Memories Of France

SKU: FZ.5794

ISBN 9790230657945. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in one book. ANCELET - Jean Laurent de BETHISY - C. R. BRIJON - Michel CORRETTE - Francois, le jeune CUPIS - Encyclopedie - FRAMERY N. E. et GINGUENE P. L. : Encyclopedie methodique - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Marin MERSENNE - Michel WOLDEMAR. Table of contents: VIOLA. Mersenne Marin: Harmonie universelle - 1636. Bethisy Jean Laurent de: Exposition de la theorie - 1754. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Corrette Michel: Methode pour apprendre [. . . ] de la quinte ou alto - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Framery N. E. et Ginguene P. L. : Encyclopedie methodique (reprend le texte de l'Encyclopedie de Diderot) - 1785. Cupis Francois, Le jeune: Methode d'alto - 1800 (ca). Woldemar Michel: Methode d'alto - 1800/1805 (ca). PAR-DESSUS DE VIOLE. Corrette Michel: Methode pour apprendre facilement a jouer du par-dessus de viole - 1748. Ancelet: Observations sur la musique - 1757. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Brijon C. R. : Methode nouvelle et facile pour apprendre a jouer du par-dessus de viole - 1766. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Bayerische Staatsbibliothek of Munich (Germany). - National Library of Paris (France). - British Library of London (England). - Det Kongelike Bibliothek of Copenhagen (Denmark). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola and pardessus de viole.

SKU: FZ.5850

ISBN 9790230658508. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in four books. ANCELET - Jacques-Laurent BETHISY - Sebastien de BROSSARD (1-2) - Michel CORRETTE (1) - Jean-Baptiste DOMENJOUD - Pierre DUPONT - Encyclopedie - F. A. P. de GARSAULT - Francesco GEMINIANI - Marin MERSENNE - Michel Pignolet de MONTECLAIR - Leopold MOZART. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Brossard Sebastien de: Dictionnaire de musiqua - 1703. Brossard Sebastien de: [Methode de violon manuscrite] - c. 1711. Monteclair Michel Pignolet de: Methode facile pour apprendre a jouer du violon - 1711. Dupont Pierre: Principes de violon - 1718. Corrette Michel: L'ecole d'Orphee - 1738. Dupont Pierre: Principes de violon '(seconde edition) - 1740. Encyclopedie: Articles sur le violon et la lutherie - 1751/1772. Geminiani Francesco: L'art de jouer du violon - 1752. Ancelet: Observations sur la musique - 1757. Domenjoud Jean-Baptiste: De la preference des vis aux chevilles - 1757. Garsault F. A. P. de: Notionnaire, ou memorial raisonne - 1761. Bethisy Jacques Laurent: Exposition de la theorie - 1764. Mozart Leopold: Methode raisonnee pour apprendre a jouer du violon - 1770. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - Library of Congress, Washington (USA). - Bayerische Staatsbibliothek of Munich (Germany). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.

SKU: HL.49045225

ISBN 9790001129602. 9.0x12.0x0.122 inches. French.

If a chanson is combined with a birthday celebration (in this case, that of the Ensemble Utopik who commissioned this new work), this inevitably brings back scenes of childhood. For me, Adieu Madras conjures up memories of the homeland of my family, and in particular Henri and Jacqueline Salvador whose wonderful TV programmes I watched during the 1970s. It is without doubt thanks to Henri Salvadors wonderful interpretation that this old chanson from Martinique, dating from the late eighteenth century and almost a national anthem both in Martinique and Guadeloupe, has also gained such popularity in France. Thierry Pecou.

SKU: HL.50605317

ISBN 9781705177570. UPC: 196288102694. 9.0x12.0 inches.

Pieces of Light was commissioned by the Flautadors for their 20th Anniversary. When the group approached me about writing a piece, I had just finished reading Pieces of Light; The New Science of Memory by Charles Fernyhough, and it struck me that a work inspired by memories and how they are created in our brains would be very appropriate for a group of musicians celebrating such a wonderful milestone. A quote by Nabokov in particular provided ideas for both the rapid, rhythmic music that starts and ends the piece and the slow, 'light-filled' chords of the middle section: [In Nabokov's autobiography, Speak, Memory, he sees] 'the awakening of consciousness as a series of spaced flashes, with the intervals between them gradually diminishing until bright blocks of perception are formed, affording memory a slippery hold.' In addition, this work has really been shaped by the recorders themselves: before writing, I spent several hours with Ian Wilson (a member of the group) learning about the myriad different types of instrument I could write for. The renaissance instruments particularly appealed due to their fabulous timbre, despite the fact that, due to their open hole design, diatonic music works much better than anything chromatic. I became rather obsessed with the idea of writing chromatic music for diatonic instruments, and so in this piece I use recorders at both modern (A440) and baroque (A415, a semi-tone lower) pitch. This allowed me to write a piece that uses all twelve semitones of the scale throughout, whilst never writing a note for any individual recorder that falls outside its particular diatonic major scale: a compositional device that pleased me greatly!-Cheryl Frances-Hoad, 2019.

SKU: HL.1187372

ISBN 9781705191927. UPC: 196288129301. 9.0x12.0 inches.

Scenes from the Wild is a song cycle for tenor and chamber orchestra, based on the book by Dara McAnulty: Diary of a Young Naturalist. The diary, March 2018-19, begins with an echo of Dara's early memories, then traces the year through his autism and being bullied at school, but primarily through real events that describe his interaction with the natural world. His fascination for all flora and fauna and his horror at their destruction lead on to the start of his activism; by the end of this year he emerges, just before his 15th birthday, knowing where he must go.

SKU: CA.2100419

ISBN 9790007138851. Language: Latin.

The Requiem was composed during Campra's tenure as the director of music at the cathedral of Notre Dame. It was commissioned for a service in memory of the deceased Archbishop of Paris. At the end of the 18th century it became a tradition in southern France to perform movements of Campra's Requiem during funerals or at memorial services: There is evidence from as late as 1805 which verifies this practice. The scoring of this work is remarkable, in that it calls for four groups of performers: a five-voice Grand Choeur, a 2-3 voice Petit Choeur, three vocal soloists as well as an instrumental group designated as a Symphonie.. Score and parts available separately - see item CA.2100400.

SKU: CA.2100413

ISBN 9790007197704. Language: Latin.

The Requiem was composed during Campra's tenure as the director of music at the cathedral of Notre Dame. It was commissioned for a service in memory of the deceased Archbishop of Paris. At the end of the 18th century it became a tradition in southern France to perform movements of Campra's Requiem during funerals or at memorial services: There is evidence from as late as 1805 which verifies this practice. The scoring of this work is remarkable, in that it calls for four groups of performers: a five-voice Grand Choeur, a 2-3 voice Petit Choeur, three vocal soloists as well as an instrumental group designated as a Symphonie.. Score and part available separately - see item CA.2100400.