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Lydia's Romance
$1.60
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Lead time before shipment :
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From the Opera The Newport Rivals. By Kirke Mechem. (SATB). Choral. 10 pages. Published by G. Schirmer, Inc.
Instrumentation :
Choral SATB
Sub-instrumentation :
SATB
Publisher :
Schirmer
Listen audio
ISBN 0634081330. 6.75x10.5 inches.
A duet from the Kirke Mechem opera The Newport Rivals, this setting for chorus makes a poetic and expressive work for either mixed or women's ensembles. Light and gracious, it would program nicely with other love-themed works.
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Lydia's Romance
Choral 2-part
Schirmer
From the Opera The Newport Rivals. By Kirke Mechem. (SA). Choral. 8 pages. Publ...
(+)
From the Opera The Newport Rivals. By Kirke Mechem. (SA). Choral. 8 pages. Published by G. Schirmer, Inc.
$1.60 - See more - Buy online
Pre-shipment lead time:
24 hours - In Stock
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Kirke Mechem - Lydia's Romance
2 Violins (duet)
Schirmer
Soprano and Mezzo-Soprano Duet. By Kirke Mechem. Vocal. Size 9x12 inches. 6 page...
(+)
Soprano and Mezzo-Soprano Duet. By Kirke Mechem. Vocal. Size 9x12 inches. 6 pages. Published by G. Schirmer, Inc.
$3.95 - See more - Buy online
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Classical Fake Book - 2nd Edition
Fake Book
[Fake Book]
-
Easy
Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...
(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)
$49.99 - See more - Buy online
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The Real Little Classical Fake Book - 2nd Edition
Piano solo
-
Intermediate
Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...
(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy online
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Kirke Mechem: Lydia's Romance: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Schirmer
from the Opera The Newport Rivals-A duet from the Kirke Mechem opera The Newport...
(+)
from the Opera The Newport Rivals-A duet from the Kirke Mechem opera The Newport Rivals this setting for chorus makes a poetic and expressive work for either mixed or women's ensembles. Light and gracious it would program nicely with otherlove-themed works.
1.50 GBP - Sold by Musicroom UK
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Details
Kirke Mechem: Lydia's Romance: 2-Part Choir: Vocal Score
Choral 2-part
SA, Piano
[Sheet music]
Schirmer
from the Opera The Newport Rivals-from the Opera The Newport Rivals.
8.75 GBP - Sold by Musicroom UK
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Kirke Mechem: Kirke Mechem - Lydia's Romance: Vocal: Vocal Album
Voice solo
Schirmer
Soprano and Mezzo-Soprano Duet. This duet from the opera The Newport Rivals ha...
(+)
Soprano and Mezzo-Soprano Duet. This duet from the opera The Newport Rivals has an inspirational and poetic text about love that would not be out of place at a wedding.
3.99 GBP - Sold by Musicroom UK
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Bonis Mel - Oeuvres Pour Piano Vol.1 - Femmes De Legende
Furore
Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour pia...
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Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Phœbé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. „Femmes de légende“ A collection we have called “Femmes de légende” contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, “Mélisande”, was published separately by Alphonse Leduc in 1898. In 1909, a collection called “Trois pièces pour piano” (Three pieces for the piano), dedicated to the composer Paul Locard and which included “Phœbé”, “Viviane” and “Salomé”, was published by Leduc. In 1913, “Mélisande” was added to the four last pieces for a final collection called “Cinq pièces”. “Omphale” appeared in a Berlin edition “Signale für die musikalische Welt” in 1910. As to “Ophélie”, it was never published in Mel Bonis’ lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. “Ophélie” was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy’s famous opera, Mel Bonis’ piano piece “Mélisande” was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande’s hair as described by Pelleas: “your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.” This piece enjoyed quite a success in Mel Bonis’ lifetime. She noted of it “my favourite” in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare’s “Othello” inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare’s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais – each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the “salon” about it, typical of its time, evoking the fairy’s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy’s power. This piece is easily approachable. Phœbé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer’s part. “Omphale” was awarded a prize for composition by the Berlin magazine “Signale für die musikalische Welt” in 1910.
20.10 EUR - Sold by Woodbrass
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