SKU: AP.50081S
ISBN 9781470662899. UPC: 038081580104. English.
A groovy straight-eighth feel on this jazz standard. Tempo is around 154 BPM, and lead trumpet range is to written B-flat above the staff. Sample solos provided for alto and tenor sax plus optional flute and vibes parts. Energy prevails! (4:05).
SKU: LM.GD1291
ISBN 9790231707366.
Las Gotitas - Campario de pueblo - Baila ! ... Abuelita - Nana de mi munequita - Paquito se divierte - Ninos jugando al corro - Valsecito - Duermete, munequita - Mananita de domingo - Ronda de los enanitos - Desfile de granaderos - Arre borrico ! - El Columpio - El Cucu - Soldatinos de carton - Cancion de navidad - Bailarina mora - El Molino de viento - El Valsecito - Nana, nanita - Danza americana - Mariposas azules - Los Pequenos moritos - A lado del riachuelo.
SKU: HL.48013852
UPC: 073999554441. 9.0x12.0x0.131 inches.
Contents: Du meines Herzens Kronelein * Daz iuwer min engel walte * Waldeinsamkeit * Wenn die Linde bluht * Herzenstausch * Beim Schneewetter * Schlecht' Wetter * Einen Brief soll ich schreiben * Am Brunnele * Warte nur * Mei Bua * Mit Rosen bestreut * Der verliebte Jager * Mein Schazelein * Maiennacht.
SKU: HL.48013835
UPC: 073999138351. 9.0x12.0x0.172 inches.
SKU: HL.14023286
Danish.
Drontens Sang Til Mennesket for Voice and Guitar (ad lib.) by Per Nørgård (1994).
Text by Vagn Lundbye.
Manuscript copy.
SKU: HL.14021525
UPC: 884088795511. 8.25x11.75x0.18 inches.
This edition features instructions for studying master pieces by Sevcik regarding substance and course of motion and reaching a genuine and reliable technique in relatively short time. By Professor A. Mingotti. For violin.
SKU: HL.48000680
UPC: 073999648713. 8.25x11.75x0.06 inches.
Contents: Praeludium • Lied der Verlassenen • Die Libelle • Mainacht • Tanz-Intermezzo • Barcarolle • Postludium.
SKU: LM.PB1332
ISBN 3137990013325.
Nos vies - Printemps de vie - Passe le temps - Le monde est a toi - S'eleve - Il manquait un ange - Di Brama (Avec In Anda) - Si tous les enfants - Chanter la terre - Une voix - Au pays des merveilles - Des clowns - L'An 2001 - Vois sur ton chemin - Un geste.
SKU: HL.14045540
ISBN 9788438712320. Spanish.
SKU: HL.14036005
ISBN 9783920127033.
A study of how to practise Sevcik's works. German Edition.
SKU: HL.49013596
ISBN 9790001010948.
SKU: XC.VJE2103FS
UPC: 812598037883. 9 x 12 inches.
Driving latin rhythms, great polyphonic writing and interesting major 7 over minor chord harmony combine to make this chart unforgettable. There are lots of dynamic contrasts, so the full range of your group will be showcased. The haunting melody weaves between sections throughout the composition which really makes the piece hang together well.
SKU: AP.47506S
UPC: 038081546766. English.
A medium tempo Latin with a bit of swing feel, played around 150 BPM. The opening statement is played by tenor 1 and trumpet 1 with written-out suggested solos for each. Trumpet 1 range is to written F on the top line. All the usual optional parts plus vibes and clarinet. This title available in MakeMusic Cloud.
SKU: AP.47506
UPC: 038081546759. English.
A medium tempo Latin with a bit of swing feel, played around 150 BPM. The opening statement is played by tenor 1 and trumpet 1 with written-out suggested solos for each. Trumpet 1 range is to written F on the top line. All the usual optional parts plus vibes and clarinet. This title is available in MakeMusic Cloud.
SKU: XC.VJE2103
UPC: 812598038101. 9 x 12 inches.
SKU: BT.AMP-449-010
English-German-French-Dutch.
The Legend of Spirit Island was commissioned by the Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, conductor), to honour the euphonium player, Dick Carlson. The piece takes its title from a local legend about Spirit Island, which lies in a gap of the St. Louis River called Spirit Lake. The legend tells the story of Chaska, the son of a Dakota Chief, and Wetona, the daughter of Ojibwe Chief Buckado. He was handsome and she was beautiful; it wasn’t long before they fell in love. This is a challenging euphonium solo in which the versatile soloist can explore very expressive melodic sequences, as well as energetic, technical sections.The Legend of Spirit Island werd geschreven in opdracht van de het Twin Ports Wind Orchestra uit Duluth, Minnesota (dirigent Mark Whitlock) als eerbetoon aan euphoniumspeler Dick Carlson. De titel van het werk is afkomstig van een lokale legende over Spirit Island, dat dicht bij Duluth in een verbreding van de St. Louis River Spirit Lake ¬ligt. Deze legende gaat over Chaska, de zoon van een Dakota-opperhoofd, en Wetona, de dochter van Ojibwe-opperhoofd Buckado. Hij was knap en zij was mooi; het duurde niet lang of de twee waren verliefd op elkaar. De uitdagende euphoniumsolo biedt de solist de mogelijkheid om expressieve melodieën te verkennen en zijn of haarspeelvaardigheid te demonstreren. The Legend of Spirit Island wurde vom Twin Ports Wind Orchestra aus Duluth, Minnesota (Dirigent: Mark Whitlock), in Auftrag gegeben, um den Euphoniumspieler Dick Carlson zu ehren. Der Titel des Stückes leitet sich von einer Legende über die Insel Spirit Island ab, die in einem Bereich des St. Louis River liegt, der Spirit Lake genannt wird. Die Legende handelt von Chaska, dem Sohn eines Dakota-Häuptlings, und Wetona, der Tochter des Ojibwe-Häuptlings Buckado. Er war gut aussehend und sie war schön, und so dauerte es nicht lange, bis sie sich ineinander verliebten. In diesem anspruchsvollen Stück kann der Euphonium-Solist sehr ausdrucksvolle melodische Sequenzen, aber auchenergiegeladene, technische Abschnitte erkunden. The Legend of Spirit Island est une commande du Twin Ports Wind Orchestra de Duluth, Minnesota (dirigé par Mark Whitlock), en l’honneur de son joueur d’euphonium, Dick Carlson. L’œuvre prend son titre d’une légende locale concernant Spirit Island, une île qui se trouve dans un élargissement du fleuve St. Louis appelé Spirit Lake. La légende raconte l’histoire de Chaska, fils d’un chef des Dakotas, et de Wetona, la fille du chef des Ojibwés, Buckado. Il était beau et elle était magnifique, et il n’a pas fallu longtemps pour qu’ils tombent amoureux. Ce solo exigeant pour euphonium solo permet au soliste polyvalent d’explorer des séquences mélodiques très expressives,ainsi que des sections énergiques et techniques. The Legend of Spirit Island è stata commissionata dalla Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, direttore), per onorare il suonatore di eufonio Dick Carlson. Il titolo si ispira da una leggenda locale sullo spirito dell’isola, che si troverebbe in un punto del fiume St.Louis chiamato Spirit Lake. La leggenda racconta la storia di Chaska, il figlio di Dakota Chief, e Wetona,la figlia di Ojibwe Chief Buckado. Lui era bello e lei era bellissima; non passò molto tempo prima che si innamorassero. Un brano per eufonio solista molto impegnativo nel quale un solista con versatilit può esplorare sequenze melodiche molto espressive, oltre a sezioni tecnicheenergiche.
SKU: GI.G-M523
ISBN 9781579992378. English.
This major band method by James O. Froseth has it all: Artist performers set musical standards in sound with more than 80 great performances on CD for every instrument, and one CD lasts for the entire book! Performers include: Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. A 550+ page Teacher's Resource edition and musical score provides options galore, including a double CD with listen and play exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided (coordinates with rhythm flashcards). Book 2 features innovative, but optional use of world percussion instruments, as developed by percussion educator Steve Houghton. Click here to download the audio recordings for the Book 2 Teacher's Edition.
