Love's Philosophy

Par L'ESTRANGE ALEXANDER. La série acclamée par la chorale Programme est très appréciée par les chefs de choeur pour sa largeur de répertoire et de pratique pour l'optimisation éditions. La série a été re-conçue et offre maintenant un nouveau look élégant sur toute la gamme. Chaque volume est publié à une plus petite et plus maniable ' in-octavo 'taille (254x176mm) et coloris distinctif aider à distinguer entre le genre et l'accordage supérieure et inférieure. Cinq nouvelles publications élargir maintenant l'immense étendue du répertoire./ Recueil / SATB

Love's Philosophy brings together three exquisite original songs by Alexander L’Estrange exploring love and longing. Inspired by the English song of composers such as Roger Quilter and Gerald Finzi and with stunning texts by Shelley Tennyson and Byron these evocative pieces are sure to become classics of the 21st century.   Set for soprano and alto and combined men's voices with a straightforward piano accompaniment this collection is part of the Choral Basics series - ideal for beginner choirs and for choirs in which the male singers are few or at the stage when their voices arechanging.

Julian Marshall's Love's Philosophy for SSATB. A short dynamic work by Julian Marshall setting the text of Percy Bysshe Shelley and premiered by The Rupa Ensemble in 2018. Duration: c. 4 minutes

An Introduction to Repertoire. This series of five book/online audio access packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert

Description The Second Book Of Soprano Solos The songs in this collection represent various periods of music history as well as selected sacred solos. Compiled by Joan Frey Boytim. Songlist A Pastoral [Veracini, Francesco Maria] A Spring Morning [Carey, Henry] Art Is Calling For Me [Herbert, Victor] Bescheidebne Liebe [Wolf, Hugo] Das Verlassene Magdlein [Wolf, Hugo] Die Nacht [Strauss, Richard] Down In The Forest [Ronald, Landon] Fiocca La Neve [Cimara, Pietro] Hark! The Echoing Air [Purcell, Henry] Hear My Prayer, O Lord [Dvorak, Antonin] La Zingara [Donizetti, Gaetano] Les Cloches [Debussy, Claude] Love's Philosophy [Quilter, Roger] Mein Glaubiges Herze (My Heart Ever Faithful) [Bach, Johann Sebastian] My Heart Is Like A Singing Bird [Parry, Hubert] O Divine Redeemer [Gounod, Charles] Oh! Had I Jubal's Lyre [Handel, George Frideric] Shepherd! Thy Demeanour Vary [Brown, Thomas] Sleep, Gentle Cherub, Sleep Descend [Arne, Thomas] Song Of The Blackbird [Quilter, Roger] Take O Take Those Lips Away [Beach, Amy] The Sun Shall Be No More Thy Light [Greene, Maurice] The Sun Whose Rays Are All Ablaze (The Mikado) [Sullivan, Arthur] These Are They Which Came [Gaul, Alfred Robert] To The Birds (A Des Oiseaux) [Hue, Georges] Un Moto Di Gioja [Mozart, Wolfgang Amadeus] Vergebliches Standchen Op.84 No.4 [Brahms, Johannes] Vieille Chanson [Bizet, Georges] Villanelle (I Saw The Swift Swallow Flying) [Dell'acqua, Eva]

L'édition de livres et 2CD de la collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Mezzo-Soprano 3

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. / Répertoire / 4 Voix d'Hommes [Attbar], 2 Altos, Violoncelle et

Un nouveau Diapason rouge : le volume 6 !
300 chants de variété française et internationale avec accords de guitare.

Jouer ses premiers accords de guitare, accompagner des amis au chant, se retrouver autour d?un feu lors d?une veillée, relire un texte et laisser résonner les mots qu?un autre a écrit... Depuis plus de 25 ans, un Diapason rouge, c?est une malle aux trésors pour de multiples occasions de rêve, de partage et de fou-rires.
Ce volume 6 poursuit l?histoire en se plongeant dans le répertoire des années 1990 à aujourd?hui.

Fréro Delavega, Christophe Maé, Louane, Emmanuel Moire, Ridan, Stromae sont les nouveaux artistes d?années où la chanson française mélange plus que jamais légèreté et engagement.
Diam?s, Abd Al Malik, Grand Corps Malade, HK et les Saltimbanks cisèlent des textes bazookas.

Et comme tout Diapason, le DR6 fait la part belle aux tubes, ceux qui ont saturé les bonnes ondes de ces dernières années.

De quoi lire, rire, chanter, danser... À vous de jouer ! / Variétés / Partition /

Sunday Night Revival contient 40 chansons de gospel. Ces chansons soigneusement choisies reflètent bien la philosophie de ces chants, intemporels, qualitatifs. Facile à jouer, tous ces morceaux sont arrangées pour Piano, Chant et Guitar. Parfaitement adaptées pour êter interprétées en famille, en petit comité, en récital et bien sûr en concert...! / Piano/Vocal/Guitare (PVG) / niveau : Intermédiaire / Avancé / Partition