SKU: HL.48016423
UPC: 073999164237. 9.0x12.0x0.107 inches.
SKU: HL.48016424
UPC: 073999164244. 9.0x12.0x0.168 inches.
SKU: HL.48181395
UPC: 888680857363. 9.0x12.0x0.143 inches.
“Like a technical, contemporary encyclopedia for the Clarinet, Paul Jeanjean's 16 Modern Studies for Clarinet provides a detailed guide to establishing high standard, up-to-date technique on the instrument. Jeanjean's compilation covers all problems which modern day clarinetists encounter, including complex rhythms, intervals, range, and other extended techniques making the book a must buy for all advanced clarinetists. As a noted virtuoso Clarinet player himself, Paul Jeanjean's (1874-1928) understanding of the practice of technical elements is second to none. The 16 Modern Studies supply steady development from beginning to end making this Jeanjean<i/> study book a must-have for virtuosic Clarinet players.â€.
SKU: BT.DHP-1084478-400
ISBN 9789043129909. 9x12 inches. English-German-French-Dutch.
Play â??em Right! is the ultimate series for wind players who want to learn popular music styles in a practical and exciting way. In Play â??em Right! - More Play-Along you will find thirteen amazing pop and jazz pieces: join in with RandB from the sixties, boogaloo, funk, gospel, jive, rock-shuffle, swing, latin and modern RandB. On the enclosed CD all thirteen can be found (demo play-along) - played â??liveâ?? by a professional combo. Thereâ??s plenty to discover in Play â??em Right! - More Play-Along!Play â??em Right! is dé serie voor blazers die op een praktische en boeiende manier lichtemuziekstijlen willen leren. In Play â??em Right! - More Play-Along! vind je tien geweldige pop- en jazzstukken: speel mee met RandBuit de jaren zestig, boogaloo, funk, gospel, jive, rock-shuffle, swing, latin en moderne RandB. Op de bijgevoegde cd staan ze alle 13 (demo play-along) - â??liveâ?? ingespeeld door een professioneel combo. Er valt genoeg te ontdekkenin Play â??em Right! - More Play-Along!Play 'em Right! ist die ultimative Reihe für Bläser, die auf praktische und spannende Weise Popmusikstile lernen möchten. In Play 'em Right! - More Play-along ist dies gleich mit 13 unglaublichen Jazz- und Popstücken möglich: RandB aus den Sechzigern, Boogaloo, Funk, Gospel, Jive, Rock-shuffle, Swing, Latin und moderner RandB. Auf der beiliegenden CD sind alle 13 Stücke zu finden (als Demo- und als Play-Along-Version) - live eingespielt von einer professionellen Combo. Es gibt viel zu entdecken in Play 'em Right! - More Play-along!Play â??em Right! est la collection incontournable que tout instrumentiste vent se doit de posséder sâ??il souhaite se familiariser avec les styles de la musique pop, de façon simple, efficace et plaisante. Play â??em Right! - More Play-Along! réunit treize superbes morceaux pop et jazz dans des styles aussi divers que variés allant du RandB des années 60 au RandB moderne en passant par le boogaloo, le funk, le gospel, le jive, le rock-shuffle, le swing et les musiques latines. Sur le compact disc inclus, vous trouverez une version de démonstration et une version play-along de chaque pièce. Lâ??accompagnement a été confié un combo professionnel. Play â??em Right! - MorePlay-Along! : une aventure musicale ! Una pubblicazione che rappresenta una sfida per tutti gli strumentisti con allâ??attivo alcuni anni dâ??esperienza. Playâ??em Right - More Play Along copre una vasta paletta di stili musicali consentendo, grazie ad introduzioni sui vari generi ed esercizi tecnici, di avere un approccio efficace e gratificante. I 10 brani proposti spaziano dal pop al jazz, passando per il funk, il gospel, il rock-shuffle, lo swing e la musica latina. Molta importanza è data alla creativit , allâ??interpretazione e alla musicalit . Il CD incluso è un prezioso aiuto per lâ??acquisizione delle tecniche.
SKU: CF.O304X
ISBN 9781491160275. UPC: 680160918867.
This authoritative and completely re-engraved edition of the Celebrated Method for Clarinet has been edited by Stanley Drucker, former New York Philharmonic Principal Clarinet, and his wife and colleague Naomi Drucker, Professor of Clarinet at Hofstra University. The new layout allows for much easier reading during practice and performance while preserving the pedagogical nature of the method. Purists and modernists alike will welcome this modernized edition. The new edition include the addition of Rose Etude excerpts, expansion of Kroepsch Studies, and complete Grand Duets for study and performance.
SKU: BR.EB-8919
ISBN 9790004185858. 9 x 12 inches.
Night Music The clarinet in Clifford Odets's comedy Night Music is directly involved in the stage plot: it is played by the main character and characterizes his moods and actions. The composer Hanns Eisler's estate contains several clarinet solos coming from the play's context; the most challenging of these is the Moment Musical (called that only later), evidently deleted by the composer in favor of alternatives that were easier to play. Two such alternatives are reproduced in the appendix to this first edition. All three works are suitable for pedagogical practice as well as for concert performance, thanks to their sometimes brilliant, sometimes pensive musicality, together with their exemplary musical quality.
SKU: CA.2719009
ISBN 9790007200732. Text language: Latin.
Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and parts available separately - see item CA.2719000.
SKU: BA.BA10303-01
ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann.
The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.2719005
ISBN 9790007166458. Text language: Latin.
Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score available separately - see item CA.2719000.
SKU: CA.2719004
ISBN 9790007170493. Language: Latin.
SKU: CA.2719011
ISBN 9790007200749. Text language: Latin.
Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and part available separately - see item CA.2719000.
SKU: CA.2719013
ISBN 9790007200763. Text language: Latin.
SKU: CA.2719015
ISBN 9790007200787. Text language: Latin.
SKU: CA.2719012
ISBN 9790007200756. Text language: Latin.
SKU: CA.2719049
ISBN 9790007200794. Language: Latin.
SKU: CA.2719014
ISBN 9790007200770. Text language: Latin.
SKU: CA.4068809
ISBN 9790007220327. Language: Latin.
With its tonal language of subjective avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, it is an entirely independent work which set standards for the further development of settings of the Mass in the 19th century. Its newness, of which the composer himself was fully aware (I do not speak gladly of my Mass, or of myself, but I do believe that I have treated the text in a manner in which only few have treated it.), paves a way to an hitherto unknown, contemporary avenue to faith which today is still current. Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich. Score and parts available separately - see item CA.4068800.
