25 Melodious Studies, Op. 45 (Complete)

Each of these four instructional sonatas for solo clarinet (transcribed from Barret's famous oboe studies by David Hite) includes a complete accompaniment part for second clarinet making them suitable not just for intermediate toadvanced solo study but also as contest pieces for two clarinets. Also included in this volume are five melodious studies by Delphin Alard.

Finger Fitness 3 is an ideal supplement to The Classical Piano Method: Method Book 3 (ED 13536). It contains easy to intermediate technical exercises, suitable for pianists who have completed Method Book 2 of the series, or for those returning to the instrument after a break.This book includes 44 elementary finger exercises, studies and etudes for developing finger strength and independence, evenness, accuracy and speed of playing, as well as articulation and general musicality.The pieces are presented in a progressively graded format, providing you with relevant repertoire as your playing develops. / Piano

Offering insightful interpretive suggestions, pertinent fingering and historical and stylistic commentary, the Schirmer Performance Editions series is designed for Piano students and teachers, as well as professional pianists.This volume contains 22 pieces by 14 composers, including Berens, Beyer, Burgmüller, Duvernoy, Ellmenreich, Gurlitt, Heller, Kullak, Kunz, Oesten, Reinecke, Schumann, Streabbog and Tchaikovsky.Complete with online access to recorded performances, this book provides the early intermediate level pianist with a newly-engraved collection of pieces from the Romantic Era, accompanied by historical notes and performance suggestions. / Piano

Use with Melodious and Progressive Studies - Book 2 (HL00970025) and Level 2 of Developmental and Progressive Studies Cavally's newly released complete pedagogy for the flute: · Tone Studies (HL00119356) · Scale Studies (HL00119358) · Velocity Studies (HL00119362)

The hugely successful Bastien series presents a set of studies that are perfect for any early Piano student. Thirty-five varied study pieces have been assembled to give the Piano student a rich source of music to add variety topractice hours with each challenging a different discipline of Piano technique. The simple melodies will challenge your left and right hand coordination playing melodies and basic chords. The pieces gradually build in difficultyto include contrary motion scale-based accompaniments and syncopations. The book is complete with a CD that features two tracks for each piece one at a slower rehearsal tempo and another at the 'goal' tempo.

Three Études. For solo piano. The first of these Études was written in memory of Mark Ray, former Head of Keyboard Studies at the Royal Northern College of Music (RNCM), who died in tragic circumstances in 2006. It makes use of syncopated rhythms and percussive articulation, with a passing reference to Ravel?s G major concerto, the work he performed in concert when he was a student at the RNCM. The Étude was premiered by Peter Lawson in 2006. Études 2 and 3 were added to complete the set in 2020. Étude 2 is dedicated to Murray McLachlan, and is a study in textural control, with ?a quiet wistfulness, floating with reflection calmly over gentle quaver figurations?. Étude 3 is dedicated to Jonathan Scott, and has more than a hint of the motoric rhythms and folk melodies of Bartok. It is ?an extremely energised essay that encourages virtuosic bravura and élan? (McLachlan).

In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure the second installment in his epic opera cycle Der Ring des Nibelungen he took time out to write a series of lieder for (and based on poems by)Mathilde Wesendonck with whom Wagner was believed to have been at the very least extremely infatuated. Whatever the truth might have been behind their relationship it is known that Wagner had met Mathilde's husband Otto inZurich and his ensuing friendship with the couple led to this beautiful set of lieder.Wagner himself called two of the set's songs (Im Treibhaus and Traume) ?studies? for his magnificent opera Tristan andIsolde and though originally intended for female voice with piano all of these songs were eventually orchestrated either by Wagner (in the case of Traume) or by other composers. When they were first performed in 1862 they weretitled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors.Much earlier in 1839 Wagner had composed a three-song cycle called Trois Melodies. The firstpiece entitled Dors mon enfant was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance and of which he wrote that his wife had called ?heavenly for sending one to sleep?. He thenset Ronsard's song Mignonne and Victor Hugo's L'attente (from that author's Orientales) to round out the set. Wagner offered L'attente to the reigning diva of the time Pauline Viardot who is said to have flatly refused it.Wagner wrote in his memoirs My Life ?I have no reason to be ashamed of these small pieces.?Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with yourvirtuoso accompanist Narciso Solero at the piano.

Media Type : Book Level : Beginning Musical Genre : All Styles Number of pages : 24 This extremely simple, big-note method is ideal for young children, and is especially useful for the trail or rental period. Teaching first position notes all four strings, the exercises guide early beginners through their first production of tone. Great emphasis has been placed in this book of sound fundamentals, proper hand positioning, holding of the bow, etc. Designed to be used in introductory lessons, this book contains extensive photographs illustrating proper hand positions. The exercises in the book progress from single-string studies to melodies combining more than one string. Upon completion of this book, the student will be ready to enter into Mel Bay's Violin Method.