Little David, Play On Your Harp

This arrangement of the classic American spiritual by John Leavitt is lively and expressive. The optional piano accompaniment allows for an a cappella performance if desired. Bright rhythms surprising harmonies and dynamiccontrasts make this an inviting “sing” for your choir! Available separately: SATB opt. accompaniment; SAB opt. accompaniment; 2-part opt. accompaniment; PianoTrax CD 2008.

With a CD of Recorded Piano Accompaniments Low Voice Book/CD-A collection of the best-loved spirituals arranged by Harry T. Burleigh. Includes: Balm in Gilead - Deep River - Go Down Moses Go - Tell It on the Mountain - Little David Play on Your Harp - My Lord What a Mornin' - Nobody Knows the Trouble I've Seen - Sometimes I Feel Like a Motherless Child - Steal Away - Swing Low Sweet Chariot - Wade in the Water - and more. The CD includes piano accompaniments of each piece.

Little David Play On Yo' Harp is a 2-part song for upper voices with Piano accompaniment by Trevor Widdicombe.

A vibrant and rhythmic setting of the traditional Old Testament spiritual this work relates a narrative that celebrates David's victory over the mighty giant Goliath. An excellent honor choir or concert finale this selection will showcase your singers at their best! Available separately: SATB 2-Part. Duration: ca. 2:50.

Included in 2016-2020 NFMC Bulletin Students can start the Schaum Primers after just 6-8 weeks of study! They feature big notes that are easy to read and 5-finger position arrangements. The books include lyrics and illustrations to spark the interest of young players and also include optional duet accompaniments so students can be wowed by how good they sound playing with their teacher! The Folk Song Primer includes: Bear Went over the Mountain - Big Rock Candy Mountain - Blow the Man Down - Blue Tail Fly - Clementine - Cockles and Mussels - Down in the Valley - Goodbye Old Paint - Had Me a Cat - Lil' Liza Jane - Little David Play on Your Harp - O Where Has My Little Dog Gone? -Shoo Fly - Shortnin' Bread - Skip to My Lou - Sweet Betsy from Pike - This Old Man - Wait for the Wagon.

No. 4 Little David play on your harp-Little David Play On Your Harp for two-part treble voice choir with Piano accompaniment arranged by Robert A. Harris.

The story of David and Goliath never gets old. Incorporating the Play on Your Harp Little David theme J. Paul Williams has teamed with Patti Drennan to create another wonderful rendition. Part of the Houston Children's Chorus series.

A fantastic selection of festive classics ranging from Santa Baby to Merry Xmas Everybody , Silent Night to Jingle Bells . Here's your chance to stand out in the spotlight and play some of the all-time greatest yuletide songs! Learn to play these solos specially arranged for Alto Saxophone. Hear how they should sound on the CD 1 and then play along with the full backing tracks on CD 2 to show off your new skills! Be the star - learn the solos - then take your place centre stage! / Saxophone Alto

Whether you fancy playing Beethoven's Moonlight Sonata, funky jazz standards, the great film music of John Williams, or musicals by Andrew Lloyd Webber, this special anthology will deliver! All pieces are presented in our brand new, easy-to-read notation style, complete with fingering, chord symbols and lyrics where appropriate. Suitable for pianists of Grade 1 - 3 standard. / Piano

Une superbe collection en trois volumes de plus de 100 classiques arrangés pour piano solo de niveau intermédiaire. Contient des musiques de film et des ballades de la collection Tunes You've Always Wanted To Play rassemblés ici dans une édition spéciale. / Partition /

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare