is frequently programmed for subscription concerts as well as those for educational settings. Duration: 14’ Parts available on rental.
This work for full orchestra was inspired by three paintings of the noted Americanartist Georgia O’Keeffe. These three watercolors were done in 1917 while the artist was living in Canyon, Texas (near Amarillo), and deal primarily with color and shape. Consequently, the music is primarily concerned with broad lines and shapes rather than rhythms, with subtle washes of color rather than constant harmonic movement, and with arching melody instead of linear counterpoint.The first movement, Light Coming on the Plains, is an elliptical-shaped painting, deep blue to indigo with a “horizon” at the bottom that seems flat and unchanging. The sun hasn’t risen yet, although it does in the course of this movement, but it seems instead to be providing light from behind the canvas. The music is unmoving in terms of rhythm or harmony (although there is a modulation midway through), a color-infused mantra of sound that is almost Eastern.At the height of the sun, we proceed to the second movement, entitled Canyon with Crows. The canyon is red-orange, with black crows circling above friendly unfolding hills. The music is gentle but lively and more rhythmic, with the birds represented by solo oboe, clarinet, and sometimes flute. Halfway through, the brass have a chorale version of the opening motive, played very slowly, over the unending triplets of woodwinds and strings. At the end of the movement, the birds return for a duo-cadenza, accompanied by the dying rays of the sun in muted strings and the ongoing triplets of the solo quartet.The stage is set for the final movement, Starlight Night. In O’Keeffe’s painting, the stars are represented by regularly-spaced rectangles of bright pale yellow on a blue-black sky, with the same shape to the field of vision and the horizon that is found in Light Coming on the Plains. The stars become audible: harp, celesta, glockenspiel, and string pizzicati all lend a sparkle while a solo flute introduces a slowly unfolding theme. After this theme has been heard twice and the sky has begun to really brighten, there is a sudden interruption: a xylophone and a piano begin another “mantra” in brittle staccato chords. This is the same mechanical eternity as O’Keeffe’s regularly-spaced square stars, and it continues on its own as the night progresses. The music builds and grows as the moon rises and arcs, then falls as the pre-dawn light that opened the work returns to bring it to a close. Acycle of light, changing with the movements of sun, moon, and stars, appearing differently from various points of view

(Holiday Musical to Brighten the Season). Composed by John Jacobson and Mac Huff. For Choral (PERF KIT WITH AUDIO DOWNLOAD). Expressive Art (Choral). Softcover Audio Online. Published by Hal Leonard

Holiday Musical to Brighten the Season. Composed by John Jacobson and Mac Huff. Expressive Art (Choral). Softcover. Published by Hal Leonard (HL.155269).

Choral (ShowTrax CD)

SKU: HL.290771

From Mary Poppins Returns. Composed by Marc Shaiman and Scott Wittman. Arranged by Mark A. Brymer. Disney Choral. Disney, Movies, Show Choir. CD. Duration 200 seconds. Published by Hal Leonard (HL.290771).

UPC: 888680923853. 5.0x5.0x0.14 inches.

Just like the classic Step in Time 54 years prior, Trip a Little Light Fantastic reigns as the no-holds-barred, large-scale production number from the corresponding movie starring everyone's favorite British nanny. With lamplighters taking the stage in lieu of chimney-sweepers, the spirit of this song, which takes its name from an old phrase meaning to dance nimbly, is preserved in this rousing arrangement that shines brightly!

Hawk in Winter Light was inspired by the sight of a hawk circling obsessively on a bright November day, hence the constantly circular nature of the music and, especially, its melodic material. Though the central section is quicker, the underlying pulse remains the same, and the transition to a quicker tempo is hardly noticeable. The piece is therefore, and unusually for a brass quintet, a single entity, in which the outer sections are closely related, the final part being partly a reprise and partly a variation of the opening.The piece was commissioned by the KlaraFestival of Flanders and is dedicated to Fine Arts Brass, who gave its first performance during the festival in Belgium on the 20 September 2005

(SAXOPHONE & PIANO)

SKU: HL.48184235

Composed by Amy Quate. Leduc. Classical. CD. 16 pages. Alphonse Leduc #AL27190. Published by Alphonse Leduc (HL.48184235).

UPC: 888680904852. 9.0x12.0x0.065 inches.

“Contemporary composer Amy Quate works in a wide variety of musical styles, forms and media. Composed in 1982 and dedicated to saxophonist Debra Richtmeyer, Light of Sothis creatively depicts the brightest star in heaven. Sothis, now called Sirius, is the star aspect of the goddess Isis, whose light confines the cycles of nature which bring beauty, prosperity and life. It is believed that Sothis blesses us with sacred illumination and it is this which Quate depicts in Light of Sothis. In three movements, Grace, Passion and Faith, the Saxophone line has lyrical melodies contrasted with dramatic scalic passages, covering the entire range of the instrument. Suitable for intermediate level saxophonists, a performance Quate's Light of Sothis proves to be an enticing prospect.”.

Concert Band Concert Band - Grade 2

SKU: FJ.B1822

Composed by Randall Standridge. Concert Band. FJH Young Band. Score and Part(s). The FJH Music Company Inc #98-B1822. Published by The FJH Music Company Inc (FJ.B1822).

UPC: 241444423110. English.

This new work for young band draws inspiration from a park in the Great Lakes Region where an annual display of dancing lights brightens the winter skies. Active percussion, staccato rhythms, and careful scoring ensure that this work is a fun, yet achievable piece that would be appropriate for winter celebrations or any concert throughout the year.

About FJH Young Band

Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

SKU: HL.1141413

Blue Microphones. Lighting. Duration 210 seconds. Hal Leonard #946-000006. Published by Hal Leonard (HL.1141413).

UPC: 097855175052. 7.0x18.0x2.75 inches.

Built for streaming, the Logitech Litra Beam desktop key light with TrueSoft technology makes it easy to achieve professional lighting effects. Direct light where you want it for a cinematic look. Easily swap between lighting techniques to express different moods. Whether you're shooting a YouTube video, streaming on Twitch or just working from home, Litra Beam ensures you always look your best. Natural Skin Tones, Radiant Look Logitech's TrueSoft technology delivers balanced full-spectrum LED light with cinematic color accuracy for a natural, radiant look across all skin tones. The Ultimate Desktop Fit Litra Beam is packed with features that make it easier than ever t oachieve professional lighting effects in any space. Its slim, elegant design can snuggle up to your monitor and fit into your desktop in ways other lights can't. Built-in cable management in the base keeps your setup looking sleek. And three 1/4-20 thread fittings allow you to attach Litra Beam to its desktop stand in multiple ways to achieve your desired lighting setup. Safe for All-Day Streaming Litra Beam has cleared even the strictest testing guidelines to ensure safe all-day streaming. So, whether you're creating a new video for YouTube of kicking off a marathon streaming session, Litra Beam helps you stay comfortable and confident on-camera – all day long. Fine-Tune Your Look On Camera Litra Beam features 5 brightness and 5 color temperature settings (2700K-6500K) to dial in the look you want. Or, you can hold down the buttons for continuous, stepless adjustment. Quick Access to Your Favorite Settings Download Logitech's free G HUB desktop app and connect via USB or Bluetooth® to control brightness and color temperature, save presets, turn light on/off, and more right from your desktop. And, if you have a Logitech G keyboard or mouse, you can use G-Keys to easily turn your light on/off, change brightness and color temperature, and more. Logitech TrueSoft Technology TrueSoft was designed to solve common challenges for today's content creator including quality of light, harsh shadows, and eye fatigue from long hours of streaming. Litra Beam was purpose-built for streaming and uses TrueSoft technology to wrap the subject in soft and diffused, accurate LED light that is gentle on the eyes for all-day professional content creation.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

Arranged by Howard Helvey. For SATB choir and organ. Sacred. Octavo. 8 pages. Published by Beckenhorst Press

Composed by Ruth Elaine Schram. Christian. Octavo. Celebrating Grace #622031211. Published by Celebrating Grace

Percussion Ensemble

SKU: HL.14041798

A Light Hour 2008. Composed by Per Norgard. Music Sales America. Classical. Set. Composed 2013. Edition Wilhelm Hansen #WH30964A. Published by Edition Wilhelm Hansen (HL.14041798).

ISBN 9788759818077. 12.5x16.5x1.13 inches.

Set of parts for Per Nørgård's En Lys Time / A Light Hour (2008-09) for a variable Percussion Ensemble (min. 10 players).

In A Light Hour everything - rhythms and motifs – is based on Nørgård´s special infinity series.

Score: WH30964

Programme note

A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musicianuses two sound sources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like. 

The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), and percussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III. 

Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable 
melodic feature of the work.: the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over ...). 

The first 15 minutes have a bright, light character throughout, and alternate between 
rhythms and melodic play. The following 15 minutes are more insistent and decidedly 
percussion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the.