/ Livre
SKU: BR.PB-5589
ISBN 9790004213995. 10 x 12.5 inches.
Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: BR.EB-8909
ISBN 9790004185759. 7.5 x 10.5 inches.
Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive. Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: BR.OB-5589-11
ISBN 9790004344170. 10 x 12.5 inches.
SKU: BR.OB-5589-16
ISBN 9790004344200. 10 x 12.5 inches.
SKU: BR.OB-5589-27
ISBN 9790004344231. 10 x 12.5 inches.
SKU: BR.OB-5589-12
ISBN 9790004344187. 10 x 12.5 inches.
SKU: BR.OB-5589-30
ISBN 9790004344248. 10 x 12.5 inches.
SKU: BR.OB-5589-15
ISBN 9790004344194. 10 x 12.5 inches.
SKU: BR.OB-5589-23
ISBN 9790004344224. 10 x 12.5 inches.
SKU: BR.OB-5589-19
ISBN 9790004344217. 10 x 12.5 inches.
SKU: BR.PB-5594
The Miserere in C minor ZWV 57 is one of the late works of the Bohemian composer Jan Dismas Zelenka, it was the only one to be reprised in Dresden's Hofkirche after his death.
ISBN 9790004214046. 10 x 12.5 inches.
Very Expressive, Please! Jan Dismas Zelenka's musical setting of Psalm 50, Miserere mei Deus, was presumably intended for the 1738 Holy Week. Thus, the composition is situated chronologically between the Missa Sanctissimae Trinitatis (1736)* and the Missa votiva (1739), two compositions from the cycle of Zelenka's five late masses, considered the culmination of his sacred-music work. Strong contrasts are a conspicuous stylistic feature of the Miserere c-moll, which Zelenka moderates by embedding them within the entire work's cyclic arch form. The score and parts of this new edition are based on volume 108 of the series Das Erbe deutscher Musik, which was comprehensively revised by Wolfgang Horn in 2018, especially the preface and the critical report. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).
SKU: CA.4061846
Key: C major. Language: Latin.
Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score available separately - see item CA.4061800.
SKU: CA.4061847
SKU: CA.4061848
SKU: CA.4061845
SKU: BR.PB-5577
ISBN 9790004213872. 10 x 12.5 inches.
The performance material is derived from the scholarly-critical editions of the Das Erbe deutscher Musik series, on which the informative Preface and Critical Report were based. The new piano-vocal score has been edited by the reputable expert Matthias Grunert.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).