Maybe This Time

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Ten Old Favourites In Easy To Intermediate-Level Arrangements. Par DIVERS AUTEURS (ARR.RAE JAMES). Ten wonderful arrangements, by James Rae, of some of the best known and well loved favourites from 20th Century light music. 'You Must Remember This” is the title of this collection and you certainly will remember hits like 'Misty”, 'As Time Goes By” and 'Give my Regards to Broadway”. These easy to intermediate arrangements for alto (or tenor) saxophone include a piano accompaniment that teachers will find eminently manageable and there are chord symbols - maybe your guitarist friend could join in! They have been set in comfortable keys so that you can concentrate on bringing out your best tone and fully interpret these evergreen classics. Great pieces for teaching, concerts or just simple enjoyment and, once you have mastered them, you can go on to James Rae's earlier collections, 'Take Ten” (UE18836) and 'Take Another Ten” (UE21170) / Niveau : Facile / Recueil / Saxophone Alto ou Ténor et Piano

Some of the most enduringly popular songs in simple, playable piano arrangements. Ideal for beginner pianists. Contents: As Time Goes By; Bewitched; Cabaret; High Hopes; I Got Plenty O' Nuttin'; It Ain't Necessarily So; Love & Marriage; Maybe This Time; Never Met A Man I Didn't Like; Over The Rainbow; Raindrops Keep Fallin' On My Head; Send In The Clowns; Singin' In The Rain; Summertime; Tomorrow

Jouni Kaipainen's String Quartet No. 6 'The Terror Run' Op. 92. Commissioned by the BBC Radio for the Proms concerts 2010. Dedicated to the Meta4 Quartet. Parts available: WH31197A Programme note: My former experience in writing string quartets has made me used to the idea that a piece of mine in this genre lasts close to half an hour and consists of several movements with different characters. This time the commission clearly stated a duration of 12 minutes and this naturally brought about lots of thinking and orientating. Eventually I luckily found out that I actually can alter mybasic “string quartet philosophy” so that such a short piece became an existing option. In the music itself there is nothing very much to explain. The quartet is for the most part quite lively flowing music in fast tempi. In the very beginning there is something haunting in the atmosphere but soon joyful for the most part delicately light at times maybe also “dance-like” characters take over.  But in terms of dramaturgy   the music has a tendency to grow more weighty and harsh and these quasi-violent elements gradually threaten the sunny unproblematic flow. Closer to the end we come to a point where nothing is easy anymore. This brings about a slow section of quite different nature and after that the former hilarious swing tries to make a comeback – but does not really succeed. The run goes on but the overtones are now more shadowy and the mood on the scary side. The subtitle comes from the novel The Camomile Lawn (1984) by Mary Wesley of which Ken Taylor made a wonderful TV series adaptation for Channel 4 (1992) where a marvellous casting of great actors supports the colourful beautiful and delightful story. In this novel young Sophie (gorgeously played by the 10-year-old Rebecca Hall) has eagerly waited for her older cousins to arrive to her aunt’s house at the

TITLE COMPOSER - A Friend Has Gone Away Michel Legrand (contributor); Sheldon Harnick (contributor) - A Piece of the Sky Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - After the Rain Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor) - Between Yesterday and Tomorrow Alan Bergman (contributor); Marilyn Bergman (contributor) - Can You Tell the Moment? Alan Bergman (contributor); Marilyn Bergman (contributor) - Faded Roses (from The Other Side of Midnight) Michel Legrand (contributor); Carol Connors (contributor) - Happy Michel Legrand (contributor); William Smokey Brown (contributor) - His Eyes, Her Eyes Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - How Do You Keep the Music Playing? (from Best Friends) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - I Was Born in Love with You Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor) - I Will Say Goodbye Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - I Will Wait for You Michel Legrand (contributor); Norman Gimbel (contributor) - If There Were No Dreams Michel Legrand (contributor); Neil Diamond (contributor) - Love Makes the Changes Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) Magic Alan Bergman (contributor); Marilyn Bergman (contributor) Martina contributor: Legrand, Michel (C); Shaper, Hal (A) Maybe Someone Dreamed Us Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Nobody Knows Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - On My Way to You Michel Legrand (composer); Alan Bergman (composer); Marilyn Bergman (composer) - No Matter What Happens - Once Upon a Summertime contributor: E Marnay; J Mercer; M Legrand; E Barclay - Once You've Been in Love Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - One at a Time Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Papa Can You Hear Me (from Yentl) Michel Legrand (composer); Alan Bergman (composer); Marilyn Bergman (composer) Pieces of Dreams (Little Boy Lost) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - Secret Places Alan Jay Lerner (contributor); Michel Legrand (contributor) - Something New in My Life Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) Such Sweet Sorrow Michel Legrand (contributor); Marshall Barer (contributor) - Summer Me, Winter Me Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Tell a Lie Michel Legrand (contributor); Marshall Barer (contributor) - That's Show Biz Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Easy Way Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Hands of Time Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - The Moon and I Alan Bergman (contributor); Marilyn Bergman (contributor) - The Summer Knows (Theme from The Summer of '42) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Way He Makes Me Feel (from Yentl) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Windmills of Your Mind (from The Thomas Crown Affair) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - The Years of My Youth Hal Shaper (contributor); Michel Legrand (contributor) - This Quiet Room Alan Bergman (contributor); Marilyn Bergman (contributor) - Watch What Happens Michel Legrand (contributor) - What Are You Doing the Rest of Your Life? Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - Where Is It Written? Michel Legrand (contributor); Alan Bergman (contributor); Marilyn Bergman (contributor) - Will Someone Ever Look at Me That Way (from Yentl) Michel Legrand (composer); Alan Bergman (lyricist); Marilyn Bergman (lyricist) - You Must Believe in Spring Alan Bergman (contributor); Marilyn Bergman (contributor); Michel Legrand (contributor)

for piano. Par LARCHER THOMAS. One could say that it is very natural to write for a “natural” [as opposed to prepared] piano - yes, maybe, but for me this had not been natural for many years. Exploring new things and sounds sometimes also has to do with not wanting to face the status quo, hiding oneself in a so-called future. In many of my earlier pieces I had fled into preparing the piano, wanting to avoid hearing the natural piano sound, which I knew too well and with which I had lived for forty years. I had always found it extremely difficult to say something personal, maybe even new with this sound. But this time I had to face the piano as such and try to make something interesting. (Thomas Larcher)/ Répertoire / Piano

A great selection of 100 of the best film songs ever, arranged for piano, voice and guitar. Features fabulous songs from all your favourite movies including: Casablanca, Cabaret, Mary Poppins, Forest Gump, Midnight Cowboy, Footloose, Jaws, Star Trek, Ghost, Titanic, Schindler's List, Saturday Night Fever, Stand By Me, Love Story, Breakfast At Tiffany's... and many, many more!

‘Mixed Bag’ stands midway between a collection and a hotchpotch. It is a colourful compilation of four completely different pieces each with its own specific character. The first part is called ‘Tanguillo’ : as its name suggests this Spanish dance is related to the Tango. In the next part ‘Maybe next time ....’ a repeated bass line (Passacaglia) can be heard first solo but thereafter gradually the other instruments join in. The third part forms a huge contrast – did the former part have a Baroque atmosphere ‘Rock Hard’ seems to have come directly from the Rock ‘n Roll era reminding us of stars such as Bill Haley and Elvis Presley. The finale is acheerful inciting movement called ‘Gypsy Dance’.