Miniature pin Trumpet

A suite of five miniatures providing the young trumpeter with a variety of entertaining pieces that remain true to the spirit of early and classic jazz comprises a rag a blues a stomp with a Latin flavour a slow and sentimental ballad and a final dash in quick march time

Junior Just Brass No. 8-Score and Parts for Ian MacDonald's Three Miniatures edited by Philip Jones & Elgar Howarth for the Junior Just Brass series. The Just Brass series is regarded by brass players worldwide as the most important brass ensembleseries available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have been specificallychosen and edited for young players. The pieces are scored for four or five players and in some there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility in instrumentsrequired.

Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51.Cantata for the 15th Sunday after Trinity.The solo cantata ?Jauchzet Gott In Allen Landen? written around 1730 for the 15th Sunday after Trinity is one of Bach?s best-known cantatas.The scoring for solo Soprano Trumpet Strings and Continuo is unique amongst Bach?s cantatas and has parallels with Italian composers of the period.The enduring popularity of the work is due to the clear and succinct formal structure and not least to the virtuoso Trumpet part and Soprano arias in which the soloists can demonstrate their total mastery.The cantata ispublished in a Vocal score based on the ?New Bach Edition? with an idiomatic straightforward Piano reduction by Martin Focke.- Famous work with a festive instrumental sound.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1051) performance material (BA10051) & Vocal score (BA10051-90) available for sale.

Par NOACK KURT. Le seul travail encore connu aujourd'hui par Noack, 'Heinzelmännchens Wachtparade' (Parade of the Brownies) OP 5 a été appelé un 'morceau de caractère' par le compositeur lui-même et cette ' en miniature marches ' transmet humour et bonne humeur dès le début - vous pouvez imaginer immédiatement une image des brownies trébucher le long ! La deuxième partie du trio offre une effectie ironique et même se terminant avec ses enticing harmonies et surprendre les effets./ Répertoire / Trompette et Piano

London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his second trip to England in 1794. This work is one of the still popular from the series of the so-called '12 London Symphonies' (Hob. 1/93 - Hob. 104).The work characterized by musical finesse and various sonic stimuli has the following four movements: I. Adagio - Allegro - II. Allegretto (C major) - III. Menuet: Moderato - IV. Presto. The somewhat unusual epithet 'military symphony' refers essentially to the second and the fourth movement ('Allegretto' and 'Presto') in which the instrumentation is enriched by timpani triangle cymbals and bass drum and thereby the evokes the impression of amilitary band. A 'trumpet signal' especially set in the second movement led to such a characterization. On the value and importance of this G major Symphony the following article from the Allgemeine Musikalische Zeitung of April 1799 reveals: 'It is a little less learned and easier to grasp than some of the other's newest works but new ones Ideas just as rich as they. Perhaps the surprise in music can not be furthered than it is here by the sudden collapse of full Janissary music in the minor of the second movement-since until then one has no suspicion that these Turkish instruments are attached to the symphony. But here too not only the inventive but also the prudent artist shows. Nevertheless the Andante is nevertheless a whole: for in all the pleasing and easy things that the composer in order to infer from the idea of his coup deceitfully brought it into the first part of it it is nevertheless arranged and worked in a march.' The 'Military Symphony' was premiered on March 31 1799 in London.

The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.

This work written by Maxwell Davies in 1983 for chamber orchestra was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by EdwardHarper in October 1983. Duration c. 29mins.This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney on a fine Spring afternoon after Maxwell Davies had played theharmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries the more recent ones with familiar names largely of people who lived in houses now ruinous crofters fishermen clerics sea-captains. Next to it stood the chief farmhouse the Bu going back to Viking times. He thought of the lives and deaths encompassed there expressed through hundreds of years of music in thechurch and in the big barn of the farm.The plainsongs ‘Dies Irae’ and ‘Victimae Paschali Laudes’ are used throughout the work the first concerning the Day of Judgement from the Mass for the Dead the second particular toEaster Sunday and the Resurrection. These are subject to constant transformation the intervallic contour slowly changes from one into the other and their notes are made to dance through Renaissance astrological ‘magic square’patterns.The orchestra consists of double woodwind two horns two trumpets and strings.

Edward Elgar's Cello Concerto in E minor Op. 85 his last notable work is a cornerstone of the solo Cello repertoire. In contrast with Elgar's earlier Violin Concerto which is lyrical and passionate the Cello Concerto written in the aftermath of the First World War is for the most part contemplative and elegiac. The four-movement concerto scored for solo Cello 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani and Strings did not achieve wide popularity until the 1960s however is now regarded to 'rank not only among his finest works but among the greatest ofits kind' (Michael Kennedy).Sir Edward William Elgar was an English composer many of whose works have entered the British and international classical concert repertoire. Although Elgar is often regarded as ‘typically English’ most of his musical influences were not from England but from continental Europe.