SKU: JK.99019
13th Article of Faith and Philippians 4:8.
Elegant choral anthem for mixed chorus (SATB) incorporating text from the 13th Article of Faith and Philippians 4:8: We believe all things, we hope all things, we have endured many things and hope to be able to endure all things. If there is anything virtuous, lovely, or of good report, we seek after these things. Previously listed as item #00813.Composer: Sandra Ruconich / David A. Zabriskie Lyricist: Scriptural text Difficulty: Easy Performance time: 4:00Reference: 13th Article of Faith and Philippians 4:8.
SKU: HL.275105
ISBN 9781540026002. UPC: 888680742782. 9x12 inches. By John Jacobson and Lynn Brinckmeyer.
Who are the very best advocates for your school's music programs? The kids! Advocacy is a continuous process of diligent education to bring awareness about the benefits of music learning to the general public. And, kids can expertly share the joy of music making and learning in a variety of different ways. The authors worked together to develop a musical revue about the wonder of music. Each of the seven original songs can be performed together as a complete program, or they can be sung in other contexts as well. The 30-minute revue includes piano/vocal arrangements with choreography, short narrations for up to 65 speaking parts and digital access to student PDFs. To perform with recordings, the Performance Kit includes the Teacher Edition and digital access to student PDFs and performance/accompaniment audio recordings. Songs include: Music Is an Everyday Thing, Many Things I Learned I Learned Through Music, Playing Music Is Hard Work, A Song in My Heart, Working Together, If I Didn't Have Music, Our Place in the Choir. In addition to a musical revue, the second half of the book is focused on strategies, ideas and conversations about the importance of music study in children's and adolescents' lives. There are even writing and advocacy activities to engage students in the promotion of the critical role that music plays in their lives. The ten chapters concentrate on attributes of music education and how children benefit from music study highlighted in the Broader Minded Campaign put forth by the National Association for Music Education (NAfME): Decision Making, Grit, Multiple Ways of Knowing, Creativity, Collaboration, Communication, Critical Thinking, Emotional Awareness, Reflective Learning, and Process Orientation. Suggested for grades 2-6.
SKU: HL.1192563
UPC: 196288132691. 6.75x10.5x0.029 inches. I Chronicles 16:34, I Thessalonians 5:16-18, Isaiah 12:4-5.
An offering of gratitude for the seasons of life, this bittersweet anthem reminds us to live abundantly with a heart of praise. This sacred song provides many moments for expressive singing and beautiful harmonies.
SKU: CF.CPS242F
ISBN 9781491157947. UPC: 680160916542. 9 x 12 inches.
All of us have experienced unique moments in our lives that create unforgettable mental snapshots. These images can often provide comfort, a moment of humor, or can be a source of inspiration. Years ago while traveling with (who are now) old friends, I witnessed a New Mexico night sky for the very first time. We were so taken with the view that we pulled our rental car to the side of the highway just to stand and stare skyward. The clarity and size of the stars redefined my understanding of our place in this vast universe. To my eye, I was staring at hundreds of little moons. In writing this piece, I wanted to capture a sense of beauty, wonder and humility. The euphonium solo presents the theme as a wistful offering to things beyond our understanding. Throughout the selection this theme is passed throughout the ensemble, and thicker textures evolve. The mallet percussion plays a vital role in providing harmonic stability early in the selection. Non-pitched percussion is essential in building tension and generating effective impacts at louder dynamic levels. Ideally, the two triangles found in the Percussion 2 part should be mounted and of two distinctly different pitches. Both should be played with light beaters if possible. I sincerely hope Many Moons provides years of inspiration for you and your ensemble just as that southwestern sky did for me amany moonsa ago.All of us have experienced unique moments in our lives that create unforgettable mental snapshots. These images can often provide comfort, a moment of humor, or can be a source of inspiration. Years ago while traveling with (who are now) old friends, I witnessed a New Mexico night sky for the very first time. We were so taken with the view that we pulled our rental car to the side of the highway just to stand and stare skyward. The clarity and size of the stars redefined my understanding of our place in this vast universe. To my eye, I was staring at hundreds of little moons. In writing this piece, I wanted to capture a sense of beauty, wonder and humility. The euphonium solo presents the theme as a wistful offering to things beyond our understanding. Throughout the selection this theme is passed throughout the ensemble, and thicker textures evolve. The mallet percussion plays a vital role in providing harmonic stability early in the selection. Non-pitched percussion is essential in building tension and generating effective impacts at louder dynamic levels. Ideally, the two triangles found in the Percussion 2 part should be mounted and of two distinctly different pitches. Both should be played with light beaters if possible. I sincerely hope Many Moons provides years of inspiration for you and your ensemble just as that southwestern sky did for me many moons ago.All of us have experienced unique moments in our lives that create unforgettable mental snapshots. These images can often provide comfort, a moment of humor, or can be a source of inspiration. Years ago while traveling with (who are now) old friends, I witnessed a New Mexico night sky for the very first time. We were so taken with the view that we pulled our rental car to the side of the highway just to stand and stare skyward. The clarity and size of the stars redefined my understanding of our place in this vast universe. To my eye, I was staring at hundreds of little moons. In writing this piece, I wanted to capture a sense of beauty, wonder and humility.The euphonium solo presents the theme as a wistful offering to things beyond our understanding. Throughout the selection this theme is passed throughout the ensemble, and thicker textures evolve. The mallet percussion plays a vital role in providing harmonic stability early in the selection. Non-pitched percussion is essential in building tension and generating effective impacts at louder dynamic levels. Ideally, the two triangles found in the Percussion 2 part should be mounted and of two distinctly different pitches. Both should be played with light beaters if possible.I sincerely hope Many Moons provides years of inspiration for you and your ensemble just as that southwestern sky did for me “many moons†ago.
SKU: CF.CPS242
ISBN 9781491157930. UPC: 680160916535. 9 x 12 inches.
SKU: CF.CM9587
ISBN 9781491154090. UPC: 680160912599. 6.875 x 10.5 inches. Key: C major. English. Transcribed by Wilson Hall. Hidegaard Von Bingen translated by William Hall.
I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff. This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within.  .I am the secret fire in all things, scored for SSAA divisi and two soprano soloists, was premiered by the Vancouver Chamber Choir, Jon Washbun, conductor, in November 2008. The Hildegard von Bingen text, translated by Wilson Hall (deceased professor of English at Shorter College in Rome, Georgia and dear friend), is a text that fosters many opportunities to depict the mysterious nature of God, His transcendence into all the human experience, and the hope, through vulnerability, that resonates in the gravamen for individual transubstantiation through the struggles inherent in Life's Stuff.This composition celebrates the transforming power of spirituality, the evolution of the human spirit when one amalgamates with unknowing, and the ecstasy that saturates Life when one acknowledges the God Presence already within. .
SKU: CF.CPS265
ISBN 9781491161289. UPC: 680160919871.
Remembrance was written in November 2018. In remembrance of what it took for us to be here... was the only original program note. The piece can mean different things to different people; however, it brings unity to all under the theme of remembrance. We fight for many things: love, patriotism, freedom, ideology, possession...all of which have cost tremendous sacrifice. It was the battles, the blood and sweat, and the sacrifice of those that came before us that created the world as we know it. Remembrance is a tender, melancholic reflection that silently gives thanks to every step and every sacrifice that was made to bring us what we have today. Yes, what we have may not be perfect--nor is it anywhere near complete--but with each generation's responsibility to carry the torch and never forget, hopefully we can make everything worth it. Performance Notes This tender piece is an excellent opportunity to explore nuanced phrasing. While many sections may play similar parts, often the phrasing and dynamics are marked differently across the band. Each of these discrepancies should be brought out and add to the perpetual motion of the piece. Encourage confident, yet subtle entrances and furthermore, think about the ends of notes as important as the beginning. Really bring out the hairpins in sections such as m. 29, m. 67, and m. 81 as expressive devices. Despite the piece's major key, through the various levels of dissonance and tension, both the ensemble and the audience should feel the sacrifices and tragedy that this piece celebrates. The tempo should not be much slower than the marked tempos and with the careful observation of the various tempo changes, there should be a constant momentum pushing throughout the piece, all the way past the end that leaves the audience in thought with an uplifting, pensive, and gentle clarinet chord.Remembrance was written in November 2018. “In remembrance of what it took for us to be here...†was the only original program note. The piece can mean different things to different people; however, it brings unity to all under the theme of remembrance.We fight for many things: love, patriotism, freedom, ideology, possession...all of which have cost tremendous sacrifice. It was the battles, the blood and sweat, and the sacrifice of those that came before us that created the world as we know it. Remembrance is a tender, melancholic reflection that silently gives thanks to every step and every sacrifice that was made to bring us what we have today. Yes, what we have may not be perfect—nor is it anywhere near complete—but with each generation’s responsibility to carry the torch and never forget, hopefully we can make everything worth it.Performance NotesThis tender piece is an excellent opportunity to explore nuanced phrasing. While many sections may play similar parts, often the phrasing and dynamics are marked differently across the band. Each of these discrepancies should be brought out and add to the perpetual motion of the piece. Encourage confident, yet subtle entrances and furthermore, think about the ends of notes as important as the beginning. Really bring out the hairpins in sections such as m. 29, m. 67, and m. 81 as expressive devices. Despite the piece’s major key, through the various levels of dissonance and tension, both the ensemble and the audience should feel the sacrifices and tragedy that this piece celebrates.The tempo should not be much slower than the marked tempos and with the careful observation of the various tempo changes, there should be a constant momentum pushing throughout the piece, all the way past the end that leaves the audience in thought with an uplifting, pensive, and gentle clarinet chord.
SKU: CF.CPS265F
ISBN 9781491161753. UPC: 680160920440.
SKU: WD.080689668234
UPC: 080689668234.
Arranged and orchestrated by Cliff Duren in Gathering Songs 3, this anthem, Great Things, is the perfect opener for any worship service. Your choir will feel empowered while leading your congregation and community into a time of worship with this Phil Wickham worship song. Upbeat and full of life, Great Things will encourage every listener to reflect on the many amazing things God has done—They can’t help but dance in His freedom and lift His name high!
SKU: HP.3001
UPC: 763628130015.
45 Selections to Enhance Hymn Singing For each of these 45 descants to familiar hymns there is an intermediate and a more advanced setting for bell tree ringers. Many of the tunes are offered in more than one key to make this collection compatible with most hymnals. Common title and tune indexes are provided for easy reference. Adding the sparkle of bells is sure to enhance and enliven your congregational hymn singing.
SKU: HL.282475
ISBN 9781540034328. UPC: 888680789190. 9.0x12.0x0.847 inches.
Music is what helped many keep their spirits up during the Great Depression in the 1930s. Here are 100 of the most memorable songs of the decade presented in easy piano arrangements with lyrics. Songs include: As Time Goes By * Blue Moon * Body and Soul * Embraceable You * Georgia on My Mind * The Glory of Love * How Deep Is the Ocean (How High Is the Sky) * I Don't Know Why (I Just Do) * I Got Rhythm * I'll Be Seeing You * In the Mood * The Lady Is a Tramp * Love Is Here to Stay * Mood Indigo * My Funny Valentine * The Nearness of You * Over the Rainbow * Sing, Sing, Sing * Summertime * Thanks for the Memory * The Very Thought of You * The Way You Look Tonight * and more.
SKU: HL.290755
UPC: 888680923778. 5.0x5.0x0.145 inches.
Six songs from the Hairspray (2002) writing team of Marc Shaiman and Scott Wittman are skillfully assembled and connected from this new movie classic. While paying tribute to the original movie's songs, these new songs are destined to be loved and sung by kids and adults for many years to come. Includes (Underneath the) Lovely London Sky, Can You Imagine That?, A Cover Is Not the Book, The Place Where Lost Things Go, Trip a Little Light Fantastic and Nowhere to Go But Up.
SKU: ST.LS20
ISBN 9790220210969.
CONTENTS First of all our sexe, The (C - E flat) How many things (D - D) I marriage would forsweare (C - E flat) I onely am the man (D - F) I studie to uphold (A - F) Law is my calling, The (F - A) Long have I livde in Court (F - G) My calling is divine (D - F) My dying husband knew (D - A) My occupation is the Noble trade of Kings (G - A) My trade doth every thing (C sharp - D) Though strange outlandish spirits praise (D - G).
SKU: BC.81736
SKU: HL.14014710
ISBN 9788759859650. Danish.
Per Norgard's Hedda Gabler - Incidental Music and Suite (1993) for Viola, Harp and Piano. Programme note The music was composed for the BBC production of Henrik Ibsens's famous play “Hedda Gabler”. For the production the director Deborah Warner changed the location from Bergen, Norway to Dublin - two cities with many things in common, both in size and atmosphere. All the movements are played attacca, as one movement, and the reason that I accepted this incidental music to be performed as a concert piece is that it has a unity - decided by Deborah Warner and me - always following the character of Hedda. In Fiona Shaw's' interpretation Hedda Gabler isjust as ruthless as Ibsen created her - but also deeply felt, understood and shown as a victim of the suppressed role of women in the Victorian age. Therefore the associations to the salon music of the era are coloured with a strong expressionistic expression - the music being entirely created from the inner universe of the main character Hedda. Per Norgard (1993)  .
SKU: CF.P3332
ISBN 9781491144442. UPC: 680160901944. 9 x 12 inches.
Commissioned on behalf of The Viney Grinberg Duo (Liam Viney and Anna Grinberg) by the University of Queensland School of Music and the Creative Collaboratorium, Handwork was premiered at UQ in August 2015, shortly before its U.S. premiere at Yale School of Music the following month by the Duo (both of whom are YSM alumni). Bresnick points to the multi-faceted aspect of Handwork, including a dreamy fantasia, a nocturne, a folk-song, a Latin-American dance with much prominent counterpoint and poly-metric intrigue..Handwork is many things - a dreamy fantasia, a nocturne, a folk-song, a Latin-American dance with much prominent counterpoint and poly-metric intrigue. Handwork is sometimes tonal with crunchy Prokofiev-like dissonances. There are obvious Bartókian octatonic passages in the development, followed by a Persian free-rhythm Santur variation. A dream-like fragment of a Beethoven minuet briefly appears. The work concludes with a re-statement of the opening subject in it's simple, enigmatic ambiguity.
SKU: HL.49045117
ISBN 9783795749514. Richard Reider.
The magic continues: Valentina, the little witch, and her friend Chebby the Fox have returned, bringing with them many things for the little musicians to discover and to learn in Vol. 2 of the recorder method Flotenzauber. Following up on the first volume, the method has been designed carefully and in a manner suitable for children, gradually involving the right hand and extending the tonal range to the low C. The lovely illustrations can be coloured by the children, e.g. during a short break from learning, and serve as guidance in this volume. The teacher is again given opportunities to motivate the children and recognize their performance of individual pieces with a smiley, for example.The edition is available with or without CD. It contains both a slow and a faster version of the pieces in order that the children can improve their performance and not get discouraged by a fast tempo. The first verse of each song is sung by the children. This helps the little recorder players to find the right entrance and better understand melody and rhythm.Volume 3 in preparation.