Long Ago (And Far Away): SATB: Vocal Score

Ce livre est un recueil de choeurs mixtes - clairement disposées selon les professions (SAB, SATB, SATB +) et sur ??la base des niveaux de difficulté triés. De vieux maîtres au tableau le titre actuel ici tous les genres de style est représenté. Beaucoup de titres pour la première fois et exclusivement apparaissent dans ce tout nouveau arrangements de arrangeurs bien connus. Dans le même temps le choix du répertoire est le résultat d'un enseignement et chorale longue et intensive conduite pratique. Il ya aussi de nombreux accompagnements au piano, aides pratiques et textes de base, et un espace en ligne privé. Le Choeur du livre 2 continue le succès 'Le chant est une grande' série continue de faCon transparente et s'appuie sur le premier livre de cantiques bande (Schott ED 20930 - S / SA / SSA / SAB SATB et phrases lumineuses). / Choeur Mixte (SATB)

With strong lyrics and a great hook this song shot to the top of the charts in 1973 (Dobie Gray). Today's audience will find themselves still humming along ...give me the beat boys and free my soul... Available for SATB SAB 2-Part and ShowTrax CD. Performance Time: Approx. 2:35.

The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming. The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming.

SATB-Festival of Carols is a joyful celebration of the music of Christmas. Overflowing with tuneful praise this cantata based on the traditional “Lessons and Carols” format includes thoughtful readings by PamelaStewart and optional parts for congregation children's choir and handbell choirs. There are over 20 classic carols incorporated into the work along with new seasonal selections composed especially for Festival of Carols.Brant Adams adds his special touch with orchestrations that capture the very heart of the Christmas season. Your entire community of faith will go away encouraged and inspired by this Advent/Christmas worshipevent.Includes: O Come All Ye Faithful; Come Thou Long-Expected Jesus; Away in a Manger; O Little Town of Bethlehem; Silent Night; Sussex Carol; Angels We Have Heard on High and more.

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198)Calme Des Nuits is taken from Ravel's work 2 Choruses Op. 68. In the oeuvre of Camille Saint-Saëns who is known primarily for his Carnival of the animals there are two choral pieces op. 68 composed at the end of 1882 which exhibit genuinely exceptional quality. Presumably having written them himself Saint-Saëns devoted considerable time and attention to these two texts Calme des nuits (Calm of the night) and Les fleurs et les arbres (The flowers and the trees). Both pieces display a depth of expression of akind that he is frequently denied as possessing to the present day. In Calme des nuits the calm of the night is impressively captured in music and contrasted with the garish and the raucous. Numerous long note durations and the almost exclusive adherence to the piano sphere captivate both the performers and their audience alike until the piece fades away into virtual nothingness.

Uses: Advent Scripture: Genesis 49:18 Psalm 62:1 Isaiah 25:9 Revelation 22:7-21 Isaiah 35:1-10 This worshipful invitation brings the comfort of the Savior's love to the heart of the listener. The gentle rocking back and forth from major to minor suggests the deep longing of the soul while words of promise form a blanket around our sincere prayers for a relationship with God. The final quote from Away in a Manger is a masterful moment that brings the song to a quiescent and meaningful conclusion. Score and Parts (ob hn tbn 1-2 perc syn vn vc) available on CD-ROM and as a digital download.

Preview Pack (Book/Listening CD)-Here is a new major work for Spring programming based on early American folk songs and hymns. Sacred Places explores the story of Christ's ministry passion and resurrection all emphasizing the locations where these great moments occurred: The Sea of Galilee The Wedding at Cana The Sermon on the Mount Jerusalem The Upper Room The Garden of Gethsemane Calvary and the Garden of Resurrection. With poignant narrations and scripture along with the creative orchestrations by Brant Adams this is a memorable telling of the life of Christ. Two distinct endings are provided allowing for a presentation during Holy Week that ends with the crucifixion or an Easter momentthat concludes with a joyful affirmation of life. Songs include: Prelude - Songs from the River - Come and Hear the Wondrous Story - My Song in the Night - Lift Up Your Heads Jerusalem - The Remembering - The Midnight Garden - A Green Hill Far Away - Sunrise - Alleluia! Christ Is Risen! Full Orchestration (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba hp pno timp perc 1-2 vn 1-2 va vc db) available as a Printed Edition and as a digital download. Consort Orchestration (fl cl tpt 1-2 tbn bells perc kybds) available as a Printed Edition and as a digital download.

Composer's notes:The Fool is a time-honoured Orthodox religious figure: a Saint the highest of all who discards everything for Christ's sake. He discards all convention all decency all wealth actual and spiritual and turns himself into a figure of fun - defying all acceptable behaviour - and all religious decency. He stands in the square and lets down his trousers - he stuffs himself with food on Good Friday - he gets drunk - he 'appears'to fornicate wildly. There is a faint possibility (in not the highest of 'Fools') of gaining worldly popularity by such flagrant denial of all moral behaviour. Can such behaviour be too interesting? The true fool however embraces all of this and also (unseen) shrinks before the face of his God. By his behaviour he plucks out all hypocrisy false piety and corruption. He is a figure much needed in our times!!! The way I have tried to tacklethis extraordinary subject is to show him in seven stages from an obscene huge fat traditional clown who is drunk fornicating etc. through a stumbling frail agonized figure to a sallow-faced gaunt business man in a formalsuit staring at an empty glass. Having first revered him then mocked him the 'people' while they get drunk and jabber away at 'Christmas' and at the Feast of Feasts 'Easter' are no longer aware of him. But the audience seeshim - a tiny ragged scrap of mortality lying in a corner and faintly so faintly the voice of the Fool the true Fool for Christ's sake sings above the ribald crowd. 'He has given His life'. The Gogmagogs are the 'people' 'priests' 'singers' etc. and one male singer who can 'create' or 'uncreate' this vast role (singing and acting miming etc.) John Tavener Arranged for SSATBB chorus. Date of composition 2000. Chorus part only.