Meditations - Organ

Following the success of Hymn Miniatures 1 Rebecca Groom te Velde presents a second collection of twenty-eight practical arrangements for organ. These short pieces each based on a well-known hymn tune are ideal for use as service interludes hymn introductions communion meditations and short preludes offertories and postludes. Suitable for use throughout the year te Velde's accessible arrangements will prove invaluable to the church musician looking for fresh repertoire to enhance services.Austrian Hymn - TrioAbbot's Leigh - IntradaAsh Grove - DeclamationBesançon - DanceCarlisle - DeclamationCrucifer -FanfareDarwall's 148th - MeditationDivinum mysterium - MeditationEbenezer - TrioEngelberg - FanfareGelobt sei Gott - IntradaFoundation - MeditationGrande Isle - MusetteHanover - MeditationIn Babilone - PastoraleIn dulci jubilo - MusetteLaudate Dominum - MeditationLlangloffan - MeditationLyons - TrioMonkland - DuoMorning Hymn - DuoPuer nobis nascitur - PastoraleSt. Columba - MeditationSt. Denio - MeditationSt. George>'s Windsor - MeditationSt. Peter - MeditationTruro - IntradaUnser Herrscher - Meditation

Pour les années Kevin Mayhew publie des collections utiles pour les organistes de paroisse emballés avec des morceaux accessibles et mélodieuses - et cette nouvelle collection ne fait pas exception. Jetez un regard sur les compositeurs inclus et vous savez quelle qualité de s'attendre. / Orgue

Description This collection of 50 short liturgical works by Alexandre Guilmant offers organists a practical resource of music ideally suited to church services and recitals. Organists will find here a large, varied, and colourful menu of music for sacred occasions, including offertories, preludes, postludes, marches, meditations, and music for communion services. Selected and edited by Samuel P.Warren. Songlist Absolution In E Minor Allegretto In B Allegro Moderato E Pastorale In E Allegro Non Troppo In A Minor Andante Con Moto In E-flat Andante Con Moto In F Anthems Bridal Chorus In D-flat Cantabile In F Canzona In F Minor Choral In G Communion In D Communion In E Minor Communion In G Elegy In F Minor Elevation In E Minor Elevation In F Fuga Alla Handel In F Funeral March In C Minor Grand Chorus In March Form Grand Triumphal Chorus In A Interlude In E-flat Invocation In E-flat Ite Missa Est In D Minor Madrigal In E-flat Magnificat In G March In D March In F Meditation In B Minor Melody In G Offertory In A Offertory In C Minor Offertory In D Offertory In E-flat Postlude In F Prayer In A Flat Prayer In B-flat Prelude And Fugue In E Minor Prelude In E-flat Processional March In A Scherzo Symphonique In C Strophe For The Hymn Iste Confessor Strophes For The Ascension Hymn Torchlight March In F Versets

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony and melodies  L'Ascension for Organ is no exception to the composer's popular distinctive style. L'Ascension was originally composed for orchestra by Messiaen in 1932-1933. The composer described the work as Four Symphonic Meditations and the sections are; 1) Majesty of Christ praying that His Father should glorify Him 2) Serene Alleluias from a soul longing for Heaven 3) Alleluia on the Trumpet Alleluia on the Cymbal and 4) Prayer from Christ ascending towards HisFather. Messiaen arranged L'Ascensionfor solo Organ a year later. The first second and fourth movements are arrangements of the orchestral version however the composer created a new third movement; Outburst of joy from a soul before the Glory of Christ which is its own glory. L'Ascension is essential to all advanced organists seeking to expand and vary their repertoire.

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The editions are ideal for teaching purposes or for use in church services.The third volume contains liturgical organ music (chorale preludes and hymnaccompaniments) and includes works by composers from Johann Christian Bach to Augustinus Franz Kropfreiter. The first volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich to Th?odore Salom? are presented.The piecesare easy to sight-read and sound impressive. The volumes will be appreciated by amateur and professional church-musicians alike.Collection of organ music which does not require much practisingMainly for amateur organistsSuitable for teaching purposesAlready published:Volume I: Festive Music Fugues Trios BA 9287Volume II: Meditative Music Pastorals BA 9288?? a collection that brings pleasure to the musical amateur and also offers some attractive discoveries for the professional.? (Musica sacra)?Who amongst us amateur organists doesn?t ask himself ?What will I play this Sunday? with little time to practice and if possible a piece which isn?t too well-known? In these volumes one will find the answer!?W?rttembergische Bl?tter f?r Kirchenmusik)

Neuf méditations pour orgue-Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony and melodies ?La Nativit? Du Seigneur?is no exception to the composer's popular distinctive style. Volume 1 published in 1935 with the three following volumes comprises the first three meditations The Virgin and the Child The Shepherds and Eternal Purposes. The entire work by Messiaen ?La Nativit? Du Seigneur?is a testament to the composer's Christian faith. The work was one of the first to feature the composer's own modes of limitedtransposition and influences of birdsong. This edition of the popular Messiaen work includes notes by the composer on how to perform certain features.?La Nativit? Du Seigneur?is essential to all advanced organists seeking to expand and vary their repertoire.

Book 1-Sonata No. 1 Op. 5Two Preludes Op. 52Two Meditations Op. 57A Quiet Voluntary Op. 70Basil Harwood's organ music takes a chronological journey through the composer's creative years. This journey begins with the Organ Sonata No. 1 in C sharp minor op. 5 and ends with Quiet Voluntary for Evensong op. 70 composed in 1946 when the composer was eighty-seven. In the intervening years came many and varied compositions often demanding an instrument of ample resources together with a player equal to their somewhat formidable technical demands. Displaying a fine sense of craftsmanship they represent an important contribution to the organ repertoire.Unjustly neglected in the years since the composer's death it is hoped that these six volumes will continue the ever-growing interest in Basil Harwood's music.

Noel Rawstorne has a rare and consummate ability to create organ music which sounds spectacular but remains easy to play. This collection of Thirty-Six Miniatures For Organ ranges from the ebullient and thrilling tothe meditative and peaceful. All the features which organists expect to find in his compositions are present in abundance. This is a collection to be highly valued and greatly enjoyed by organists and audiences.

Sonntagsorgel is a collection of stylistically varied pieces for the amateur organist comprising three volumes. The edition is ideal for use in church services or for teaching purposes. This the First Volume includes festive preludes toccatas and fugues trios and pastorals by German and French composers from the 17th through to the 20th century. In the second volume meditative pieces by composers ranging from Christian Heinrich Rinck to Théodore Salomé are presented. The third volume will contain chorale preludes and hymn accompaniments for liturgical purposes. This collection of Organ music covers a broad range ofcompositional styles. The pieces are easy to sight-read are not technically demanding and sound effective; the edition will be appreciated by amateur and professional church musicians alike. - Collection of Organ music which does not require much practicing- Ideal for amateur organists- Suitable for teaching purposes

Eine Aleatorische Improvisation (1983). Par SCHEDL GERHARD. Das Konzept: 1.) eine Musik zu entwerfen, welche die Grundtugend der Organisten, die Improvisation, aufgreift und dennoch das gesamte Tonmaterial exakt vorausstellt§ 2.) die Organisation einer Grundtonreihe (aber keiner dodekaphonischen) in verschieden .../ Répertoire / Orgue